Quotes of All Topics . Occasions . Authors
Flashback in film rarely works.
Yorkshire is so much part of me.
Films always make everyone else rich save the author.
I don't really do jolly. I don't know why, I just don't.
Once you finish a book, you let it go out into the world to seek its fortune.
In another life I would be a medievalist. I loved Chaucer, far more than Shakespeare.
It would be difficult to write a convincing ghost story set on a sunny day in a big city.
I collect Victorian automata and coming across them in the dark does give you a little shudder.
Without turning prison life into something more meaningful, prisoners are more likely to reoffend.
I'm really quite hard to scare so it was about mining times when I have jumped, and what creeps me out.
I'm not one of those people who hates Amazon because they're big. Why pay a third more for the same thing?
For I see that then I was still all in a state of innocence, but that innocence, once lost, is lost forever.
Ghost stories ... tell us about things that lie hidden within all of us, and which lurk outside all around us.
Every reader re-creates a novel - in their own imagination, anyway. It's only entirely the writer's when nobody else has read it.
The New Testament is about loving other people as you love yourself. That means caring for them and looking after them and being kind to them.
I like going into a school matinee. I like to be behind the stage because there's a spy-hole and what you see is the best moment in all theatre.
I have sat here at my desk, day after day, night after night, a blank sheet of paper before me, unable to lift my pen, trembling and weeping too.
A book which is left on a shelf is a dead thing but it is also a chrysalis, an inanimate object packed with the potential to burst into new life.
I don't understand it when people get cross about how one of their works was adapted and say, 'Oh, they ruined it!' Well, the book is still there.
I was an only child who was never really good at anything else. I had no other option. I could write; I wanted to write; I wrote. Otherwise, I was unemployable.
Though they don't always have to be set in fog, weather is incredibly important in ghost stories. As is suspense: you've got to turn the screw very, very slowly.
I had not yet learned that we make our own destiny, it springs from within us. It is not the outward events but what we allow ourselves to make of them that count.
Some people make tunes, but it is lines that run like moving messages through my head. Whatever else I am saying and doing often has no bearing on this inner, verbal life.
I wrote ghost stories because I'd always enjoyed reading them, and they seemed to be fizzling out... I don't take them terribly seriously. It's like a cake, with ingredients.
A lot of writers want everything put on screen, but it doesn't work like that. The screenwriter brings her own imaginative interpretation, just as the director and actors do.
The key word for my book The Woman in Black is unsettling... because you're not terrified all of the time or even frightened, but you're unsettled and once you're unsettled, then the door's open.
If you were writing a short ghost story, I would say start very quietly and go, 'One, two, three jump.' Or start with a jump and make it jumpier. But with a long story, it must have rises and falls.
It's just occurred to me that some horror films everybody laughs because they're so ridiculous and they're so frightening in a way, the filmmakers' are trying everything, that they just end up being funny.
It's easy to write a short story and frighten people for five pages, but to work at length, when you do it as in 'The Turn Of The Screw' or 'A Christmas Carol,' it's different; you have to build it and build it.
I have only read very classic traditional English ghost stories, other than Henry James, who wrote some magnificent short ones as well as the longer 'Turn of the Screw.' He, Dickens, and M.R. James are my influences.
Whatever was about, whoever I had seen, and heard rocking, and who had passed me by just now, whoever had opened the locked door was not 'real'. No. But what was 'real'? At that moment I began to doubt my own reality.
This gardener will be out in the very early morning and from late afternoon, attentive to small changes in the quality of light and the atmosphere, as well as to every nuance of the season, which combine to create perfection.
Gardeners celebrate the influence of time. If we have had a late cold spring followed by a desiccating drought, autumn may be the most soft and golden for years; one poor season will sooner or later be compensated for by another.
The one thing the Victorians really believed in was philanthropy. I think we've forgotten the obligation to be philanthropic. I think we need smaller government, but I want to make it clear I'm not the Sarah Palin of the Cotswolds.
I've never written poetry. I'm not a poet, but I think the nearest you get is either the short story or the novella, in that you can't waste a word. There is no hiding place: everything's got to be seen to relate, and the prose counts.
Of all human activities, apart from the procreation of children, gardening is the most optimistic and hopeful. The gardener is by definition one who plans for and believes and trusts in a future, whether in the short or the longer term.
My head reeled at the sheer and startling beauty, the wide, bare openness of it. The sense of space, the vastness of the sky above and on either side made my heart race, I would have travelled a thousand miles to see this. I had never imagined such a place.
Love has an enormous number of connotations, and if somebody is a person who does kind acts as a way of life, if they are generally disposed to being caring and loving and doing things for other people, then kindness is a much stronger word than we make it out to be.
Theology is endlessly interesting in that you can study it without believing in anything. I do believe, but you don't have to. I got very caught up in the 11th-century monasticism and the Cistercians. My dissertation was about Aelred of Rievaulx and one of his books.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
There is a continuity about the garden and an order of succession in the garden year which is deeply pleasing, and in one sense there are no breaks or divisions - seed time flows on to flowering time and harvest time; no sooner is one thing dying than another is coming to life.
I was taught to whistle as a little girl by an undertaker. I used to sit in his workshop, watching him planing wood for the coffins, and he used to whistle all the time - and eventually I started whistling, too. I can whistle anything, particularly trumpet tunes from Classic FM.
A man may be accused of cowardice for fleeing away from all manner of physical dangers but when things supernatural, insubstantial and inexplicable threaten not only his safety and well-being but his sanity, his innermost soul, then retreat is not a sign of weakness but the most prudent course.
Books help to form us. If you cut me open, you will find volume after volume, page after page, the contents of every one I have ever read, somehow transmuted and transformed into me just as my genes and the soul within me make me uniquely me, so I am the unique sum of the books I have read. I am my literary DNA.
Certainly with a book, people are going to be able to read it and give themselves permission to have that delicious feeling of being terrified because they're in a safe place while they're reading. That's what you can rely on as a writer, that people can let themselves be really frightened because they're really all right.
The more contemplative gardener, seeing the garden as a whole, the design of it, and its nature as a still place of delight and refreshment, will wait and hope for the moment when it seems to achieve perfection. Awareness of when such moments are most likely helps to make them happen; they will not be entirely accidental but anticipated; everything will be planned to encourage them.
Certainly with a book, people are going to be able to read it and give themselves permission to have that delicious feeling of being terrified because they're in a safe place while they're reading. That's what you can rely on as a writer, that people can let themselves be really frightened because they're really all right. Being frightened when you're not sure you're all right is a big difference.
I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure.