Quotes by Stephin Merritt - Page 1 | QuoteForever

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My mother says I have boring percussion.
Stephin Merritt / Singer-Songwriter
Boring
Mother
Percussion
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Serious music isn't listened to in a casual setting. You don't want to listen to that in headphones on the subway.
Stephin Merritt / Singer-Songwriter
Music Is
Serious
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Well, there are certainly original things to say. But I'm not sure that a pop song is the appropriate format to say them in.
Stephin Merritt / Singer-Songwriter
Not Sure
Pop Song
Song
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I think there is such a valid concept as "serious music," meaning that if you don't take it seriously, you don't get it all.
Stephin Merritt / Singer-Songwriter
Serious
Thinking
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There's a whole kind of melancholy that you can only attain with reverb. That's an example of a technology introducing a whole new meaning.
Stephin Merritt / Singer-Songwriter
Technology
Kind
Melancholy
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I'm not too sure if I have a very smart approach to revealing my life. Luckily, I doubt if many people really care about my life that much.
Stephin Merritt / Singer-Songwriter
Doubt
People
Smart
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Surf is that music which is entirely about evoking something. There's never any vocals, so it's not about the lyrics, it's about the reverb.
Stephin Merritt / Singer-Songwriter
Surf
Vocal
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At first I was laboring under the impression that Chinese lyrics didn't rhyme. That turned out to be untrue - they don't rhyme in translation.
Stephin Merritt / Singer-Songwriter
Chinese
Impression
Rhyme
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Never try to do anything artistic when you're feeling something overwhelming. It's like driving a car: If you're experiencing road rage, pull over.
Stephin Merritt / Singer-Songwriter
Car
Feelings
Trying
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There's already a great deal to do writing the songs. And if I were completely in control of it, nobody would be able to say "this song doesn't work."
Stephin Merritt / Singer-Songwriter
Song
Writing
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Okay, a truly great song is a song that makes its own aesthetic intentions clear and then lives up to them and exceeds them in an interesting way. Alright?
Stephin Merritt / Singer-Songwriter
Intention
Interesting
Song
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There are so many clichés in the world, especially in music, that it's a never-ending creative font to just bring two of them together and let them interact.
Stephin Merritt / Singer-Songwriter
Creative
Together
World
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I can imagine lyrics becoming better written by smart machines rather than stupid musicians. Songwriters generally have nothing to say. They may as well be replaced by machines.
Stephin Merritt / Singer-Songwriter
Musician
Smart
Stupid
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If you start out with a song sounding like Britney Spears, and you end up with a song sounding like Pauline Oliveros, you'd better have pretty good liner notes explaining what on earth you mean.
Stephin Merritt / Singer-Songwriter
Earth
Mean
Song
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When you're making a singular pop song, you don't really need any subject matter. You just sort of say, "Uh, I love you." And then you try to figure out some rhyme for that, and there never is one.
Stephin Merritt / Singer-Songwriter
Love You
Song
Trying
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I gave up music criticism because of the increasingly obvious conflict of interest. I couldn't say anything bad about the records when I might be meeting that person's manager backstage an hour later.
Stephin Merritt / Singer-Songwriter
Criticism
Records
Say Anything
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I don't think there are any clichés I try to avoid. As soon as I spot a cliché, I go for it. I feel like clichés are the most useful thing in songwriting. They're the tool on which you build all the rest of the song.
Stephin Merritt / Singer-Songwriter
Song
Thinking
Trying
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I would say that the evocative qualities of music are usually put there in post-production in the reverb. It's really not much about the musicians as the engineering. It's post-production that's being done by the musician at the time.
Stephin Merritt / Singer-Songwriter
Quality
Done
Engineering
Musician
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If you want to write a love song, you need to not try to write it for a particular person in a particular situation. It needs to be vague, otherwise you're going to fall into trap after trap of trying to rhyme with somebody's name. Keep it vague.
Stephin Merritt / Singer-Songwriter
Fall
Song
Writing
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I actually prefer to hear small groups of instruments. Orchestras seem to lack a texture for me, or variety of texture. There's only about ten things you can do with one note in a string section. But a lone violin is continuously changing textures.
Stephin Merritt / Singer-Songwriter
Lone
Variety
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You know, most love songs are not cheesy and corny. Most love songs are complaints, I think. Or about unrequited love, coming at it from some oblique angle. Only the ones that say "I love you" over and over are the cheesy, corny ones that people complain about
Stephin Merritt / Singer-Songwriter
Unrequited Love
Love You
Song
Thinking
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Well, hardcore is so much about the body, in that you have to play as fast as possible. I'm not sure it can be ironized. You can't play faster, though I suppose that with the help of electronics you could play faster. Yeah, if you sped it up, that could ironize it.
Stephin Merritt / Singer-Songwriter
Hardcore
Helping
Not Sure
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My mother was into folk-rock when I was little, so I think of folk-rock as the norm from which everything else deviates. Of course, that's completely preposterous, but that's how I grew up. What is the norm by which to judge wordiness? I think I'm less wordy than Madonna.
Stephin Merritt / Singer-Songwriter
Judging
Mother
Thinking
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The adventure is when people don't know what they're doing at all. Like, I think that the first pop band to use synthesizers as their main instrument and take it seriously was probably Silver Apples. And they sure didn't know what they were doing, and they sure don't sound like anything else.
Stephin Merritt / Singer-Songwriter
Adventure
People
Thinking
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That seems like one of the differences in expectations of "serious" and "popular" music that you can actually depend on the liner notes to explain yourself? Yeah. Whereas in popular music you depend on photo shoots. A hardcore band who looked like Duran Duran would have to depend upon those liner notes.
Stephin Merritt / Singer-Songwriter
Expectations
Hardcore
Serious
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There are only so many instruments you can layer on top of each other that aren't perfectly electronically programmed. "Long Vermont Roads" just cannot be performed live, because it's just too cluttered if it's played by humans. Synthesizers stay out of each other's way in a way that hand-played instruments never can.
Stephin Merritt / Singer-Songwriter
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If the songs were in lumps, then you would expect to understand what was going on in the plot. Which is not a realistic goal. And also the instrumentation is different for every show, so it's more varied sonically. And people are free to make up their own plots, of course. There are pretty dense and complicated plots, and they're simple songs.
Stephin Merritt / Singer-Songwriter
People
Simple
Song
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Yeah, except that when I write pop songs I have pretty strict constraints that I impose on myself. 69 Love Songs is a constraint. That the titles have to begin with "I'"s is a relatively strict constraint. Charm of the Highway Strip is all travel songs. And I am free to change the plot slightly to accommodate something that happens to rhyme conveniently.
Stephin Merritt / Singer-Songwriter
Rhyme
Song
Writing
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I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.
Stephin Merritt / Singer-Songwriter
Attachment
Song
Thinking
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I write songs by sitting around in bars, so drinking songs are a little obvious. It's surprising that I don't write entirely drinking songs, since I am, in fact, drinking while writing the song. Drinking and love are the two principal sources of pleasure outside of music. There's only so many sources of pleasure, really. That's about it. Well, there are other arts as well. But none of them are as pleasurable as music, on a physical level.
Stephin Merritt / Singer-Songwriter
Art
Drinking
Song
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Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.
Stephin Merritt / Singer-Songwriter
Block
Music Is
Musical
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Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
Stephin Merritt / Singer-Songwriter
Important
Song
Thinking
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