Just as Jack Lewis could go through a whole life without meeting someone that he loved, so you can go through whole career on the stage, never meeting a play that says the kind of things you feel deeply about!

Alan Bennett is a very quirkish man. He laughs in a self-effacing way, which stops you getting close. If you embrace him, he'll laugh in an embarrassed way and pull away, not to shrug you off, but because he finds it awkward.

There is nobody on earth who could totally impersonate Jack Lewis, because you may look like him from the front or from the side, you may sound like him, but there'll be all sorts of aspects of you that will be very dissimilar to the man.

I'm not looking at any stage stuff at all. I'm going to give that a break for a while, if not forever, because I've done a huge amount of stage stuff and if the possibility of working in pictures comes along, I'd be silly if I didn't grab it.

I did what every other actor did: there were agents all the way up the Charing Cross Road and up St. Martin's Lane, and I would go out each day and do the agents - walk into these buildings, along their corridors, bang on these doors and say, 'Anything today?'

I used to bury myself in character parts and put on a lot of makeup and use a lot of props. At first I thought it was clever to put on false noses and to do funny voices, but then I suddenly thought, no, that's wrong, you don't do it from the outside, you work from within.

One of the things about George III is that he was aware that the monarchy was slipping away. There was revolution in the air all over Europe. Because of the unpopularity of his predecessors, one of the things he wanted to do was to establish some sort of credibility to the monarchy.

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