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Technology, including Zaadz, will allow us to evade the jerks far more than we could before. The technology-based social responsibility movement, broadly construed, will allow us to return to some extent to the moral monitoring of small villages.
I'm not the kind of person to Google myself, because you'll find whatever you're looking for. If you want to read something that says you're the greatest actor that ever lived, if you want to find something that is pretty hurtful, you'll find it.
I didn't use a voice change to do Bilbo. I have a distinctive voice anyway. I did an attitude change, making Bilbo kind of fussy - fussy and proper - then gradually dropped the fussiness and properness as the madness of battle really affects him.
I saw Waiting for Godot when I was 17 in rep with a then unknown actor called Peter O'Toole playing Vladimir. I remember leaving the theatre promising myself that one day I would have a go at this play and then pretty much forgot it for 50 years.
When two kids came along, I couldn't see how I could support them. The way it played out, I was away from the theatre for five years. I was a postie for the first part and then worked as an advertising copywriter, but I somehow found my way back.
I think that being a conscious parent opens your eyes to the fact that any adult relationships that you have, whenever children are present on a daily basis, that they're modeling how they get along with people by what they see how you get along.
The best shows I've done, the writers, actors, and directors have been pretty much left alone - maybe given a little guidance to make it a little more this or more that. But the heavier the hand on the show, I find, the more troubled the show is.
Contrary to the royal and uptight image of polo, I want to bring it to a younger generation. This is a great sport that can have a larger audience and appeal to more people. Sportsmanship is lacking in many other sports that I don't want to name.
I left school when I was 16; then I worked for my father, who was a welder. And I was a welder for three years, you know, welder of fabrication, metal 'cause it was a big industrial town, Sheffield. It was much steel and coal and stuff like that.
I look at the Samurai because they were the artists of their time. What I think struck me when I read Bushido is compassion. 'If there's no one there to help, go out and find someone to help.' That hit me, because I try to lead my life like that.
We often don't think of them, we think of the great wars and the great battles, but what about losing a son or a daughter, or a girl losing her husband or vice versa? I think of the people who never got the chance to have the opportunities I had.
Actors aren't fighters. They don't know how to throw a punch. So, there's a lot of hitting in the face. I'd much rather fight with a stuntman than another actor. I don't like fighting with other actors because somebody always ends up getting hurt.
Technology moves so fast and social media moves so fast because everyone wants the new thing, but also, everyone wants to be where their parents are not. Once the mom got a Facebook and a Twitter and an Instagram, I don't want to be there anymore.
From what I've read, everyone has a claim on Merlin. Was he Scottish, Welsh, English or even French? All these countries have got a big claim on him and Camelot. That's why the Arthurian legends are so popular - because they are such good stories.
Robert Englund's done an amazing job over the years playing Freddy. Everybody that's a fan of 'Nightmare' loves Robert and you know so that's a challenge when you've got to step in a big man's shoes like that, so it's scary but it's also exciting.
I remember one day during my freshman year of high school, when as usual I was obsessively listening to a cast recording: it may have been 'Jesus Christ Superstar.' And I remember sitting there, totally absorbed, saying to myself, 'I can do this.'
I can't become another person, no matter how much makeup I wear. Something of your own past, your experiences and personality always comes out in the role, and that makes acting very risky. You're exposed. You always wonder if you can pull it off.
I am the reassurance that they have not changed. In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were.
My credo is etched on my mirror in my bathroom and I see it when I brush my teeth in the morning. It says, "Don't worry, Be Happy, Feel Good." When you see that first thing, and you reflect on it, the rest of the day seems to glide by pretty well.
To those seniors, and especially elderly veterans like myself, I want to tell you this: You are not alone, and you having nothing to be ashamed of. If elder abuse happened to me, it can happen to anyone. I want you to know that you deserve better.
The knights of the theater represented to me not only the pinnacle of the profession but the esteem in which the profession was held. To find myself, to my astonishment, in that company is the grandest thing that has professionally happened to me.
Stardom happens - you can't plan it - it's destiny, and you shouldn't stand between you and your destiny. I'm letting my destiny play its part, and I go by my gut feeling. If I like my role, I say yes; if I don't, I just refuse, as simple as that.
Robb Stark was a young man not expecting anything, thinking his life is going to be on one path, and then he's pushed. More weight and responsibility get put onto him; more demands are made of him. For me, as an actor, there are parallels to that.
Some actors specialize in shooting weapons and punching people. Some have the market on playing buffoons cornered, others specialize in roles that require heavy makeup or outrageous wardrobe. Some trade exclusively in a post-ironic blase attitude.
As a writer, as much as I try, I can't stop writing female characters. They have so much more to offer; they have to wear so many different hats. There's so much wonderful gray matter in a female's life that it just makes for a stronger character.
We're live in a world that has, in many ways, become desensitized and unable to empathize with other cultures and species. The dangerous part is that we objectify others and have somehow removed ourselves, mentally, from the very planet we inhabit.
Sometimes I'll write a tweet that I'll just be like, 'Why do I have to say this to all of these people?' It's like writing a Facebook status: it's the same. I view tweeting as like writing a Facebook status. Remember when we used to write statuses?
As much as you know it, and you know the method, you can pretty much do what you want. No idea is going to be shot down. You just put it in the garbage later. You have to say the lines in many different ways. So they have a lot of material to work.
Parents should watch what their children watch and not use TV as a babysitter. If a show is objectionable they should turn it OFF. They should write the president of the network and tell him they are never going to watch that program again and why.
Oh, I’m nerdy about science fiction and fantasy and graphic novels and reading, and I’m nerdy about board games. My favorite board game is a board game I’m working on right now. It’s a game of Napoleonic era naval warfare, and it’s going to be fun.
Oh, I'm nerdy about science fiction and fantasy and graphic novels and reading, and I'm nerdy about board games. My favorite board game is a board game I'm working on right now. It's a game of Napoleonic era naval warfare, and it's going to be fun.
I'd rather say no and have said no and do say no often. I walk away from projects if it doesn't feel right; if it's not the right team of people pulling in together or if the script isn't right. It could be a great idea but the script doesn't work.
I haven't really had any experiences, as far as having paparazzi sit outside of my house or following me around on the street. But, I actually don't really go to places where they do that, unless they knew where I lived or what kind of car I drive.
That's the process of making the film and it isn't until the world puts their eyes to it that you find out if it's creating any kind of connection at all. But every single film at some stage of the film I think, "I wonder what this is going to be?"
The fantasy genre is so in at the moment. Viewers want to escape from their lives and watch something that is so separate from their everyday existence. People have always wanted to escape their lives - that's why they go to movies and the theatre.
I started to do theater when I was a little boy at school, and then, I think because my father was a documentary filmmaker and worked for German television, I was of course fascinated by what he did. Then when I was around 15, I did my first movie.
Pure Flix makes evangelistic films, but we also make family films. I think the viewer wants to see quality entertainment that the whole family can watch, and many nonbelievers watch our films because they can watch with their family and young kids.
When it's good, cinema can be one of the most important things in a person's life. A film can be a catalyst for change. You witness this and it is an incredibly spiritual experience that I'd never lived before; well, maybe only in a football match.
When you hear Treat's [ Williams] doing a movie, or you'd like to work with Treat again, you hope the script is good. And then you find out the script is good. You go and you do it for the fun of it. And you feel like you can be proud of something.
I think for Lev [Grossman], C. S. Lewis was a huge inspiration from his childhood. I know that Brideshead Revisited is a book that he's incredibly found of and he took certain structural influences from that book that he brought into The Magicians.
I think the mistake lots of people make when it comes to a psychopath is that they completely write off their actions as cruel, callous and completely calculated, but actually, the truth is that they have interests and reasons behind their actions.
I think I'm really drawn to filmmakers and artists who are kind of pathologically incapable of thinking straightforward about film, and about life as well, who cannot help but think laterally, think sideways about an approach to anything cinematic.
'The Master' with Joaquin Phoenix puts up a good fight, but my favorite movie of all time is 'The Wizard of Oz.' I just love it. I watched it over and over again as a child, and I think it has all the elements of wonder, and it's a beautiful story.
But you have to trust your instincts. Because you're not going to try it 20 different ways during rehearsal. You'll try it two or three different ways, maybe, but then you've got five other scenes you're shooting that day. You've got to keep going.
We run into some pretty tough arguments sometimes, but the idea is that at the end of the day, my wife and I realize that we'll always be holding each other's hand. This is a lifelong relationship, and after 12 years she hasn't gotten rid of me yet
I embrace the criticism, because ultimately (it means) the masses have seen it [my movie]. I embrace it for my father's story, for my mother's story, for my auntie, for my grandmother, who all got their teeth knocked out so I could be [where I am].
I have making a new film called Story of Your Life, directed by Denis Villeneuve, with Amy Adams and Jeremy Renner and Forest Whitaker. Which is about aliens coming to the earth and observing us and us trying to find a way to communicate with them.
You go from movies where you are wearing nice clothes and you're trying to smell good to a movie where you are in water and you are wet all day, and you are dealing with that elements, it gets rough, but it was definitely something I wanted to try.
What is appealing is the idea of attaining the unattainable and learning from it. Once you obtain a fantasy it becomes a reality, and that reality is not as exciting as your fantasy. Through the fantasies you learn to appreciate your own realities.
I think [The Outsiders] really forged who I am as an actor, and it's one of the reasons why I keep being drawn to big ensembles where I'm surrounded by strong, successful actors or personalities. Because that was my initial foray into movie making.