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When I first started all this, it was mostly music fans that came along, Stones fans. But now, I'm being taken seriously. I've got highfalutin art collectors and everything!
All my family back to the 1700s were water Gypsies. My brothers and me, we were the first ones to be born on dry land. All the rest of them were born on barges in the canals.
When I first started all this, it was mostly music fans that came along, Stones fans. But now, I'm being taken seriously. I've got highfalutin' art collectors and everything!
We got touring with the Stones, and people were trying to keep up with Keith. He's like a human machine with a constitution of iron, and they all thought they could do the same.
We're great, Jo and me. We're pals, and I guess sex has a lot to do with it. She's also brilliant at clearing a room. So protective, so devoted. I can't believe how much she loves me.
It's good fun, making a solo album, because there's perhaps songs that wouldn't get used for the Stones or any other kind of outfit that I'm working with. It's just nice to be the boss.
Back in those days, all us skinny white British kids were trying to look cool and sound black. And there was Hendrix, the ultimate in black cool. Everything he did was natural and perfect.
Having loved the Stones all the time I was growing up, I wasn't about to see them go and split up. It got very close to it in the 80s, when Mick thought that Keith hated him and vice versa.
It's taken folk a while to come around, hasn't it? Even the boys in the band weren't too sure about the whole art thing. They just wanted me to concentrate on the music. But they respect it now.
I heard this massive thud. I spun around, and there Keith was, on the ground. He'd cut his gums up on impact, he was very bloody, and clutching his head. I think it was a kind of wake-up call for him.
During the Eighties, when I was hurting for money, I thought, 'Hang on a minute - I can paint.' I was living in New York and I thought it would get the grocery money coming in, and it escalated from there.
During the Eighties, when I was hurting for money, I thought, "Hang on a minute - I can paint." I was living in New York and I thought it would get the grocery money coming in, and it escalated from there.
I just think my body can't handle it any more. I did try a little drink a while back, and I was actually physically ill. I went into an immediate depression, and felt awful, just dreadful. So that's it. I'm over it now.
I'm a diplomat by nature. I help find the middle ground. I crack a joke and use humour to help resolve potentially vicious situations quickly. It gets things in perspective and helps everyone to see that things aren't as bad as they seem.
We do things on an exchange basis in the music business - it keeps the wheels turning. That's how I can get people like Slash, Flea and Kris Kristofferson on my album. Collaboration should be done through trades rather than charging each other a fortune.
I tried to emulate my favourite guitar players, the old bluesmen like Blind Willie McTell and Big Bill Broonzy. I used to sit by the record player and copy Chuck Berry and the Beatles. You can never copy someone completely, so you end up developing your own style.
I can't go along with all that shit about having to give everything up. I'd always say to them in the clinic I'm still going to have a Guinness, I'm still going to have a glass of wine. They say you can smoke 400 cigs a day and drink 20 cups of coffee, but you can't have a line or a drink again.