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I dont have a trainer. I have what I call the poor mans workout and the rich mans diet. I run for 1 hour every day and do 500 sit-ups and 1000 crunches, and I lift weights at the Y for 28 bucks a month, even if its 3 in the morning.
Compromise is the key element. The more constraints you have, the more compromise you have to have. But, I personally believe that, when that happens, you have to get more creative, and you end up with something that is even better.
I think you'll find a lot of actors will be interested in history because it sparks your imagination so much. When you enter a period of history, your imagination just goes wild in creating the world, which is really what acting is.
I'm not comfortable with walking the red carpet in a tuxedo and seeing all the women with their boobs pushed up and all the men dressed as penguins - particularly when the subject of your film is the nature of violence and humanity.
Cooking gives you the ability to grow as a person and to give yourself confidence. You can invite people around, you can sit down and eat together and it makes you feel about ten feet tall because you've done it with your own hands.
You move on. It's work. Yeah, I'm privileged and paid handsomely and it's not exactly being in a coal mine, but you still work your ass off and you work as hard as you possibly can and you hope that people connect to it and enjoy it.
A script arrived, and on the front cover - scrawled really big, as if it were a book report - is 'Django Unchained, written by Quentin Tarantino.' And I thought, 'Well, no art department came up with this; this is Quentin's writing.'
I have a feeling that being in love sometimes means the projection of your desires onto another person. The important thing is that you like the other person, respect the other person and want to raise children with the other person.
Growing up, I would watch a movie on video and would go to the back of the VHS and locate the address for Universal Pictures or MGM or whatever. I'd write to the studios asking them if I could be in a movie. They never wrote me back.
I had the idea that the film would be much better served by a Branch Rickey lookalike than a Harrison Ford lookalike. I didn't want the audience to go into the film thinking that they knew me from some previous experience in a movie.
I was 35 when I first hit with Star Wars. I had some degree of maturity and some degree of experience, yet physically I still looked young. That had been an impediment early on in my career, but then it turned out to be an advantage.
It was described as Sex and the Suburbs. It's so not that. Because on Sex and the City, those women told each other everything; on our show, it's much more like the real suburbs - nobody tells anybody anything. Everything's a secret.
Now, there is no business like show business, and there is no publicity like word of mouth. What is word of mouth, you may ask? Well, word of mouth is gold to Hollywood bigwigs, and it equates to box office bonanzas and hit TV shows.
So it may be a language that separates you - again, social networks. But second-generation Asian and Hispanics, second, and third and fourth and so on, they are much more likely to be in integrated churches than are blacks or whites.
We're going to see more, and we are seeing more, and I'll tell you exactly why. Not because white and black are more likely to get together. Only a third of the seven percent of congregations that are interracial are black and white.
I did a film which was considered an independent movie with Dustin Hoffman and Andy Garcia called Confidence, and that's the type of film I was willing to take a chance on that because of the caliber of people involved with the film.
It's wrong to make a living off the theater. Theater should be supported, like redwood trees. You should make your living - whether you're a writer or an actor or a director - in movies or commercials. But you do theater out of love.
Suddenly you're surrounded by strangers who want something from you. The thing is, they don't know what they want, and you don't know what they want, unless it's an autograph, and you just sort of stand there grinning at one another.
I'm moved to think about the political state of our country right now. Most people who go out and vote have a very clear sense of what's right and wrong. And a lot of those people who don't aren't sure, so they don't go out and vote.
When I was launched in 2010, people told me that I wasn't the best looking guy, so I would have to act really well. I am aware that I am not conventionally good looking. I have heard it so many times that I have started believing it.
It was a role [Dean Sanderson] I hadn't seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
I think some of the best movie stars in the world are guys who stay in their lane. You can lose an audience if you start saying, "Now I really want to do something that is just for me, but on a massive scale." That's a dangerous mix.
There's nothing worse - I don't like listening to actors talk about the process, especially when - I mean, for me I've played a lot of guys, dudes, boys in a sense and this was a challenge for me just to play that official character.
I agree when others say I am underrated as an actor... When you give super-hit films then only you are considered as a good actor. At least that is how it is there in our industry. I think you need to be successful to be appreciated.
Actors have seven tracks going in their minds: They've got all the research they've done for the part, then they have whatever the director asked them to do, then they've got what the departments like special effects need them to do.
People sometimes say that it's cheaper to give their kids a couple of pounds to get themselves a burger or pizza. I don't mind people doing that, but not every night. It's like everything in life, you've got to get the balance right.
When I play a good guy, I try to explore them and figure out what shapes them and makes them interesting. When I'm playing a bad guy, I try to explore everything that makes them good. No one ever really thinks that they're a bad guy.
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
My acts are irrevocable Because they have no essence... Where are the doers of deeds Absent among their conditions? Imagine a magician Who creates a creature Who creates other creatures. Acts I perform are creatures Who create others.
Whether he's doing great acting or not, you're seeing somebody who is in the tradition of a great actor. What he does with it, that's something else, but he's got it all. The talent, the instrument is there, that's why he has endured.
I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
I have grown up watching Marlon Brando, Al Pacino, Dev Anand, Amitabh Bachchan and the likes. These are actors who have changed with time. They have no shelf-life. They have immortalised themselves because they have evolved with time.
Drama schools are very small community, a very incestuous community, so you get to know one another very, very quickly and it just washes over after a while. Every now and then I'll say "dude" or I'll say "bro," and people will laugh.
When I visited coffee farms in Ethiopia, the farmers could not believe we spend a week's wages in their country on a cup of coffee in ours, because they see so little of the profits. Oxfam's fair trade campaign helps right this wrong.
I do also think it eludes genre a bit - not in any groundbreaking way but you can't quite call it a comedy and you can't quite call it a romantic anything. It's not quite a drama either really. But it has elements of all those things.
When you're watching a movie and find yourself getting emotional, it's because you're bringing something personal to the images. It's the same thing with acting. You're bringing the essence of your core emotional being to that moment.
I think people get intimidated, and they think results should happen right away. Like I said earlier, the body can only change so fast, and so when you're doing it right you just have to keep at it and keep up with a balanced program.
Believe and trust because God is faithful! I'll leave you with this: a dream deferred is not a dream denied. For God can bless you with a dream bigger than the one you ever had for yourself. He did it for me, and He can do it for you!
You work [as an actor] for a bit, and then the job ends 'cause you get thrown off a bridge. And then, you suddenly don't have a career and you have to wait for the next bit to come along. It's the most strange profession in the world.
After I tasted success with erotic thrillers, a time came when I was being offered only films belonging to that genre. The industry loves repeating a success formula, and the audience had formed a certain image of mine in their minds.
We got together, and Bruce Willis was just a sweet animal, a sweetheart. I tell you, right down to the core he's just a real professional, a real gentleman, and I must say I'm so very happy for him that he's got a heck of a good film.
I don't think I have something that's pronounceable as a philosophy. ... When it was fashionable to say, "May the Force be with you," I always said, "Force yourself." ... I'll say again then, "The Force is within you. Force yourself."
I like being able to go to the supermarket and go on the Tube and have an ordinary domestic life. I'd hate to have to protect myself. I'm quite lucky that I can carry on without any intrusions. I don't get given a hard time by anyone.
Thinking fascinates me, and I probably spend too much time in my mind. My wife says that my perfect world is to be in the Suburban driving, with her next to me and the boys in the back seat and complete silence for two thousand miles.
The international reach of Fringe still catches me by surprise a bit, at times. Also, I was given the gift of a character that is every actor's dream. So, you combine those two factors and it's been an incredibly memorable five years.
Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.
The biggest lie is the lie we tell ourselves in the distorted visions we have of ourselves, blocking out some sections, enhancing others. What remains are not the cold facts of life, but how we perceive them. That's really who we are.
I guess it was but I think peoples morality has changed. It's gotten more liberal and more diverse and even in a sense much more fundamental, you take the fundamental religious right in this country, its got to go back about 50 years.
I work out seven days a week, and I love every minute of it. It really is a way just to get away. I weight train and do cardio and stay active as much as possible every day; I have to just to clear my head. I love to get into the gym.
It's not only imagination, it's the distortion of the vision. You suddenly think, This person is idealistic, this person is strong, this person has dreams, when you know better most of the time. You put what you want to see on people.