We must continue to insist to our better off brothers and sisters that they are in the same racial boat as their less better off kin. Even elevated class status and superior financial standing cannot ward off the effects and consequences of racism.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

I knew Snoop Dog didn't start misogyny. I knew that Tupac Shakur didn't start sexism, and God knows that Dr. Dre didn't start patriarchy. Yet they extended it in vicious form within their own communities. They made vulnerable people more vulnerable.

Elvis [Presley] had a stepstool, if you will, to success because he came from the dominant culture. They identified with him. Michael Jackson had to come further and go deeper into the pit of possibility of American democracy and of cultural expression.

I went to school four years later than most people because I was a teen father, hustled on the streets, worked, lived on welfare and the like, and didn't get to college until almost 21. That's when I officially got licensed and ordained, right after that.

Originality doesn't consist of saying it first, originality consists of saying it in a way that is specifically tailored to the moment in which you are addressing - and at the moment when the complications arise, challenging the logic of what you're doing.

America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.

In the minds of many Americans, if you are a radical Democrat or a Socialist, you are automatically a Communist. And if you are a Communist, then therefore you are an anti-American person and a person who is not a patriot. But nothing is further from the truth.

Obviously, Jay-Z is one of the greatest entertainers of the world today. Not only is he a remarkable rhetorical genius, he's also a man of deep sympathy and empathy for those who are lost and vulnerable, but especially under-educated youth of all cultures and stripes.

I'm not trying to say stop Donald Trump from being elected as his party's nominee. I'm saying that we have a responsibility to raise our voices, to say what he does as an American citizen is pretty destructive to the practice of goodhearted and conscientious politics.

The consequences of whiteness are particularly lethal right now. And the ignorance about it, especially on the part of white people themselves, makes them unavoidably complicit in a system that has to be unmasked, unveiled, undressed in order to be reformed or destroyed.

Record labels collude with some of the radio stations, and the radio stations have their play lists, dependent upon what they call the, quote, 'hits.' What's commercially viable gets recycled, endlessly repeated, and as a result of that, the progressive music can't break in.

If Barack Obama now, or some black person in the future, should become president, neither Jesse Jackson nor Al Sharpton would be out of a job. A black president can't end black misery; a black president can't be a civil rights leader or primarily a crusader for racial justice.

I hope [white brothers and sisters] read this book [Tears we cannot stop] and engage with it, but other white people have a better chance of speaking more directly to the white folk they know, because they're less likely to be subject to ridicule. They're insiders, so to speak.

We should not be post-racial: seeking to get beyond the uplifting meanings and edifying registers of blackness. Rather, we should be post-racist: moving beyond cultural fascism and vicious narratives of racial privilege and superiority that tear at the fabric of "e pluribus unum.

Jeremiah Wright is one of the greatest prophetic preachers that black America has produced. What I find striking is that many white brothers and sisters miss the fact that there would be no black church if the white church wasn't political and racist in refusing to worship with us.

Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.

Speaking out against rap music is useless, and it's futile. The reality is there's criticism for everything, but Jay-Z is one of the most remarkable artists of our time of any genre, and as a hip-hop artist he carries the weight of that art form with such splendor and grace and genius.

Martin Luther King, Jr., would have been the last person to have wanted his iconization and his heroism. He was an enormously guilt-laden man. He was drenched in a sense of shame about his being featured as the preeminent leader of African-American culture and the civil rights movement.

I think that he [Michael Jackson] did derive an ultimate sense of joy and satisfaction in what others enjoyed from him that was denied to himself. There's no question that the transcendent art that he created was a means, an instrument, a vehicle for others to experience what he didn't.

I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of black identity and the possibilities of R&B music in the '70s and '80s, will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

I think that Michael Jackson, just as an entertainer, as a figure who embodies the contradictions of Black identity, and the possibilities of R&B music in the '70s and '80s will continue to be one of the most recognized and formidable human beings that we've ever produced in our tradition.

To challenge norms, presuppositions, practices in communities across this country - where the unconscious valorization and celebration of whiteness and conscious resistance to trying to grapple with black and brown and other peoples of color's ideas and identities - makes a huge difference.

The methodologies of examining hip hop are borrowed from sociology, politics, religion, economics, urban studies, journalism, communications theory, American studies, transatlantic studies, black studies, history, musicology, comparative literature, English, linguistics, and other disciplines.

I think that not only do saints make poor role models, they are incapable in one sense of identifying radically with those of us who are mere mortals. Martin Luther King, Jr.'s mortality says to us that here's a figure who got up every day of his life facing tremendous odds and yet overcame them.

There are huge divorces and divides and chasms in black America between the have-gots and the have-nots, between the monied and the poor, between the educated and the non-educated. And there are huge and growing chasms daily. And I want to say that it's not simply about generation. It's about genre.

New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.

The beauty of the literary art, the grappling with the black church, the wrestling with one's identity in the bosom of a complicated black community that was both bulwark to the larger white society as well as a threshing ground, so to speak, to hash out the differences that black people have among ourselves.

Hurricane Katrina overwhelmed levees and exploded the conventional wisdom about a shared American prosperity, exposing a group of people so poor they didn't have $50 for a bus ticket out of town. If we want to learn something from this disaster, the lesson ought to be: America's poor deserve better than this.

I suppose that I inherited the same vocabulary and world view as most black Christians do, most Christians in general, to be sure. It was heterosexist in the sense that it took the heterosexual orientation as the norm from which to start as the given. And everything that fell outside of that was not acceptable.

If you take a guy like a Barack Obama, who's raised millions of dollars from the most donors in the history of this nation, it suggests that there's a deep and profound hunger for a new politics to come forth. And a guy like him has been able to mobilize that and to reach certain parts of the hip-hop generation.

When white supremacy becomes institutional, it begins to harm the very people who are not simply outside of it because of their race, it begins to harm the folk who look like the folk who want to be in charge. Martin Luther King, Jr., understood this, Malcolm X understood this, James Baldwin really understood this.

We need all the newfangled web-based Internet spread, you know, social media that can catalyze, you know, some serious consciousness about what's going on. But we also need people on the streets pounding the pavement to make a significant and dramatic appearance to suggest that what's going on here is unacceptable.

I think sometimes younger people - not necessarily thinkers and intellectuals and the like, but people who are on social media and who are not as informed as journalists or professional thinkers - may get a bit, you know, impatient with the necessity of sustained thinking, sustained argumentation, sustained dialogue.

When you have closed the Bible, you have neither closed God's mind nor shut God's mouth. God continues to speak, live and exist. I think we should consult the living God for the living word for living people dealing with death, destruction and despair in the midst of our hurt humanity. I believe love will conquer all.

I think we have to face right in the center of the hurricane, if you will, Martin Luther King, Jr.'s foibles and faults. I think that we do no good to ourselves and do no honor to him by pretending that he did not fail, that he did not wrestle greatly and, at times, surrender to his own sins and his own faults and failures.

When you see the misogyny of hip-hop, it's so horrible, it's so putrid, it's so, you know, odious, that we know, we smell, we see it. The misogyny that is reified, that is reinforced, that is subtly reproduced in corporate America or in church life or in synagogues and temples and the like, is sometimes more subtly dealt with.

George Bush ran a campaign where he bragged about being an anti-intellectual, dismissing his Harvard and Yale pedigree, pretending he was an American every day, ordinary everyman, and as a result of that, played up his fumbling speech because it signified that he was a good guy. That is deeply and profoundly anti-intellectual.

There's no question that O.J. Simpson had been a substitute white man in America. He had gained honorary white status. He was not viewed by many white Americans as black. He was not seen as the African American athlete who was rebellious: Jim Brown, Muhammad Ali, Hank Aaron... He was accepted in golf clubs that were very tony.

I was born in '58, so the riot in Detroit in 1967 was a memorable introduction to the issue of race and how race made a difference in American society. And then the next year, of course, Martin Luther King Jr.'s assassination. And the Detroit Tigers winning the World Series. All of that made a huge impression on my growing mind.

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

Michael Jackson fundamentally altered the terms of the debate about African American music. Remember, he was a chocolate, cherubic-faced genius with an African American halo. He had an Afro halo. He was a kid who was capable of embodying all of the high possibilities and the deep griefs that besieged the African American psyche.

I think public intellectuals have a responsibility - to be self-critical on the one hand, to do serious, nuanced work rigorously executed; but to also be able to get off those perches and out of those ivory towers and speak to the real people who make decisions; to speak truth to power and the powerless with lucidity and eloquence.

Light-skinned black people are seen to be closer to white people. The allegiance to lighter-skinned people has operated in a very destructive way that we have internalized ourselves inside black communities. You look at many of the prominent black people in this society who have been able to do well. Many have been lighter-skinned.

But for poor black people and working-class black people, it is a much more difficult way to go. The over-incarceration of black people is just intolerable. When you look at the disparity in terms of education and access to fair schooling, it is horrible. If this would happen to white people in this country, it would not be tolerated.

White supremacy is the conscious or unconscious belief or the investment in the inherent superiority of some, while others are believed to be innately inferior. And it doesn't demand the individual participation of the singular bigot. It is a machine operating in perpetuity, because it doesn't demand that somebody be in place driving.

I think the reality is Michael Jackson's humanity is so deep, the implications and inferences of his art so monumentally and magnificently global, that nothing American television could do to besmirch his character could ever, if you will, deny the legitimate genius that he represents and America has responded, as indeed has the globe.

Class certainly loomed large in Katrina's aftermath. Blacks of means escaped the tragedy; blacks without them suffered and died. In reality, it is how race and class interact that made the situation for the poor so horrible on the Gulf Coast. The rigid caste system that punishes poor blacks and other minorities also targets poor whites.

I'm in bed, so to speak, more with those people who consider themselves atheists but who are concerned about the same things, ideas, and politics I'm concerned with than those who claim to be religious in the same way that I am but have no interest in the political reorganization of society, which needs to be talked about from the pulpit.

You cannot hear the name Martin Luther King, Jr., and not think of death. You might hear the words 'I have a dream,' but they will doubtlessly only serve to underscore an image of a simple motel balcony, a large man made small, a pool of blood. For as famous as he may have been in life, it is - and was - death that ultimately defined him.

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