I believe that the arts make indispensable contributions to our understanding.

In my view, we ought to replace the notion of analytic philosophy by that of synthetic philosophy.

In ethics, we don't make progress by discovering pre-existent truths; we do so by solving problems.

The point of philosophy, as I see it, is to change thinking, and thereby to change the conversation.

Philosophers ought to aspire to know lots of different things and to forge useful synthetic perspectives.

I rather stumbled into philosophy. When I began my undergraduate career at Cambridge, I studied mathematics.

The more you read the novella, the more you should wonder, I think, which judgments are to be taken as bedrock.

The expert is a midwife. The expert is not someone who has the authority to pronounce the last word on the subject.

Refined religion is aimed at realizing ethical values, including the fostering of human lives and human communities.

It may be hyperbolic to declare that Shakespeare teaches us more about being human than all the natural scientists combined.

One goal of ethical inquiry might be to uncover strategies available for use when values conflict or when rules are incomplete.

Science literacy consists in the ability and the desire to follow reports of new scientific advances, throughout your whole life.

Experiments work when, and only when, they call into action cognitive capacities that might reliably deliver the conclusions drawn.

It's a very bad idea for scientific conclusions to be accepted because they fit with the political values of a group of researchers.

If the research agenda reflects "market forces", the problems of the poor are likely to be even more neglected than they already are.

I take the ethical truths to be the stable elements that emerge out of ethical progress and that are retained under further ethical progress.

So my methodological approach is to draw on many different features in highlighting different facets of the novella (and the opera and the film).

For a pragmatist like me, the important issues concern the words we might deploy to achieve our purposes, rather than the language we actually use.

I'm very suspicious of the idea of a "final theory" in natural science, and the thought of a complete system of ethical rules seems even more dubious.

It's not at all a bad idea for scientific questions to be chosen because a democratic deliberation would identify them as important for people's lives.

The theory of evolution explains to us what our ancestry has been. It does not explain away our worth. Why should we be afraid to learn more about what we are?

There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.

I'm very concerned about the increasing distortion of research by the intrusion of the market. Universities are beginning to see science as a means of attracting funds.

Any writer who could handle all these different voices would deserve high praise, but to do so without any sense of jarring or incoherence is an extraordinary accomplishment.

Was Mann himself fully aware of all the facets of his irony? Probably not - any more than Shakespeare was fully aware of all the riches subsequent critics have found in his plays.

I don't think readers of Mann have overlooked the fact that he was a great ironist, but they have tended to see the irony in particular parts of the novella, and to miss it in others.

I didn't know that Mahler would come to play so large a role, nor that music and literature and philosophy can interinanimate one another in the way I've come to think they do in this case.

Mann's Death in Venice actually contains a snippet of philosophy about the second question, when Aschenbach, collapsed in the plaza, engages in his quasi-Socratic, anti-Socratic, ruminations.

Most influential of all is the philosopher Stanley Cavell, and a younger generation of philosophers who have attempted to follow his pioneering work in thinking about literature philosophically.

The "little theme" from Vinteuil, heard by Swann as emblematic of his love for Odette, remains a point of reference for him, as the character of that love changes and as the love eventually fades.

After the success of Buddenbrooks, he married and fathered six children. Yet the surviving diaries tell us of recurrent sexual problems - and of Katia Mann's extremely sympathetic response to them

Ethical inquiry has always been motivated by the aim of improving human conduct. It doesn't follow from that that the goal is to produce a complete rule book that would be applicable to all cases.

I argue against literal interpretation of religious doctrines. Religions make progress when they emancipate themselves from literalism, and take their doctrinal statements to be metaphors or allegories.

Current education in science treats all students as if they were going to have scientific careers. They are required to solve problems and memorize lists. For many of them, this kills interest very quickly.

I'm quite pessimistic about climate change. This is an urgent problem, and much of the world is only now waking up to the easiest part of solving - the realization that anthropogenic global warming is real.

The hardest problem of all is to appreciate the facts that the poor nations are - quite reasonably - not going to forgo their development, and that they can only afford to develop by consuming fossil fuels.

In working towards ways of reading Mann, so that his own advances in suggesting new perspectives will become more vivid, I do some fairly standard philosophical analysis of ideas in Nietzsche and Schopenhauer.

Sometimes, however, the new synthetic complex proves stable, and even serves as the beginning of a much larger cluster of attitudes that displace some we've previously considered to be fixed parts of ourselves.

Look at Mann's reading habits, his explicit comments on Nietzsche, and his copy of Birth of Tragedy, and it starts to seem doubtful that this work of Nietzsche's played much role in the gestation of the novella.

In my view, all students should be given an initial opportunity to pursue the science track as far as it goes. But for those who quickly decide that track isn't for them, a different style of teaching is in order.

I have enormous respect for Derek Parfit, although he seems to me bound within an unfortunate philosophical tradition - rather like the extraordinarily brilliant exponents of Ptolemaic astronomy in the Middle Ages.

The balance between literature and philosophy in Schopenhauer and Nietzsche is different from that struck in the novella, but, as Mann clearly pointed out in his writings about both thinkers, both modes are present.

We know that he gave Aschenbach Mahler's first name, and also his facial features. So Visconti picks up on something interesting. That led me to think about ways of developing further the Aschenbach-Mahler connection.

Because the problems are objective features of the human situation - social animals without the capacities for making social life come easily - ethics is objectively constrained. It's not the case that "anything goes".

The result can be quite new - perhaps a tendency to judge that something we've never conceived of is possible, or to feel sympathy for a trait or a type of person whom we've regarded with indifference or even hostility.

Schopenhauer's thought that Will is insatiable, that once satisfied in one form it must be expressed in new desires, is inherited both by Mann and by Aschenbach (it's in Mahler, as well). So life is inevitably incomplete.

I think the tone of mockery Heller finds is a part of Mann's irony, but only a part - a brilliant further touch consists in juxtaposing perspectives so that we're led to wonder whether the mockery itself is the last word.

Klaus Mann saw very clearly how different was his own (more liberated) form of homosexuality from the same-sex attractions of his father - and that is reiterated in TM's diary queries about "how two men can sleep together".

Those citizens are distracted by the toys technology has supplied, and fail to recognize the ways in which what they most deeply want is made vulnerable by the coming disruptions of human relations on an over-heated planet.

The amalgam of psychological attitudes we form is the synthetic complex. It may fall apart quite quickly as further reflection or further experience bears on it, and we may revert to our former judgments, feelings and tendencies.

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