Quotes of All Topics . Occasions . Authors
The media love to cover black people on the front page. After all, when you live in a society that will lock up about 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Every person has a talent, but not the same one. Every person has to discover his personal talent and go with his talent. And then you are you, and what you do, you do because you love what you do, not because you want to be famous or because you're making money. You do the work because you love it.
I think the worst reaction that I could get from someone to my photos is some sort of mediocre, middle-range reaction where they really get nothing from it, and they want to move on to the next thing. [I'd rather they be] horrified, pissed off at me, extremely disgusted at how bad of an artist I am.
There's this divergence out there between the very small and the very large with the middle disappearing. There is something paradoxical going on where there is this access and we can seek out things on the fringes, but that doesn't describe the overall reality, because the big are bigger than ever.
You gotta follow the white guys. Truly. They've got this thing wired. Too often, we live within their games, so why would you not study what works? Take away the bad stuff - because there's a lot - and use the savvy interesting stuff and figure out how they can apply. It's a good one for the ladies.
To me this movie is about what is valuable. To one person it might be a stone; to someone else, a story in a magazine; to another, it is a child. The juxtaposition of one man obsessed with finding a valuable diamond with another man risking his life to find his son is the beating heart of this film.
I love when you take bizarre, non-human things and somehow make them human or accessible. I think that's why I like the practical effects. You can look at a creature and still see vulnerability or the character behind the creature. To get character behind CG creatures, that's so few and far between.
I consider being female such a unique gift, such a sacred joy, in ways that run so deep I can't articulate them. It's a special kind of privilege to be born into the body you wanted, to embrace the essence of your gender even as you recognize what you are up against. Even as you seek to redefine it.
The highest courage is to dare to be yourself in the face of adversity. Choosing right over wrong, ethic over convenience, and truth over popularity ... these are choices that measure your life. Travel the path of integrity without looking back, for there is never a wrong time to do the right thing.
I don't want to be a grumpy old man or too pessimistic, because if I have a chance, I would prefer to watch a film in the cinema with an audience on a big screen instead of watching it on a cell phone. It's a very different experience, but somehow I think this form will have its own future and life.
I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.
The worst way to defend our freedom is to let our leaders start taking away our freedoms! It is exactly during times like these [a national crisis] that we need more freedom of speech, a strong and critical press, and a citizenry that is not afraid to stand up and say that the emperor has no clothes.
Most Americans, in their heart, are liberal and progressive. It's just a small minority of people who hate, they hate, they exist in the politics of hate, they don't believe two consenting adults should have the right to be in love and share their lives together and be legally protected by the state.
I earn my living by teaching film, mostly filmmaking but also teaching courses on current cinema. I'm interested in movies. I hope that's not all I'm interested in. In that sense, it's maybe a little misleading. I don't expect to make another movie about films, but I may continue to write about them.
I believe in mysticism, with an interior goal, and you are your own temple and your own priest. I dont believe anymore in religions, because you see today there are religious wars, prejudice, false morals, and the woman is despised. Religion is too old now; its from another century, its not for today.
I'm simply a nonbeliever and have been forever. ... I'm interested in saying, 'Let us discuss the existential question. We are all going to die, that is the end of all consciousness. There is no afterlife. There is no God. Now what do we do.' That's the point where it starts getting interesting to me.
I think every culture - you can call it an American Ronin, a medieval knight errant, you could talk about 'Shane.' There is an archetype that I think is actually common to a lot of cultures, and even the Clint Eastwood stuff was probably as influenced by the Japanese stuff, and yet done by an Italian.
Positive, healthy, loving relationships in your twenties... I don't know if anyone would disagree with it: I think they're the exception, not the norm. People are either playing house really aggressively because they're scared of what an uncertain time it is, or they're avoiding commitment altogether.
You just have to work, we all have to work really hard to take care of ourselves and feed ourselves good information, just like we feed ourselves good food. Feed ourselves good books and good messaging and the things that make us feel like we can be connected with ourselves and others in a deeper way.
Oh, Diane Nash deserves her own film. Diane Nash is a freedom fighter who is still alive and kicking. She was one of the leaders of the desegregation of Nashville, basically. She was a student at Fisk University who was one of the founding members of SNCC, the Student Nonviolent Coordinating Committee.
There is an animated version of 'Lazer Team,' with all the action sequences, that exists. It's a pre-visual fidelity, and the voice acting is terrible because it's one of our animators doing it. But we could sit there and watch what the scene is supposed to look like while we're doing individual shots.
I myself saw the great works of Western civilization for the first time in my high school in Lithuania in bad black-and-white reproductions on miserable paper. That was, for many years, what art was for me. But from those miserable black-and-white reproductions, I got something, something unmistakable.
I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
All movements begin and end, and all have been inspired by others that have come before them. They evolve and then deconstruct again. There are very few designers whose aesthetic I'm drawn to on a personal level. However, that's different from the ways in which I might dress the characters in my films.
I tend to believe that film can try to save what still can be saved, in terms of our histories, our memories. Because a lot of things are disappearing very quickly, things are changing. We are living in very quick times, and we have a new generation who basically know nothing about events 30 years ago.
I don't choose to make low-budget films. But that is the reality of surviving in the Japanese film industry. However, the trade off is, since we're working on small budgets, we have freedom. You can't buy this freedom with money. With this freedom, I think there are an infinite number of possibilities.
I think there was a warmer relationship between the models and the designers and even the businesspeople involved. It was not so cut-throat and not so corporate. And I think today it's just big business and big money, and I don't think the human relationship is there as much. I think it's very changed.
Normally, filmmakers would just write a script and cast people to act as certain characters in the story. But in my way of doing things, I have the actors in my mind already, so I'm trying to borrow something that's unique to them. The characters have a very natural connection to the actors themselves.
If, in 2014, we're still making 'white savior movies,' then it's just lazy and unfortunate. We've grown up as a country, and cinema should be able to reflect what's true. And what's true is that black people are the center of their own lives and should tell their own stories from their own perspectives.
My grandpa could go days, weeks, even months without a drink but if he took that first drink, he couldn't stop. Once, when I was twelve, my mom and I were driving and we saw my grandpa staggering drunk down the street. I asked if we should stop and help him. My mom sadly shook her head and kept driving.
All art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that.
I would not be as married to locations and ideas, when I show up in the city that I'm actually going to shoot it in. You really have to roll with it. That perfect thing you have in your head just isn't going to be there sometimes, and you have to figure out what you're going to do, if you can't find it.
The only time I felt like a weird exploiter - even though I knew I wasn't one - was when I was writing a sex scene between me and my adorable co-star [Adam Driver] in which he had to tell me how much he loved my potbelly. It seemed like a weird wish-fulfillment thing, where I'm directing my own fantasy.
One thing I've learned about death threats is that they're great, actually. You should actually be grateful for death threats because those who are taking the time to threaten you that way are getting it out of their system. That's really what they rant to do, yell at you, and they want to threaten you.
We as Americans believe it’s OK to kill people. We believe it’s OK to invade a country that had nothing to do with 9/11. We think it’s OK to invade a country where we think Osama Bin Laden is and he’s in the other country. So we just go in and we just kill. And we have the death penalty, we sanction it.
I've been encouraging documentary filmmakers to use more and more humor, and they're loath to do that because they think if it's a documentary it has to be deadly serious - it has to be like medicine that you're supposed to take. And I think it's what keeps the mass audience from going to documentaries.
We as Americans believe it's OK to kill people. We believe it's OK to invade a country that had nothing to do with 9/11. We think it's OK to invade a country where we think Osama Bin Laden is and he's in the other country. So we just go in and we just kill. And we have the death penalty; we sanction it.
It was really always about bringing back [James] Baldwin's words in all their rawness, in all their impact - in the way he analyzes not only this country but also the history of this country, the images that this country is fabricating through Hollywood, and what consequence that has in our imagination.
I believe in mysticism, with an interior goal, and you are your own temple and your own priest. I don't believe anymore in religions, because you see today there are religious wars, prejudice, false morals, and the woman is despised. Religion is too old now; it's from another century, it's not for today.
I work for free all the time, as a writer but also as an activist. The decisions we have to make as individuals are really fraught but also can be really wonderful and we're all navigating this reality to the best of our abilities. But, again, I wanted to take a step back and look at the broader context.
When you're speaking very articulately and you're poised and you hold yourself well, that to me seems to indicate a certain way of being in life. You're in a certain place. And, whenever you break up with someone of many years, you tend to go down spiraling out of control, down some rabbit hole of sorts.
I was a scientist. I know where the joy lies. It is wonderful finding a like-minded scientist and delving deep into the language that can only be understood by the handful of experts seated in the front row of your big talk. But good lord, it can be bo-ho-horing to the rest of the world. Make no mistake.
I never thought of what I was doing as a way to sell the NFL. I was making movies about a sport that I loved, about players and coaches that I respected. I wanted to convey my love of the game through film. And most artists convey their love through art. And my art and my love was expressed through film.
I still go to a party and say something embarrassing to someone, and then write them a weird e-mail about it the next day, and then write them a text because I think they didn't get the e-mail. No matter what happens with your level of success, you still have to deal with all the baggage that is yourself.
When you are interviewing someone, never let your camera person turn off the camera. The second you turn off the camera, they'll say the magic thing that you'd been looking for the whole interview. People want to relax after the performance is done. Don't be afraid of awkward silence. That is your friend.
Maybe we should be directing our anger elsewhere - like toward Wall Street. Why is it we never think of Big Business when we think of welfare recipients? Companies take more of our tax dollars, and in much more questionable ways, than do those who are trying to heat their apartments with a kerosene stove.
First, there's the job - where the goal is simply to earn a living and support your family. Then there's the career - where you trace your progress through various appointments and achievements. Finally, there's the calling - the ideal blend of activity and character that makes work inseparable from life.
Personally, it all feels like I've been filming just one long film the whole time and I have no personal like or dislike for any of the films that I've done. I feel like all of the all of them are important to me, all of the cast and all the staff that I've worked with have also been very important to me.
How dangerous are those sea animals with bad reputations? A few actually kill. A few maim. Some are poisonous when eaten by man. Most sting, stab,or poison and cause mild to severe discomfort to man. Yet man is one of the larger beings that sea creatures encounter, and these poisons usually can't kill him.
People make films about all kinds of relationships, but they won't do these extremely intense platonic love affairs that happen between young girls. In a way they are more intense than anything else you ever have, and that's what I wanted to make a film about, though it was in the context of a horror film.