You're never done. You're not done until it's projecting in the theater.

The point is just to create a discipline for making sure that you're creating material.

Sci fi allowed us to be more true to the western than maybe even doing a literal western.

You want to come up with your own points of view first and then test them against what you see.

We wanted to present the Headless Horseman in a new light. That's where the fun comes in, of just diving in.

The higher the IQ the lower the EQ. The more intelligent you are, the lower your ability is to communicate emotionally with people.

Studios, to cut through the clutter, want recognisable titles. But that does not excuse you, as a writer, from having an original story.

'Star Trek Into Darkness' isn't that 'Star Trek' is going to be no fun, and dark. It's that the fun's going to be challenged by some serious issues.

When you are playing a detective, particularly as a woman, you either are going to embrace the fact that it's a man's world you are jumping into, or you're going to ignore it.

I was really fascinated by the idea of how cunning and calculating Headless Horseman would be, and how much personality you can actually get from somebody when they're not expressing. They can do a lot of attitude, just within their body movements.

In school, you learn that there are only seven kinds of stories. There's man versus nature, man versus man, man versus himself, blah blah blah. So it doesn't matter what they're called. It's this: do you have a new story that fits into one of those things.

If something is wrong, it'll prove to be wrong in the wash, and if it's right, you don't want to not expose yourself to it - so I read everything, no matter how horrible it gets. You listen and take it in and if it doesn't sway you, you'll know you considered it.

A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.

I think people have a tendency to think of a writer as someone who wants to go take a walk, maybe case a library... I think that's great sometimes but we really treat it like Monday through Friday come in early. You're not late for inspiration. You're working through it no matter what is happening even if you're writing a terrible version.

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