Quotes by Sheila Heti - Page 3

If you want to write from life, you can't really write a story. People are always changing, and I think if we didn't look the same day-to-day, and our self weren't always in our body, would we even be the same? The continuity is in our bodies.
Sheila Heti / Writer
Continuity
Day To Day
Life Always Look
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I have this memory of being 15 years old, sitting with a friend on the steps of a little bookstore on Bloor Street in Toronto and saying, 'I'll never take money for my writing!' I had such idealism about this idea of trading your soul for money.
Sheila Heti / Writer
Idealism
Steps
Toronto
Trading
Never Take
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I studied art history and philosophy and took economics and political science classes. I just took whatever I wanted and I didn't worry about grades and I read and learned a lot, and I didn't have much of a social life, so it was deeply absorbing.
Sheila Heti / Writer
Art
Class
Philosophy
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There's so much to learn in writing and in life, and in any particular era in one's life, it seems like a few concerns have to be dealt with at once or else something really bad could happen. Writing seems like the place to deal with those concerns.
Sheila Heti / Writer
Concerns
Dealt
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I just always felt whole when I was writing. I felt this kind of beautiful privacy that I never felt in any other way. I feel like there's this great fullness to being alone, and writing is a really vivid way and a really magical way of being alone.
Sheila Heti / Writer
Being Alone
Fullness
Privacy
Vivid
Any Other Way
Magical
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It has long been known to me that certain objects want you as much as you want them. These are the ones that become important, the objects that you hold dear. The others fade from your life entirely. You wanted them, but they did not want you in return.
Sheila Heti / Writer
Important
Long
Want
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I feel like one can have all of that as a writer; you're writing, you're reading, you're talking to interesting and intelligent people. Your life is structured around whatever book you're writing, and so is your reading and so are many of your conversations.
Sheila Heti / Writer
Book
Reading
Writing
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I remember where I was when I wrote that story, 'Mermaid in a Jar.' I was at a boyfriend's, and he was the only boy I ever dated who was rich, and his parents had a ski chalet, and I just didn't know how to break up with him, so I decided I would be celibate.
Sheila Heti / Writer
Break
Decided
Mermaid
Rich
Boy
Celibate
Dated
Parents
Jar
Ski
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There are times when things are clear in your head and your heart and everything comes all aligned and it's easy and it just feels good to do something. But most of the time it's not like that. Most of the time there's conflict between your head and your heart.
Sheila Heti / Writer
Conflict
Feel Good
Heart
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Some of my favorite experiences of art are when I am there but my attention has wandered. I think stimulation is overrated, and persistent stimulation is exhausting. You sometimes have to be banal, tedious: make the rhythm go soft and slow, give the mind a rest.
Sheila Heti / Writer
Exhausting
Overrated
Persistent
Rhythm
Stimulation
Banal
Wandered
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I think a lot of people try to edit themselves out and I think that's a big mistake, because the person being interviewed is responding to a person, and if you don't know who that person is then you don't really know what's going on with the person being interviewed.
Sheila Heti / Writer
Mistake
People
Thinking
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I don't think about the reader when I'm writing, but I do when I'm editing, of course. For instance, I self-consciously didn't want to do anything to increase the divide between mothers and nonmothers - I think that divide is so horrible and destructive and unnecessary.
Sheila Heti / Writer
Destructive
Editing
Horrible
Increase
Instance
Unnecessary
Divide
Mothers
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Women, post-menopause, go back to how they were before they started menstruating, and there's this great freedom in a woman's life when she reaches the end of that reproductive cycle, and that most women come into their own strength, the same strength they had as a girl.
Sheila Heti / Writer
Cycle
Reproductive
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Growing up, I never knew that Raffi turned down celebrity endorsements, TV shows, and specials and refused to make merchandise, but it makes sense given how I think about him: My memories are limited to his voice through the record player and the album covers I stared at.
Sheila Heti / Writer
Memories
Merchandise
Tv Shows
Covers
Record Player
Refused
Stared
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I'm happy that I wrote 'How Should a Person Be?' and I wouldn't have written that exact book if we had just done the play. So much of the book is about the anxiety of failure - the failure of the play and the failure of the divorce and the failure of not feeling like a good person.
Sheila Heti / Writer
Divorce
Good Person
Exact
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I remember going over proofs of this book - my first book - back in 2001, in a bar in Toronto called the 'Victory Cafe', and thinking sadly to myself, 'This is a very good manuscript but not a very good book.' I don't know what I meant by that, but I was pretty heartbroken and sure it was true.
Sheila Heti / Writer
Good Book
Heartbroken
Toronto
Good Myself Thinking
Bar
Cafe
Manuscript
Sadly
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Writing, for me, when I'm writing in the first-person, is like a form of acting. So as I'm writing, the character or self I'm writing about and my whole self - when I began the book - become entwined. It's soon hard to tell them apart. The voice I'm trying to explore directs my own perceptions and thoughts.
Sheila Heti / Writer
Acting
Book
Character
Entwined
First Person
Form
My Own
Voice
Apart
Began
Explore
Perceptions
Soon
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Literature and art are one of a number of relationships I have with the world. Like you have relationships with your friends and a relationship with your lover and your relationship with your family and your relationship with your work - sometimes it's really great; sometimes it's non-existent, sometimes it's fruitful.
Sheila Heti / Writer
Art
Literature
Numbers
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I remember very vividly a little plaid dress on which my father sewed all these hanging beads, little horses and stuff. It was my favourite thing ever. I had it when I was four, and I kept it until I was 12, when I gave it to the little neighbour girl. For years, I regretted giving it to her, even though I had no use for it.
Sheila Heti / Writer
Beads
Favourite
Neighbour
Horses
Regretted
Vividly
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I hadn't realized until this week that in [Moses'] youth he killed a man, an Egyptian, and buried him under some sandI used to worry that I wasn't enough like Jesus, but yesterday I remembered who was my king; a man who, when God addressed him and told him to lead the people out of Egypt, said, 'But I'm not a good talker! Couldn't you ask my brother instead?' So it should not be so hard to come at this life with a bit of honesty. I don't need to be great like the leader of the Christian people. I can be a bumbling, murderous coward like the King of the Jews.
Sheila Heti / Writer
Jesus
Brother
Christian
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Sheila Heti Quotes - Page 3

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