I think the book is less emotional than the film. With the film, the emotions are much more raw and in front. In the book, they are kind of ironized and seen through comedy.

The mistake of the West was to put the Sauds on the throne of Saudi Arabia and give them control of the world's oil fortune, which they then used to propagate Wahhabi Islam.

Very often, people who actually pick up a book of mine for the first time are kind of surprised. And I get these letters saying, well, who knew that you were good, you know?

The suicide bomber's imagination leads him to believe in a brilliant act of heroism, when in fact he is simply blowing himself up pointlessly and taking other people's lives.

The acceptance that all that is solid has melted into the air, that reality and morality are not givens but imperfect human constructs, is the point from which fiction begins.

There's a lot of conflict and darkness inside everybody's family. We all pretend to outsiders that it's not so but behind locked doors there are usually high emotions running.

I think anyone who knows me at all knows that I have been a movie addict all my life. I grew up in a city obsessed by cinema and where there are cinemas on every street corner.

I do think of Bombay as my hometown. Those are the streets I walked when I was learning to walk. And it's the place that my imagination has returned to more than anywhere else.

There's a lot of conflict and darkness inside everybody's family. We all pretend to outsiders that it's not so, but behind locked doors, there are usually high emotions running.

Like everybody else, I've had relationships in which I was passionately in love but was completely miserable all the time and didn't trust the person I was in love with one inch.

Human beings understand themselves and shape their futures by arguing and challenging and questioning and saying the un-sayable, not by bowing the knee whether to gods or to men.

Thomas Pynchon looks exactly like Thomas Pynchon should look. He is tall, he wears lumberjack shirts and blue jeans. He has Albert Einstein white hair and Bugs Bunny front teeth.

The thing I really like about Twitter is the speed with which information reaches me. You find out things from Twitter long before they're on the news. That, I think, is valuable.

Stories in families are colossally important. Every family has stories: some funny, some proud, some embarrassing, some shameful. Knowing them is proof of belonging to the family.

Free societies...are societies in motion, and with motion comes tension, dissent, friction. Free people strike sparks, and those sparks are the best evidence of freedom's existence.

Music, love, death. Certainly a triangle of sorts; maybe even an eternal one. "The only people who can see the whole picture," he murmured, "are the ones who step out of the frame."

The novel does not seek to establish a privileged language but it insists upon the freedom to portray and analyze the struggle between the different contestants for such privileges.

There is a widespread difficulty in the Muslim world, which has to do with how the people are taught about examining their own history. A whole range of stuff has been placed off limits.

When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book.

It is literature which for me opened the mysterious and decisive doors of imagination and understanding. To see the way others see. To think the way others think. And above all, to feel.

Human beings do not perceive things whole; we are not gods but wounded creatures, cracked lenses, capably only of fractured perceptions. Partial beings, in all the senses of that phrase.

Obviously, a rigid, blinkered, absolutist world view is the easiest to keep hold of, whereas the fluid, uncertain, metamorphic picture I've always carried about is rather more vulnerable.

Wherever goodness lay, it did not lie in ritual, unthinking obeisance before a deity but rather, perhaps, in the slow clumsy, error-strewn working out of an individual or collective path.

Happy endings must come at the end of something,' the Walrus pointed out. 'If they happen in the middle of a story, or an adventure, or the like, all they do is cheer things up for awhile.

What happened in Pakistan was that people were told: You're all Muslim, so now you're a country. As we saw in 1971 with the Bangladesh secession, the answer to that was: 'Oh no, we're not.'

Nobody ever recognizes themselves unless they are not the character. There are many people who have claimed to be in my books, but unfortunately they were usually people that I didn't know.

But I - and I just think it's very - one of the problems of defending the extraordinary principle of freedom of speech is that you have to defend freedom of speech for people like that too.

I think people direct good films when they feel personal to them, not because it's a famous book or something. It has to something move over that and somehow become personal to the director.

I would argue that religion comes from a desire to get to the questions of, 'Where do we come from?' and 'How shall we live?' And I would say I don't need religion to answer those questions.

We must conclude that it is not only a particular political ideology that has failed, but the idea that men and women could ever define themselves in terms that exclude their spiritual needs.

Live on, survive, for the earth gives forth wonders. It may swallow your heart, but the wonders keep on coming. You stand before them bareheaded, shriven. What is expected of you is attention.

One of the things I've learnt is not to depend on there being a woman in your life to make it work. I love my work, I love my children, I've got wonderful friends, you know, I have a nice life.

Many of us didn't believe in the image of bin Laden as a wandering Old Man of the Mountains, living on plants and insects in an inhospitable cave somewhere on the porous Pakistan-Afghan border.

Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.

Speaking as somebody with three sisters and a very largely female Muslim family, there is not a single woman I know in my family or in their friends who would have accepted the wearing of a veil.

To respect Louis Farrakhan, we must understand, is simply to agree with him... If dissent is now also to be thought of as a form of 'dissing,' then we have indeed succumbed to the thought police.

Matthew Wiener on Mad Men writes the entire series before they start shooting, and if you have that, then what you can do with character and story is not at all unlike what you can do in a novel.

I only met Margaret Thatcher twice. The thing that I thought about meeting her was how extraordinarily intelligent she was. You really had to be on your game otherwise she'd make mincemeat of you.

Matthew Wiener on 'Mad Men' writes the entire series before they start shooting, and if you have that, then what you can do with character and story is not at all unlike what you can do in a novel.

The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.

Between shame and shamelessness lies the axis upon which we turn; meteorological conditions at both these poles are of the most extreme, ferocious type. Shamelessness, shame: the roots of violence.

I only met Margaret Thatcher twice. The thing that I thought about meeting her was how extraordinarily intelligent she was. You really had to be on your game; otherwise, she'd make mincemeat of you.

Having been borne across the world, we are translated men. It is normally supposed that something always gets lost in translation; I cling, obstinately, to the notion that something can also be gained.

The interesting thing about history sometimes. is that you know these people existed, and you knew what jobs they did, but you don't know much about them as people, so you actually have to make them up.

A people that has remained convinced of its greatness and invulnerability, that has chosen to believe such a myth in the face of all the evidence, is a people in the grip of a kind of sleep, or madness.

Among the great struggles of man-good/evil, reason/unreason, etc.-there is also this mighty conflict between the fantasy of Home and the fantasy of Away, the dream of roots and the mirage of the journey.

Exile is a dream of a glorious return. Exile is a vision of revolution: Elba, not St Helena. It is an endless paradox: looking forward by always looking back. The exile is a ball hurled high into the air.

The liveliness of literature lies in its exceptionality, in being the individual, idiosyncratic vision of one human being, in which, to our delight and great surprise, we may find our own vision reflected.

Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.'

There's going to be no more compromise on issues where there should not be compromise. Enough with appeasement or apology and mollifying, all that. To hell with all that. I'm just going to fight my corner.

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