Quotes by Ottessa Moshfegh - Page 1

My dad is a gentle and brilliant Iranian violinist.
Ottessa Moshfegh /
Dad
Brilliant
Gentle
Iranian
Violinist
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You can't be a free spirit in a place that feels like it was built on lockdown.
Ottessa Moshfegh /
Free Spirit
Spirit
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I don't like talking too much about my personal life, but it all goes into my work.
Ottessa Moshfegh /
Talking
Talking Too Much
Too Much
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Once I finished 'Eileen,' I wanted to write more novels. I don't see myself stopping any time soon.
Ottessa Moshfegh /
Stopping
Time Myself See
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For me writing isn't a mental exercise, it's barely even a literary exercise, it feels like a spiritual experience.
Ottessa Moshfegh /
Exercise
Spiritual
Writing
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I've found that people get particularly frustrated and shut down when women in fiction are disgusting or disordered.
Ottessa Moshfegh /
Disgusting
Frustrated
Shut
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If you look at the horror genre, that work is all about making people uncomfortable by stimulating our fear of death.
Ottessa Moshfegh /
Horror Genre
Looks
People
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In my own experience, I've found that it's very difficult to make peace with women. We tend to be competitive and feel angry.
Ottessa Moshfegh /
Angry
Competitive
Tend
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I had to brainwash myself, like what I was doing was going to be really, really good, and then just accept whatever happened.
Ottessa Moshfegh /
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I love art because I feel that it's evidence of the great shared universal power. I like art that feels real, that cuts the bullshit.
Ottessa Moshfegh /
Art
Cutting
Real
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I've always known what I'm meant to do. The path of my life has been about discovering what I need to do to support myself as a writer.
Ottessa Moshfegh /
Discovering
Life Myself Path
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I've always really enjoyed sharing my work with others. I find it really hard if I don't think the work will exist outside of my own apartment.
Ottessa Moshfegh /
Apartment
My Own
Thinking
Work Always Will
Work Will Always
Sharing
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I was really interested in piano and sort of discovered that I was a writer when I was about 13 and started writing. And it was my secret thing and my passion.
Ottessa Moshfegh /
Passion
Piano
Writing
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I hope that I'm the kind of person who would step in between somebody holding a gun at somebody else. I would like to be that stupid. I'd like to be that in love with life.
Ottessa Moshfegh /
Gun
Love Life
Stupid
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I was the first person in my family born in the United States. My mom is from Croatia, and my dad is from Iran. They met at music school in Belgium. I grew up as a pianist.
Ottessa Moshfegh /
Dad
Mom
School
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I've always been interested in family secrets and what happens behind closed doors. I find that fascinating and creepy - that's why I read: because I want to know other people's secrets.
Ottessa Moshfegh /
Closed Doors
Creepy
Doors
Fascinating
Closed
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You know that's why people don't like unlikeable characters. It's not that they're not interesting. Everybody knows the most interesting character in a book or a movie or whatever narrative is the villain.
Ottessa Moshfegh /
Book
Character
Interesting
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What's inspiring me the most [is] injustice. My own growth as a member of the human race, in terms of the veils being lifted, seeing more of the beauty and also the horror. A sense of my own purpose in this life. Love...
Ottessa Moshfegh /
Growth
Love Life
Race
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Puberty extends into your twenties, for sure, and some people don't get over that until much later in life. I feel like I'm just starting to get over puberty - basically twenty years of insufferable, totally self-obsessed hell.
Ottessa Moshfegh /
Insufferable
Puberty
Twenties
Life Hell People
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Reality is a projection of consciousness, so if you believe - more than just think - but believe, subliminally, that something is true, it will become true because you will make micro-decisions based on the reality that you have faith in.
Ottessa Moshfegh /
Believe
Reality
Thinking
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The way that I see third person is it's actually first person. Writing for me is all voice work. Third person narrative is just as character-driven as first person narrative for me in terms of a voice. I don't write very much in third person.
Ottessa Moshfegh /
Term
Writing
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Building a relationship with the character. It's just like sitting with someone you know. It's very easy to predict when they're going to shake their head or say whatever, but because I'm the author I have to make characters do what I want them to do.
Ottessa Moshfegh /
Building
Character
Easy
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What you can't teach someone is how to find the door. You can't give someone a door to another universe. You can tell them that the door exists, and if they're stuck in the hallway you can be like, "You're stuck in the hallway," but you can't open the door for them.
Ottessa Moshfegh /
Giving
Like You
Stuck
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It's insane that people have these Internet identities. It has very little to do with who we really are. As a writer, who I'm friends with, how I spend my time, what I look like, what I wear, what I eat, what kind of music I like - it's totally not important to the work.
Ottessa Moshfegh /
Insane
My Time
Work Time Music
Identities
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Distance is where people get really confused. If you stand really far away from someone you're like, "That's not me. I'm so far away from that person. That person is so different from me." It's easy to forget that people - refugees from Syria, for example - are exactly like us.
Ottessa Moshfegh /
Confused
Distance
People
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I'm asking the reader to suspend reality with me and entertain the idea that the person writing is not me. In order to do that well, I think, one needs to point out the artifice of the narrative. Somehow if the narrator is self-aware then it's almost more humanizing and more relatable.
Ottessa Moshfegh /
Reality
Thinking
Writing
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I don't care about being a literary personality - that doesn't appeal to me, especially because the literary world doesn't appeal to me. I actually don't feel like I even belong in it. If this was high school, I would be sitting with the Goths, looking at everyone, being like, 'Whatever.'
Ottessa Moshfegh /
Appeal
Belong
Literary
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I don't really pity any of my characters. I hold my characters under a harsh fluorescent lamp and ask "Who are you?" I'm not doing their makeup or giving them hairdos. They present themselves to me as they are and then I let them say what they want. Usually they're saying something too honest.
Ottessa Moshfegh /
Character
Giving
Makeup
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I was feeling like I'd been born in the wrong place at the wrong time with the wrong people. I don't believe that anymore, not coincidentally two years after writing Eileen. I think that was the driving curiosity for me, thinking about real and fictional characters who could respond to that problem.
Ottessa Moshfegh /
Believe
Real
Writing
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I'm a first - I was the first person in my family born in the United States. My mom is from Croatia, and my dad is from Iran. They met at music school in Belgium. I grew up as a pianist. I was really interested in piano and sort of discovered that I was a writer when I was about 13 and started writing.
Ottessa Moshfegh /
Belgium
Croatia
Iran
Pianist
Family Mom Music
Family Music Dad
Family Music Mom
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I don't need to feel 100% safe, but I have to feel like there's room for me to go a little bit insane if I'm going to have good ideas. Because a good idea is a new idea and if you start going around like, "I have this new idea!" most people are gonna be like, "I've never heard that before, that sounds fishy."
Ottessa Moshfegh /
Fishy
Insane
People
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For me, I enjoy intimidating people and I enjoy being intimidated. It is exciting. It's cool to have an experience with someone where you challenge them, and they are afraid, and then they love you and they've grown. When that happens to me, I feel so blessed if somebody has opened my world up a little bit more.
Ottessa Moshfegh /
Blessed
Love You
People
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I don't think there's anything wrong with pity. Like if you saw a dog having just been hit by a car, you would pity that dog. But then what do you do? Do you leave it there to get run over by more cars, or do you step into traffic and hold up your hand? "Stop! An animal has been hit!" and carry the thing to safety?
Ottessa Moshfegh /
Running
Animal
Dog
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I've dedicated a lot of my life as a writer to understanding how to hear the divine voice, or the music of the spheres, or whatever it is that we do when we're making art, making something out of nothing. Figuring out how to do that is much more important than knowing how to execute a good line. I don't think about that anymore, I just write.
Ottessa Moshfegh /
Art
Thinking
Writing
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People have been asking me, "What advice do you have for young writers?" I tell them: a) get off social media; b) don't ask your friends what they think about your work or your ideas. You need to focus and be insane within yourself to build your sandcastle. The mind is so malleable and you need to have a steel trap around it, at least while you're working on something.
Ottessa Moshfegh /
Focus
People
Thinking
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Think about every time you've seen someone being objectified, abused, enslaved. We see it constantly on the TV, in magazines, on the Internet. We've become numb, so we do nothing. The accumulation of passivity might make reading about that exploitation uncomfortable. And sometimes when I'm writing, I think of it like this: "People seem to like garbage, so here is what garbage smells like..."
Ottessa Moshfegh /
Reading
Thinking
Writing
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My short stories are so character-based and they're also so private. They're like a private world in each story and I'm getting more and more interested in allowing myself to investigate the big picture about this country, and about human beings, and about the planet, and about the solar system, and about the nature of the material world in general. And I felt like I needed to move into a bigger form.
Ottessa Moshfegh /
Country
Moving
World
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Sometimes I think I'm a nihilist because it doesn't matter, none of this matters. We're all following the will of some unknowable higher power, probably the stars manipulating our cellular magnets. We think we have all this agency, but do we? Do we really? Can you choose to be brave when you were born a coward? Can we be deprogrammed from the brainwashing that we grew up in? I think we can, but I think we need a lot of help.
Ottessa Moshfegh /
Brave
Coward
Thinking
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There are all these levels of pretension in LA. Every time you walk into a café or a bar or a restaurant in LA everybody turns around to see if you're famous. Everybody can seem like a celebrity. You can meet somebody who looks like Joe Schmoe and he turns out to be the head of HBO or something. Or you meet a person who just won an Oscar and he looks like he just won an Oscar. And it's a sprawling city, there's so many different parts to it.
Ottessa Moshfegh /
Different
Pretension
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I want to say that what is cool about writing self-aware first person narrative is that the awareness is not necessarily the same awareness of the reader. I have a story coming out in the Paris Review and it's about a hipster. He think's he's self-aware, he's very introspective and analytical, but when you're reading it you can totally see through his self-analysis because you have a higher awareness than he does. I like playing with that too.
Ottessa Moshfegh /
Hipster
Reading
Writing
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I prefer reading novels. Short stories are too much like daggers. And now that I'm done with my collection I'm more interested in different forms of writing and other kinds of narrative art. I'm working on a screenplay. But when I was working on Eileen, I definitely felt like I was taking a piss. Like, here I am, typing on my computer, writing the "novel." It wasn't that it was insincere, but there was a kind of farcical feeling I had when I was writing.
Ottessa Moshfegh /
Art
Reading
Writing
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Anybody that I like that you talk to about me will probably agree that when I'm hanging out with someone one-on-one, I have a tendency to build this attitude toward the world outside of us, it's us and them. I'm with you here, and you're with me, and we are in the club and everybody else out there is in that shitty club. The positive is I make people feel really special, and I also make some people really uncomfortable and judged, and I'm working on that.
Ottessa Moshfegh /
Attitude
People
Special
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There are a lot of smart people being really thoughtful and writing really interesting things, but that isn't what I want to do. It's never felt like what I've been called to do. And I have to risk sounding really arrogant when I say that because I've gone to Ivy League schools and been privileged in all these ways in the world of ideas, but I'm not as smart as you think. I'm not really depending on what I learned in college to write my books. Those were just parts of my life experience.
Ottessa Moshfegh /
Book
Smart
Writing
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I think we waste a lot of time trying to convince other people that we're right. A lot of times we don't actually care what another person thinks, we just want to say what we think. To hear it reflected back to us and that we're okay, to hear that we have been understood and that we're correct - so that we can continue to be who we are in the ways we've been being, and we have nothing to feel bad about and everything is just fine. Even if what we're talking about is, like, police brutality.
Ottessa Moshfegh /
People
Police
Thinking
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I live in East Hollywood which is sort of the end of the grit, butting up against Silverlake and Los Feliz which are the refined gentrified hipster zones, which I tend to appreciate when I need to get coffee, but I like living in the grit. I like feeling separate from that elitist civilization in some way, even though I don't really "belong" in the grit either. But I do spend more than half my time now in the desert which is really nice - to be off the grid, remembering that the world is bigger than the city streets.
Ottessa Moshfegh /
Coffee
Hipster
Nice
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Indifference is the saddest state of being. It's like PTSD - you're not gonna fight, you're not gonna run, you're just frozen there, feeling nothing. It's very easy to have conversations when you're sitting there feeling nothing, to talk about the weather or what you had for lunch, to Instagram what you had for lunch. We're all suffering from trauma. This world is so crazy. How do we feel safe here? I think that's the question everybody's asking, "What do I need to do to feel safe? Like I'm okay?" I don't think there's anything wrong with that.
Ottessa Moshfegh /
Running
Crazy
Fighting
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I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains.
Ottessa Moshfegh /
Fun
Reading
Writing
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The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
Ottessa Moshfegh /
Dream
Imagination
Thinking
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In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
Ottessa Moshfegh /
Character
Thinking
Writing
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Ottessa Moshfegh Quotes - Page 1

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