There will always be crazy things that happen in our lives, but love is the central connector. If we commit to love and partnership, the other stuff doesn't matter.

We all work to succeed in whatever we choose to do in life, so every success only pushes me to do better and I am constantly trying to improve my craft as an actor.

When you're talking about Tim Burton, you're talking about a guy that has such a visual sense, an aesthetic, a storytelling style. It's like he's got his own genre.

Some musicians play blues, others classical jazz or bluegrass. I like to play political roles because I can merge my political interests with my creative interests.

I think what Robert Redford established is amazing; thank god for Robert Redford. He's set an amazing example with Sundance and I hope to follow that in my own way.

I meet people in my business who have this extraordinary ability to understand human nature in their work, but in real life, they don't seem to have the first clue.

I had studied piano since I was 13, but I was surrounded by students who'd been playing since they were 5. I realized I was never going to be anything but mediocre.

We run into some pretty tough arguments sometimes, but the idea is that at the end of the day, my wife and I realize that we'll always be holding each other's hand.

A great actor is independent of the poet, because the supreme essence of feeling does not reside in prose or in verse, but in the accent with which it is delivered.

I never see my movies. When they're on television, I click them away. Hollywood created an image, and I long ago reconciled myself with it. I was the French cliche.

Puja (worship) is offering to God, prathana (prayer) is demanding from God. When we pray by offering all our karma and even ourselves to God, the prayer fruitifies.

As an actor, variety is the spice of life. I love theatre… it's what I enjoy the most. But a bit of TV, a bit of film, a bit of stage - what more could you ask for?

I came from a poor family. My father was from Glasgow, Scotland; my mother's brothers were brakemen on the railroad. We didn't have anything but mush for breakfast.

It seems like the more I live, the more I realize that saying 'yes' is almost never a mistake. If you say no, it might feel safe, but then you end up going nowhere.

Everybody has some talents - we all have an art side and some talent - but you have some areas where you are better than others. My area is acting, I guess. I hope.

I paid a price for being on game shows and that was not being taken seriously. But so what? I did what I did and I was glad. But it's a strange form of immortality.

In the long period of time when I did talk shows and game shows, a whole new generation of people came along who thought of me as that, and not as a theater person.

Irish women are always carrying water on their heads, and always carrying their husbands home from pubs. Such things are the greatest posture-builders in the world.

Seriously I suspected I was a good actor, though I didn't know it during 'Monsoon Wedding'. Now I realize the more I learn the less I know about acting... and life.

I had been off TV for seven-eight years, and I took up 'Khatron Ke Khiladi' on an impulse. I wanted to do something adventurous post-40, and 'Jhalak' just happened.

I'm dying to play a nice guy! No one's willing to cast me. They know I'm all right at bashing people up, but they don't know if I can do the other stuff. And I can.

Kazan was an old friend, I met him in 1938. He picked up radio jobs for eating money, so I met him on a couple of radio shows. Later on I was in a play he directed.

Conventions are, by nature, a party. I mean, that's why people become delegates. They come from all over the world to exercise their democratic rights and to party.

One of the first pieces of advice I was ever given, on my first job was, 'You should always buy something to treat yourself to say, 'Well done for getting the job!'

I always prefer to work intensively on something and then move on to something else. I prefer not to get stuck in something that takes five or six years of my life.

Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.

I don't like waiting around for work, and sometimes as an actor you're forced into that position, so that's sort of how I got into writing, producing and directing.

I'm very surprised at that, yes, because there were many chances for it to be in Germany once the syndication market started and it continually just did not happen.

I got as much information as I could, so I wouldn't look stupid, but this is a post 9/11 world and there's only so much you can do with the FBI in terms of research.

If somebody had started on a remake of French Kiss before I announced my own film, I would have dropped my subject. If someone else starts after me, what am I to do?

Everything changes with age. The parts change with age, your feelings about them change, roles that I would've wanted to play 10 years ago, I don't want to play now.

It was a compromise. There was a sense that I could write my own memoirs, and Larry [Grobel] would help me down the line, or maybe not, maybe he was too close to me.

I went back to the stage because it was my way of dealing with the success I had, my way of coping. It was a way of escaping the responsibilty of what was happening.

As long as my pictures go into theaters and we ask people to pay to see what I do on the screen, I should not object if customers want to know what kind of man I am.

People think, 'Oh, well how can 'The Hobbit,' which is one book, become three films?' But you can take one line from an appendice and it turns into a whole sequence.

I've always been a huge fan of Charles Lawton's performance in 'The Hunchback of Notre Dame,' so somewhere along the line, I've always wanted to play that character.

Most actors nowadays are models turned actors. That's why a lot of young actors are terrible. You have to learn how to act. It is not something that you can just do.

I'm ready to be an action figure. I'd love that very much. And all the redheaded kids will get to go out and feel loved and be able to buy a redheaded action figure.

Women tend to immediately take responsibility if somebody messes up with both of us saying it's our fault. Men are quite happy for it to be your fault it seems like.

Focus on making you the best you you can be as an actor and follow your own path. You can't compare an apple to an orange. It will cause a lot of self-esteem issues.

To establish personal relationships with the people you work with is stupid, because you never know when the winds will change. I try not to get too close to people.

It's interesting to fantasize having a man sink his teeth into your neck for sustenance, knowing that it isn't going to be terribly painful but rather very exciting.

To be absolved, especially if you commit a crime, there is no absolution, you must pay. But for forgiveness, with God or nature, you have to accept what you've done.

When you mimic everyone, sometimes authority figures really don't appreciate it which is not an original story. And pretty much every comedian has some tale of that.

That [film What's My Line] was very useful to me because it had Branch Rickey in a social situation. Every other bit of film [42] that I had was him making a speech.

The future that I see celebrates those types of like-minded ideals and ideas. I don't know what's coming, but I know that we're not going to get knocked out so easy.

The problem of evil is raised more often by spectators of life than the actual combatants. You will hardly ever find that the great sufferers are the great skeptics.

The face and the actor is great, but if you were to start out and you said, "my name is Humphrey" somebody would punch you out, because that's a stupid name to have.

As much as we teach our kids, the process teaches us. If we're being diligent, we're learning from our strengths as parents, but also from the mistakes that we make.

What I don't find compelling is doing classical plays that everyone already knows - and people are following with the text in their hand because no one is listening.

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