Stars open among the lilies. Are you not blinded by such expressionless sirens? This is the silence of astounded souls.

I fancied you'd return the way you said, But I grow old and I forget your name. (I think I made you up inside my head.)

I know the bottom, she says. I know it with my great tap root: It is what you fear. I do not fear it: I have been there.

I find that in a novel I can get more of life, perhaps not such intense life, but certainly more of life than in poetry.

To learn and think; to think and live; to live and learn: this always, with new insight, new understanding, and new love.

So learn about life. Cut yourself a big slice with the silver server, a big slice of pie. Open your eyes. Let life happen.

The door of the novel, like the door of the poem, also shuts. But not so fast, nor with such manic, unanswerable finality.

As a poet I would say everything should be able to come into a poem but I can't put toothbrushes in a poem. I really can't.

She stared at her reflection in the glossed shop windows as if to make sure, moment by moment, that she continued to exist.

We know a thing by its opposite corollary; hot by having experienced cold; good by having decided what is bad; love by hate.

And I, stepping from this skin Of old bandages, boredoms, old faces Step to you from the black car of Lethe, Pure as a baby.

My wanting to write books annihilates the original root impulse that would have me bravely and blunderingly working on them.

I am a writer... I am a genius of a writer; I have it in me. I am writing the best poems of my life; they will make my name.

I am afraid of getting married. Spare me from cooking three meals a dayspare me from the relentless cage of routine and rote.

I saw the gooseflesh on my skin. I did not know what made it. I was not cold. Had a ghost passed over? No, it was the poetry.

The moon, also, is merciless: she would drag me Cruelly, being barren. Her radiance scathes me. Or perhaps I have caught her.

I feel occasionally my skull will crack, fatigue is continuous - I only go from less exhausted to more exhausted & back again.

Masks are the order of the day - and the least I can do is cultivate the illusion that I am gay, serene, not hollow and afraid.

I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.

The trouble about jumping was that if you didn't pick the right number of stories, you might still be alive when you hit bottom.

I have never found anybody who could stand to accept the daily demonstrative love I feel in me, and give back as good as I give.

I have felt great advances in my poetry, the main one being a growing victory over word nuances and a superfluity of adjectives.

I am afraid. I am not solid, but hollow. I feel behind my eyes a numb, paralyzed cavern, a pit of hell, a mimicking nothingness.

I drink sherry and wine by myself because I like it and I get the sensuous feeling of indulgence...luxury, bliss, erotic-tinged.

The reason I haven't been writing in this book for so long is partly that I haven't had one decent coherent thought to put down.

I dreamed that you bewitched me into bed And sung me moon-struck, kissed me quite insane. (I think I made you up inside my head.)

Love set you going like a fat gold watch. The midwife slapped your footsoles, and your bald cry Took its place among the elements.

You have to be able to make a real creative life for Yourself, before you can expect anyone Else to provide one ready-made for you.

I felt very still and empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo.

The moon has nothing to be sad about, Staring from her hood of bone. She is used to this sort of thing. Her blacks crackle and drag.

I have the choice of being constantly active and happy or introspectively passive and sad. Or I can go mad by ricocheting in between.

There is something suspect, especially in America, about people who don't have ten-year plans for a career or at least a regular job.

A little thing, like children putting flowers in my hair, can fill up the widening cracks in my self-assurance like soothing lanolin.

I would catch sight of some flawless man off in the distance, but as soon as he moved closer I immediately saw he wouldn’t do at all.

I think writers are the most narcissistic people. Well, I musn't say this, I like many of them, a great many of my friends are writers.

I didn’t want any flowers, I only wanted to lie with my hands turned up and be utterly empty. How free it is, you have no idea how free.

Winter is for women The woman still at her knitting, At the cradle of Spanish walnut, Her body a bulb in the cold and too dumb to think.

Didn't you know I'm going to be the greatest, most entertaining author and artist in the world? Well, don't feel badly, I didn't either!

Please don’t expect me to always be good and kind and loving. There are times when I will be cold and thoughtless and hard to understand.

What horrifies me most is the idea of being useless: well-educated, brilliantly promising, and fading out into an indifferent middle age.

If I have a dry spell ... I wait and live harder, eyes, ears, and heart open, and when the productive time comes, it is that much richer.

God, it was good to let go, let the tight mask fall off, and the bewildered, chaotic fragments pour out. It was the purge, the catharsis.

God, is this all it is, the ricocheting down the corridor of laughter and tears? Of self-worship and self-loathing? Of glory and disgust?

Read widely of others' experiences, even if it'd be more comfortable to snuggle back in the comforting cotton-wool of blissful ignorance.

Perhaps some day I'll crawl back home, beaten, defeated. But not as long as I can make stories out of my heartbreak, beauty out of sorrow.

I think if I had done anything else I would like to have been a doctor. This is the sort of polar opposition to being a writer, I suppose.

I am still so naïve; I know pretty much what I like and dislike; but please, don’t ask me who I am. A passionate, fragmentary girl, maybe?

And there's the fallacy of existence: the idea that one could be happy forever and age with a given situation or series of accomplishments.

I have no preconceptions. Whatever I see, I swallow immediately. Just as it is, unmisted by love or dislike. I am not cruel, only truthful.

Life has been some combination of fairy-tale coincidence and joie de vivre and shocks of beauty together with some hurtful self-questioning.

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