Quotes of All Topics . Occasions . Authors
So when I studied history at Cambridge, I did a special subject in that, exactly that. And then actually that - while I was studying it was where I came across the so-called incident of the satanic verses.
If terrorism is to be defeated, the world of Islam must take on board the secularist-humanist principles on which the modern is based, and without which their countries' freedom will remain a distant dream.
If terrorism is to be defeated, the world of Islam must take on board the secularist-humanist principles on which the modern is based, and without which Muslim countries' freedom will remain a distant dream.
Ignorantly is how we all fall in love; for it is a kind of fall. Closing our eyes, we leap from that cliff in hope of a soft landing. Nor is it always soft; but still, without that leap nobody comes to life.
Only the foolish, blinded by language's conventions, think of fire as red or gold. Fire is blue at it's melancholy rim, green in it's envious heart. It may burn white, or even, in it's greatest rages, black.
The only privilege literature deserves - and this privilege it requires in order to exist - is the privilege of being in the arena of discourse, the place where the struggle of our languages can be acted out.
I think if we wish to live in any kind of a moral universe, we must hold the perpetrators of violence responsible for the violence they perpetrate. It's very simple. The criminal is responsible for the crime.
Sometimes I think that when people become famous, there's a public perception that they are not human beings any more. They don't have feelings; they don't get hurt; you can act and say as you like about them.
People don't like being around despair. Our tolerance for the truly hopeless, for those who are irredeemably broken by life is strictly limited. The sob stories we like are the ones that end before we're bored.
Have you noticed the physical resemblance between Imran Khan and Gaddafi? If you were making a movie of the life of Gaddafi and you wanted a slightly better-looking version of Gaddafi, you might cast Imran Khan.
Actually, I don't even like parties. I would much prefer a room with four friends who sit around and have dinner. I detest nightclubs. And I don't like places where the noise is so loud you can't talk to people.
Literature is where I go to explore the highest and lowest places in human society and in the human spirit, where I hope to find not absolute truth but the truth of the tale, of the imagination and of the heart.
Some people are paralyzed by the consciousness of death, other people live with it.... The fatwa certainly made me think about it a lot more than I ever had. I guess I know I'm going to die, but then, so are you.
So Thomas Pynchon wants a private life and no photographs and nobody to know his home address. I can dig it, I can relate to that (but, like, he should try it when it's compulsory instead of a free-choice option).
I've met the Dalai Lama briefly, but I would probably say my grandfather was the wisest person I ever met. He was my mother's father, an Indian, a family doctor, and very unlike me in that he was deeply religious.
Five mysteries hold the keys to the unseen: the act of love, and the birth of a baby, and the contemplation of great art, and being in the presence of death or disaster, and hearing the human voice lifted in song.
Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.
When I'm writing books, something weird happens; and the result is the books contain a large amount of what you could call 'supernaturalism.' As a writer, I find I need that to explain the world I'm writing about.
When I was writing The Satanic Verses, if you had asked me about the phenomenon that we all now know as radical Islam, I wouldn't have had much to say. As recently as the mid-1980s, it didn't seem to be a big deal.
I know that when people pull apart, they usually employ misunderstanding as a weapon, deliberately getting hold of the stick's wrong end, impaling themselves on its point in order to prove the perfidy of the other.
The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work. They are increasingly seen as not being neutral but rather as combatants by one side or the other.
As human knowledge has grown, it has also become plain that every religious story ever told about how we got here is quite simply wrong. This, finally, is what all religions have in common. They didn't get it right.
When I was writing 'The Satanic Verses,' if you had asked me about the phenomenon that we all now know as radical Islam, I wouldn't have had much to say. As recently as the mid-1980s, it didn't seem to be a big deal.
It's one thing to say, 'I don't like what you said to me and I find it rude and offensive,' but the moment you threaten violence in return, you've taken it to another level, where you lose whatever credibility you had.
Out-of-step intellectuals like Noam Chomsky and the deceased Edward Said have often been dismissed as crazy extremists, 'anti-American,' and in Mr. Said's case even, absurdly, as apologists for Palestinian 'terrorism.'
Reading is a very different thing than performing. In fact, one of the things I think that doesn't work in books on tape is if the person doing the reading "acts" too much; it becomes irritating to you listening to it.
Science fiction is where I started out, really. When I was a kid, I was a complete addict of science fiction. It was one of my earliest interests as a writer, and I've just taken a long time to circle back around to it.
I am certainly not a good Muslim. But I am able now to say that I am Muslim; in fact it is a source of happiness to say that I am now inside, and a part of the community whose values have always been closest to my heart.
I don't read my books, I write them. Once I've finished the many years it usually takes me to write them, I can't bear to read them, because I've spent too long with them already. I'm not advertising them very well, am I?
The point is always reached after which the gods no longer share their lives with mortal men and women, they die or wither away or retire... Now that they've gone, the high drama's over. What remains is ordinary human life.
The thing that I think was very brave of my younger self was that he decided he would be an idiot. Just persevere. That feels brave to me: deciding that I'm going to damn well be this person that I've set my heart on being.
Those who do not have power over the story that dominates their lives, power to retell it, to rethink it, deconstruct it, joke about it, and change it as times change, truly are powerless, because they cannot think new thoughts.
One of the reasons my name is Rushdie is that my father was an admirer of Ibn Rush'd, the 12th century Arab philosopher known as Averroes in the West. In his time, he was making the non-literalist case for interpreting the Koran.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.
If you take a look at history, you will find that the understanding of what is good and evil has always existed before the individual religions. The religions were only invented by people afterwards, in order to express this idea.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.
I have always thought that these two ways of talking, one is the fantastic, the fable, the fairy tale, and the other being history, the scholarly study of what happened, I think they're both amazing ways to understand human nature.
The worst, most insidious effect of censorship is that, in the end, it can deaden the imagination of the people. Where there is no debate, it is hard to go on remembering, every day, that there is a suppressed side to every argument.
Travel was pointless. It removed you from the place in which you had a meaning, and to which you gave meaning in return by dedicating your life to it, and it spirited you away into fairylands where you were, and looked, frankly absurd.
I grew up in a family in which there was very little religion. My father wasn't religious at all. But he was really interested in the subject of, you know, the birth and growth of Islam. And he basically transmitted that interest to me.
What I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.
There is nothing intrinsic linking any religion with any act of violence. The crusades don't prove that Christianity was violent. The Inquisition doesn't prove that Christianity tortures people. But that Christianity did torture people.
The West should be tougher on Pakistan. It is trying to play both ends against the middle - to look like the friend of the revolutionaries on the one hand and a friend of the West in the fight against terrorism. It can't be both things.
When I was growing up, everyone around me was fond of fooling around with words. It was certainly common in my family, but I think it is typical of Bombay, and maybe of India, that there is a sense of play in the way people use language.
The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
We have come to think of taking offence as a fundamental right. We value very little more highly than our rage, which gives us, in our opinion, the moral high ground. From there we can shoot down at our enemies and inflict heavy fatalities.
My first novel - the novel I wrote before 'Midnight's Children' - feels, to me, now, very - I mean, I get embarrassed when I see people reading it. You know, there are some people who, bizarrely, like it. Which I'm, you know, I'm happy for.
We all dream things into being; you imagine yourself having a child, and then you have a child. An inventor will think of something in his mind and then make it actual. So things are often passing from the imagined realm into the real world.
I always thought the front line was the bookstores. And bookstores around America, around the world did astonishingly well. They held the line. They didn't chicken out. You know, they defended the book. They kept it in the front of the store.