Quotes of All Topics . Occasions . Authors
Fashion is much more collaborative than one might think. You have to have an idea and vision, and you have to communicate that vision to a team of people, and you have to create an environment that allows those people to give the best that they can give.
Just like girls need to learn to be comfortable in heels before they go out in them for the first time, a man should try wearing a suit throughout a normal day. I do most things in a suit-and sometimes even in a tuxedo-and so I'm really comfortable in one.
When I am on my deathbed, I don't think I will be thinking about a nice pair of shoes I had or my beautiful house. I am going to be thinking about an evening I spent with somebody when I was twenty where I felt that I was just absolutely connected to them.
I think we're very uptight in America. You have to remember that we're descended from Puritans. Whether or not the country is now composed of immigrants, our culture as American really begins with the landing of the Pilgrims and a puritanical view of things.
British people still wear clothes. By clothes I mean actual clothes: jackets and shirts and ties and suits. The spirit of Beau Brummell is still visible. English men make an effort. We’ve lost that in the US. Everyone is more concerned with being comfortable.
I am a perfectionist. This job is a total ego thing in a way. To be a designer and say, 'This is the way they should dress; this is the way their homes should look; this is the way the world should be.' But then, that's the goal: world domination through style.
I interview these people all the time who come to my office and say, "I want to be a fashion designer." I tell them where they should start, and they say, "I don't want to do that. I don't want to get anyone coffee." Don't they know it is great to get people coffee?
When you decide you want to make a film, you start listening to everything that anyone has to say about filmmaking and reading everything, and there's a maxim about film being a visual medium, and so you need to make, in a sense, a silent movie and layer on dialogue.
I think some journalists and bloggers want their articles to be clever, and the way into that is by writing nasty things. I think our culture likes to be mean. I don't just find this in fashion - I find it in the news. More and more, it is about ripping people apart.
I love fashion. What I love is the ability to express yourself, to be able to make a product and shoot an ad campaign that tosses you out into the world and lets you have a voice in contemporary culture, iconography. I felt a little bit neutered not having that voice.
I love to design. I am a commercial fashion designer. I always design jackets with two sleeves. I don't design jackets with three sleeves, or the layers and layers come off like little dolls from Russia. Fashion for me is a creative endeavor, but it is not art for me.
This is going to sound crazy, but the first thing I do when I get home is take off all my clothes - at home, just around the house. I take everything off. I can't stand clothes! I take everything off - my shoes, my socks, my watch, shirt, everything. I am completely naked.
When I was a little kid, all I wanted to do was to escape what I thought was the country and get to a city. Probably film and television had influenced me so much, I really thought the key to happiness was living a very artificial life in a penthouse in New York with martini glasses.
You always notice a facelift on a woman. It's a tightness around the ears, and the scar is usually inside the ears. If I suspect it's been done, I usually move around until I can see it. But with a man, it actually pulls your beard and your sideburns back, and that's what's so strange.
For Fleur de Chine, I imagined the romantic and mysterious women from Asia's cinematic past-from the '30s femme fatale in a cheongsam and dark lipstick, to the'60s Hong Kong heroine of In the Mood for Love. I wanted to capture that fascinating, exquisite and slightly scandalous femininity.
I think there's nothing more painful for anyone than unrequited love. If you've ever had that kind of physical access to someone and then, all of a sudden, that is denied, and yet you're still in love with that person, it's very, very, very painful to be around that person in a certain way.
I don't work for money any longer. I'm fortunate enough not to need to work for money, but I work for pride; I work because I love to work, and so the idea that one could lose control of one's own name and that things could be produced with your name on that you were not proud of scared me.
When I was young, I wanted to be a movie star. But I realized that you have no control being an actor. So I went to architecture school in NYC, because I was crazy about buildings. Then I began to realize that I got more excited about Vogue coming out each month than I was about my projects.
My grandmother was probably the first person who I thought was beautiful. She was incredibly stylish, she had big hair, big cars. I was probably 3 years old, but she was like a cartoon character. She'd swoop into our lives with presents and boxes, and she always smelled great and looked great.
Women are objectified in our culture. And more and more, it takes a great deal of confidence, especially as a woman, to break the mold. You know, you're afraid that you're going to covered in a magazine as a "fashion don't." That's why you see all these girls on the red carpet looking the same.
I don't wear a lot of color. In fact, I don't actually like color on myself. I love color but it's very challenging, it's very powerful, it can overpower you. I think if my eyes were closed and someone put a red jacket on me, I would be able to feel that it was red. I don't feel great in color.
If I were straight and I were trying to seduce a woman, I could do it just by standing up at the table when she came back from the bathroom. It works. Every time I do that, all the straight men are sitting at the table and their wives are kicking them. "Look at that!" "You never do that for me!"
I know one day I'll be irrelevant. No matter how hard you try there is a cultural moment, but eventually that window's gone, your time on Earth is finished, and you might as well leave. I could absolutely die tomorrow - I would not care. I feel like I've lived, I feel like I've had a great life.
If you're at the Oscars, there's not a man on that red carpet who is not wearing make-up. Most straight actors I know get quite used to it. Even when they go out in real life they grab some sort of bronzer and they throw it on. They dye their eyebrows, they dye their lashes - they know the tricks.
I told myself that I would not come back to women's fashion until I felt I had something new to say. I feel that fashion has become too serious and that the actual customer's needs have not really been addressed. Fashion needs to make one happy. It is a luxury and should enhance one's quality of life.
I grew up in New Mexico, and the older I get, I have less need for contemporary culture and big cities and all the stuff we are bombarded with. I am happier at my ranch in the middle of nowhere watching a bug carry leaves across the grass, listening to silence, riding my horse, and being in open space.
I think that right now we're in a very hard moment and off-putting. I mean, look at shoes today - women's shoes. They couldn't possibly get any higher and meaner and sharper. But then again, you go and watch most films today, they're violent and we're living in a world that is, at the moment, quite hard.
But as an adult working in the fashion industry, I struggle with materialism. And I'm one of the least materialistic people that exist, because material possessions don't mean much to me. They're beautiful, I enjoy them, they can enhance your life to a certain degree, but they're ultimately not important.
If I'm having a bad day I put on the very best thing I have. I polish my shoes, I shine everything up, because that helps me get though the day. It helps me, you know, it's in a sense armor. It says, okay, I'm a mess inside but you know what, on the outside I'm going to be pulled together, everything is okay.
I'm living the exact life I planned on living when I was five. My life has taken some turns and changes that I didn't anticipate, and it has brought me different things. I thought material things would bring me happiness, which they didn't. But through this, I have learned what things are important and what aren't.
I hate going out for lunch during a workday because it slows down my pace and ruins my rhythm. I prefer to eat at my desk. Actually, I wander around the design studio with a plate in my hand as I dine on, for example, salmon sashimi and a salad of tomatoes and mozzarella. I often have a bit of dark chocolate after lunch.
I was the sensitive, shy kid that was teased a lot. I was very definitely bullied. I mean, from an early age, I dressed more like an adult, you know, jackets and very slim trousers and a raincoat. And I - even when I was 7, 8, 9-years-old, carried an attache case to school because I just hated the sloppiness of a book bag.
Choose your team carefully. So much of your success is due to the people who you surround yourself with. Your friends, your family, and the people that you work with -- they all play an important role in inspiring you and supporting you and giving you stability. These are the people in your life who will be honest with you.
I am tired of the cult of youth. The cultural rejection of old age, the stigmatization of wrinkles, grey hair, of bodies furrowed by the years. I am fascinated by Diana Vreeland, Georgia O’Keeffe and Louise Bourgeois, women who have let time embrace them without ever cheating. Society today condemns this, me, I celebrate it.
A film, since it is primarily a visual medium, should really be like a silent film. You should be able to watch something and understand what was going on and use voice when you need to communicate something you can't necessarily communicate visually. The book is the opposite. The book is an inner monologue which is beautiful.
Dressing well is a kind of good manners, if you ask me. When you're standing in a room, your effect is the same as a chair's effect, or a sculpture's. You're part of someone's view, you're part of that world, and so you should dress well. I find it's a show of respect to try to put on your best face and look as good as you can.
I am a spiritual person in an eastern religion kind of way. I learned that happiness for all of us is a switch that you flick in your brain. It doesn't have anything to do with getting a new house, a new car, a new girlfriend, or a new pair of shoes. Our culture is very much about that; we are never happy with what we have today.
There are many designers who have much greater talent as a designer than I do, but they may not have my drive, they may not work as hard, they may not have the focus, the desire... You have to have a talent because, at the end of the day, if the pants you design don't make someone's butt look great, they're not going to buy them.
There's a different kind of comfort that comes from knowing that you are putting your best foot forward. It's called psychological comfort. Look at a picture of the Coney Island boardwalk in 1925. Men were in full-on three-piece suits, hats. They may have only had one suit. But they pressed it. They made it look as good as possible.
One of the most important things is to figure out what your look is — I don't wear this black suit-white shirt combination all the time to try and be iconic — but because I'm most comfortable in this. Cary Grant never turned up in a pink jacket and hot pants and I don't feel the need to experiment when I know I like dressing this way.
When you are having fun and creating something you love, it shows in the product. So when a woman is sifting through a rack of clothes, somehow that piece of clothing that you had so much fun designing speaks to her she responds to it and buys it. I believe you can actually transfer that energy to material things as you're creating them.
To me, beauty and sadness are very closely linked. Truly beautiful things make me sad because I know they are going to fade. When I see a beautiful 20-year-old boy or girl-and they are breathtaking-I am filled with a kind of sadness. But maybe they are beautiful because we know they are not permanent and they are in a kind of transition.
When you are having fun and creating something you love, it shows in the product. So when a woman is sifting through a rack of clothes, somehow that piece of clothing that you had so much fun designing speaks to her; she responds to it and buys it. I believe you can actually transfer that energy to material things as you're creating them.
Bill Sofield has the ability to understand the architecture of a space and how to utilize it in the most beautiful way. He can create completely different styles for his clients based on who they are and what their taste is. Our efforts have always been collaborative, and I value what he brings to the table architecturally and aesthetically.
Yeah. Iʼve always felt this way. I mean weʼre born alone, we die alone. And while weʼre here we are absolutely, completely sealed in our own bodies. Really weird. Kinda freaks me out to think about it. We can only experience the outside world through our own slanted perception of it. Who knows what youʼre really like. I just see what I think youʼre like.
I like to relax and lie in the water. It is the way I calm myself down. But every time I walk past my bathroom, I go in and I put on some perfume. I use different perfumes for different moods. If I feel that I need to calm down, I put on certain fragrances that are more sensual. If I feel that I need to energize, I put on something else. Fragrance for me is so important.
I think we are becoming more and more linked, and before long, we'll all be one culture. It's happening in every field, not just fashion. Actually, I think the only hope for peace is if culture is homogenized. Unfortunately, money seems to be the only solution to political disagreements. If we are all linked through culture and trade, it won't be worth fighting each other.
London is one of the few cities where people still dress properly and fashion exists. Every day I see women who've thought about their outfits. They've picked out the bag, put on proper shoes. ... Do you know how rare it is in parts of America to actually see 'an outfit'? France? I don't want to be anti-French but there isn't a more unattractive group of people on the streets.
First of all, I love women. But I lust after beautiful women in the way that I lust after a beautiful piece of sculpture - this will probably get me in trouble - or a beautiful car. I believe everyone's on a sliding scale of sexuality. There are moments where I am sexually attracted to women. But it doesn't overpower my first impulse; my lust for them is the same as my lust for beauty in all things.
I realized that the way I approached architecture was with a somewhat fashion brain. That didn't get me very good marks in school, because everyone thought fashion was lightweight. In architecture they say, "Well, why is the door pink? Where does it go? What does the pink mean? What does it symbolize? All the other doors are beige, why is that one pink?" I was like, "Well, it's pink because it's pretty."