I want a happy life.

I love domestic life.

An interview is like a minefield.

I am a huge Leonard Cohen person.

I'm not making any bets on the future.

I'm not a happy person when I'm working.

I did find my direction at an early age.

Listen, I've always been very headstrong.

I was born with a fierce need for independence.

Is there anything better than making a kid laugh?

I learn a lot; what I learn cannot be expressed in words.

The possibilities are endless for me - Broadway, TV, music and film.

Everything's connected, and everything has meaning if you look for it.

I want to be like water. I want to slip through fingers, but hold up a ship.

I love things that are old and beautiful and tell a story, even if it's a sad one.

Even the simplest things, I'm guilty of making really bad decisions a lot of the time.

When I was filming the Marilyn Monroe movie, I was listening to a lot of Leonard Cohen.

I'm not going to rush anything and scamper around like a mad person and make myself crazy.

I don't believe that life is linear. I think of it as circles - concentric circles that connect.

I mean, I am still such the-good-girl. I want everybody to like me. I want everybody to be happy.

I'm very conscious of the fact that when I'm working, my daughter is not with one of her parents.

Because whatever I feel inside, it has a place to go. It just saves me over and over and over again.

I just came in this morning with one goal; to make it back tonight, so I'm very excited for the final.

I'm not lonely, and I think that has a lot to do with what's on my bedside table rather than what's in my bed.

I don't think things through very often - I don't project into the future about how a situation will turn out.

For me, relationships are the real action movies. Bombs are exploding every day and the kitchen is Ground Zero.

My poor mom really wants me to meet someone. I think she wanted to believe the Ryan Gosling rumor more than anybody.

I don't know what my version of a relationship or marriage is yet, because the typical model seems a little broken to me.

When my daughter asks, 'What do you do?', every movie I have a different answer. As she grows, she wants more explanations.

I don't know what 15-year-old doesn't have a desire to separate themselves from their parents and prove their independence.

Whatever education I got was from experience and reading. But I also realize I wouldn't pass my friend's sixth-grade class.

When you're in a relationship with somebody who is also a public personality, then it doubles the attention from the media.

I like to do weird things in the shower, like drink my coffee, brush my teeth and drink a smoothie. It's good time management.

There was a weird, innate kind of understanding between me and Christina (Ricci). A psychic told us we were sisters in a past life.

For this relay there was a little more pressure because it's the 200, you have to make sure you swim it smart. The 100 was more about energy.

And I think my daughter knows now that our life is split in two. Half of the year is spent with Mommy working and the other is spent with no work in sight.

It felt as if things were literally slipping through my fingers. Things were just streaming away from me. I lost my sense of humor. I'm still looking for that.

I started acting as a child in Community Theatre but I didn't do any serious stuff. It was all musicals like 'Annie' and 'Wizard of Oz.' I was always in the chorus.

There was a sense of being taken on a journey by the grandmaster of the road trip. You feel this weird angel taking you somewhere. You don't know where, but you trust him.

I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about those are always the wrong choices.

I've come to learn that the choices I labor over and go back and forth about and ask a million people for their opinions and make lists about... those are always the wrong choices.

Oh, Zoe Kazan - I'd move back to Brooklyn for her. She makes me happy with my life. Knowing her, being at her dinner table, going on a walk with her is the best of all possible worlds.

I don't want to do anything to embarrass my family or my church because the town that I come from is so small. There are certain things that I just can't be part of because of my foundation.

I had always been kind of obsessed with making a home of my own and was always drawing rooms that I wanted to live in, down to pictures on the wall and the faces that would be in the photographs.

I find that each job that I do, the thing that gets me there is when I'm not smarter than it, when I don't know instantly how that thing is made. Because if I do, then it's boring. Or it would be simple.

I experienced a lot of loss after his death. I lost my city because of all the paparazzi descending upon us. I actually lost my journal during that time, oddly enough. I literally couldn't hold on to anything.

Maybe it has something to do with turning 30. I don't feel as shy or nervous or self-conscious. I have more confidence that I can handle what life brings me. I don't feel scared to have an idea and express it.

It's all so personal, isn't it? It's hard to talk about work without talking about things that are personal. Work is personal. I don't want to talk about my personal life, but it's on my mind, and it's in my work.

One of the best things - and something I'm grateful for every time I walk onto a film set - is my six and a half years on Dawson's Creek and the experience it afforded me in how to get comfortable with the camera.

Every movie I make I find kind of excruciating. I get a lot back from it, but I feel like I'm kind of always working at the edge of my ability. I guess that's what I'm looking for when I go to work. I am trying to become the edge.

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