Quotes of All Topics . Occasions . Authors
Some people see Black Friday as a much-needed break for their wallet. I see it as retail outlets showing the customers the full weight of their contempt. The frenzy to buy cheap crap from China, the human downgrade of people fighting with each other over items they can probably live without, to me, is an insult.
I love that there are beaches you can walk your dog on in San Francisco. Fort Funston is big and always packed with hundreds of dogs and their people. A great place to hike and get some exercise and fresh air with your well-mannered pup. Not recommended for antisocial dogs; there's just too much commotion there.
I really just want to encourage and inspire people to use their freedom in a positive way and in a way that is inspiring to other people. I want to continue to pass down the seeds of change within the world. I think that it can start with just one person. Just like a rumor can get carried on, so can inspiration.
From meeting Robert Plant, John Bonham, and John Paul Jones, teaming up, rehearsing, playing selected gigs outside of Britain, coming back into Olympic Studios to record the first album, and then going to America, which we crack open like a nut with the debut record - all that happened, literally, within months.
I've done a lot of living and a lot of adventuring and I think that's very healthy, ya know. And I think everybody should adventure life 'cos that's what life is, it's for adventuring. You gotta know what you wanna do with your life. And you gotta know when you have something special and you don't wanna blow it.
Usually I just let my songs do the talking. As a matter of fact I have long had an aversion to celebrities endorsing politics, and in some cases even other causes. I wonder about their motives. And I have to admit when celebrities get involved in political campaigns I tend to get a little bit sarcastic about it.
We didn't tell anyone we had gotten signed, because people can freak out a little. But we started working with writers. I remember that I missed three to four days of school every single week, and people were, like, 'Where are you?', but I couldn't say anything, because we'd talked about keeping it to ourselves.
My body is damaged from music in two ways. I have a red irritation in my stomach. It's psychosomatic, caused by all the anger and the screaming. I have scoliosis, where the curvature of your spine is bent, and the weight of my guitar has made it worse. I'm always in pain, and that adds to the anger in our music.
Our culture has become something that is completely and utterly in love with its parent. It's become a notion of boredom that is bought and sold, where nothing will happen except that people will become more and more terrified of tomorrow, because the new continues to look old, and the old will always look cute.
Once I was in the Blink-182, going to Iraq was really touching. It was kind of emo for me, going and meeting soldiers who were, like, 19 and hadn't even met their kids... Or dealing with depression. Just being with those soldiers and traveling with them in helicopters and people with M-16s. It was an eye-opener.
They're so boring. They're so pathetic, all those journalists. Most of them are. Most of those kind that write gossip stuff, and most of it's gossip. Things are just invented about your personal life and you just have to take that. It's bullshit. People believe it, though. They just believe everything they read.
We've got the slowest 311 song ever, called 'Solar Flare,' which is a scathing political rap that [vocalist] S.A. [Martinez] puts over a really slow, heavy thing, And then there's also a really fast one called 'It's Getting OK Now,' which is [guitarist] Tim Mahoney channeling Dimebag Darrell [Abbott of Pantera].
There are thousands of ragas, and they are all connected with different times of the day, like sunrise or night or sunset. It is all based on 72 of what we call 'mela' or scales. And we have principally nine moods, ranging from peacefulness to praying, or the feeling of emptiness you get by sitting by the ocean.
At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
When I formed the band and created the Wildabouts with my friends, we decided we wanted to make a band-sounding album, a rock-sounding album. I made two solo albums before that were more experimental albums, and I think that they didn't really resonate with my fan base because they were too out-there, too artsy.
The earlier stuff is more like "this is happening to me," but now there are more songs that are accusatory or something, or more declaratory. I don't know where that voice comes from, like, "I've been down the road, we've been there and done that." That's sort of like a tougher style, or a less vulnerable style.
I know the world doesn't need maybe another of [a particular type of song] - the same thing again - but you can't help yourself. And some people like it, but you kind of know in your heart that it's a lesser version of what you've done before. But maybe it has a good tempo, or it feels fresh, but it's still not.
Listen, the story of the United States is this: One kid, without anything, walks out of his house, down the road, with nothing but a guitar and conquers the world. And we've done that again, and again, and again – Johnny Cash, Hank Williams, Bob Dylan, Bruce Springsteen, Jimmy Rogers, Howlin' Wolf, Muddy Waters.
This is a lesson about life: This is one person. This is another person. This is one person trying to understand another person, even though it doesn't have room to download the other person into it's brain. It cannot understand the other person, even though it tries to. So he ends up overflowing with knowledge.
Out of pure spite we pretty much always said the opposite of what the other said, no matter what they said, only to mark distance. That's how we ended up calling ourselves Satanists, despite the fact that we absolutely were not. There was not a single Satanist in the whole Black Metal scene in Norway in 1991-92.
We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'
Songwriters always reminded me of that kid at school who would go around with his guitar, like, 'Yeah, songwritin' man,' looking wistful. That wasn't me - those kinds of people put me off. In the early days, I'd write a bunch of lyrics and almost look at them as a sort of joke, to make the rest of the boys laugh.
I remember Elvis as a young man hanging around the Sun Studios. Even then, I knew this kid had a tremendous talent. He was a dynamic young boy. His phraseology, his way of looking at a song, was as unique as Sinatra's. I was a tremendous fan, and had Elvis lived, there would have been no end to his inventiveness.
Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
The breakup of my first marriage was my first failure; I had to learn to accept that and support the people involved. The court case brought against me by three of the band was awful, but learning how to let it go, move on, and come back together as friends and creative partners was a life lesson above any other.
When there's something negative in my life, be it in the art or the music world or in my personal life, I really just want to face it as immediately as possible. I don't run from it. I just want to immerse myself in it, get through it as quickly as possible, understand it, and look into what is positive about it.
Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
Well, there's lots of different things going on at the moment, I'm in talks with some people from Japan to do something and I'm also talking to Hugo Boss to do a very small line, which I want to keep to just 10-12 pieces, but what I want to do is sit with the designers for a couple of days bashing some stuff out.
Writing for chamber ensemble is the thing that excites me the most. So when I went down into the cistern, I didn't know that I was going to make a record based on that time and those improvisations. But as soon as I started playing music down there, I realised that it was going to be something significant for me.
When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.
Nothing ever got my pulse racing (in a good way) like hockey. Well, nothing except Beyonce, but that wasn't until I was twelve or so. Then, all of a sudden, it was like I opened my eyes one day and noticed that the world is full of beautiful girls, and I've had a hard time thinking about anything else ever since.
I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.
There was a time when I had the blues - I mean I really had it bad. I couldn't pay my light bill and I couldn't pay my rent and I really had the blues. But today I can pay my rent and I can pay the light bill and I still got the blues. So I must been born with 'em... That's my religion - the blues is my religion.
The blacks have their parties, hustle a little liquor, get some things together, and I used to play for those peoples. They'd come get me on time, but they wouldn't bring me back on time... Done picked cotton all day, play all night long, then pick cotton all day the next day before I could get a chance to sleep.
Pure libertarianism believes that people will be generous and help each other. Well, they won't. I wish it were so, and I live that way. I help panhandlers, but other people are, 'Oh look at that - why doesn't he get a job?' While I believe in all that freedom, I also believe that no one should suffer needlessly.
Love songs come in many guises and are seemingly written for many reasons – as declarations or to wound – I have written songs for all of these reasons – but ultimately the love songs exist to fill, with language, the silence between ourselves and God, to decrease the distance between the temporal and the divine.
There are lots of really good guitarists, but they play with the same pedals that everybody else does. Everybody buys the same pedals, so the sounds tend to be the same. I am looking for different ways of doing that without having to spend days and weeks and months fooling around with pedals, which I don't enjoy.
'Cover Me.' 'Take Time To Know Her.' 'Warm and Tender Love.' 'Out Of Left Field.' 'Dark End Of The Street.' 'Tears Me Up.' 'My Special Prayer.' All points back to one song. 'When A Man Loves A Woman.' The Grand-daddy to all of my songs. The boss of all of my songs. I have great respect for that song. Always will.
The world spins along outside, the sun rises and sets, the streets go dark, the lights come on. The future is happening, but it can wait until tomorrow. Neither of us knows what will come next, or where we go from here, or even what anyone will say about us, but none of it matters. We’ve got each other right now.
The perception that I was just a pop star was pushed upon me by the public, and it's very hard to change the public's perception even though I never really pushed aside the musician aspect of my career. After I released 'Fingerprints,' my peers reassured me that I was on a level that I always hoped I would be on.
The only politician anybody ever believed was Kennedy, anyway. Kennedy, Martin Luther King - civil rights always turns out in bloody war. Where's his dream now? When is a change going to come - as Sam Cooke said - for blacks in America? Anyone who does tell the truth gets a bullet in the head, y'know what I mean?
I'm really showing the people what's happening. I'm showing them love. You're spending on guns and drugs and bombs and stuff like those and you're still not reaching out to the people who are suffering. You found money to make bombs and destructive weapons, but you ain't finding no money to help people suffering.
The heartbreak of runaway corruption, abuse of power and indefensible criminality by our government and media should, must inspire all good we-the-people Americans to wake the hell up from the embarrassing self-inflicted curse of apathy and start demanding Constitutional accountability from our elected employees.
I’ve been around many girls who have been super outgoing. And a lot of times, they would say to me, “Why are you so quiet? What’s wrong with you?” And I’m like, “I don’t know. That’s just the way I am.” So if I found the perfect girl she would totally get that and say, “You’re quiet, and that’s the way I love you.
When you heard Jimi Hendrix, you knew it was Jimi Hendrix. He introduced himself with his instrument. His attack to a guitar man, was, oh, something else! You think of one of the great American ball players, or one of the great fighters of the world, you know, that's the way he would attack any note on his guitar.
At the end of the day, the Golden Rule is called the Golden Rule for a reason - do unto others as you would have done to you. In terms of commandments you could probably just do that one and you would be well off. If everybody could adhere to that one, we'd be OK, as long as a masochist wasn't in charge of people.
Whatever I'm already doing becomes enhanced when I smoke pot. It can also be demotivating, because if I'm not doing anything and I smoke a joint, it enhances just sitting in a chair. Then I don't even want to get up to change a record. That might not be a bad thing, but you have to get things done once in a while.