Quotes of All Topics . Occasions . Authors
An island can be dreadful for someone from outside. Everything is complete, and everyone has his obstinate, sure and self-sufficient place. Within their shores, everything functions according to rituals that are as hard as rock from repetition, and at the same time they amble through their days as whimsically and casually as if the world ended at the horizon.
She had spent all her life in feeling miserable; this misery was her native element; its fluctuations, its varying depths, alone save her the impression of moving and living. What bothers me is that a sense of misery, and nothing else, is not enough to make a permanent soul. My enormous and morose Mademoiselle is all right on earth but impossible in eternity.
... it is not a crisis of our environs or surroundings; it is a crisis of our lives as individuals, as family members, as community members, and as citizens. We have an 'environmental crisis' because we have consented to an economy in which by eating, drinking, working, resting, traveling, and enjoying ourselves we are destroying the natural, god-given world.
We must waste less. We must do more for ourselves and for each other. It is either that or continue merely to think and talk about changes that we are inviting catastrophe to make. The great obstacle is simply this: the conviction that we cannot change because we are dependant on what is wrong. But that is the addict's excuse, and we know that it will not do.
It is not cheerful for a girl to discover within twenty-four hours of her wedding that her husband is a hopeless drunkard, and to see him die of delirium tremens within six weeks. An experience so vivid, like lightning must blast something in a woman's conception of life. Because one man's kisses reeked of whisky the kisses of all male humanity were anathema.
But sometimes you can't figure everything out because you can't ever really understand other people. You can't understand why they do what they do. You just have to accept a little mystery, Ben. People are mysterious, the world is mysterious. You can't know everything. You're not supposed to. This isn't a history book. It's just the world. It's a messy place.
The golden age of Luncheon Vouchers ended ten yearsago. For ten years Mickey had been saying, "The goldenage of Luncheon Vouchers is over." And that's what Archieloved about O'Connell's. Everything was remembered,nothing was lost. History was never revised orreinterpreted, adapted or whitewashed. It was as solid andas simple as the encrusted egg on the clock.
When what we see catches us off guard, and when we write it as realistically and openly as possible, it offers hope. You look around and say, Wow, there's that same mockingbird; there's that woman in the red hat again. The woman in the red hat is about hope because she's in it up to her neck, too, yet every day she puts on that crazy red hat and walks to town.
It's the person who would sell his soul for a nickel, who is loudest in proclaiming his hatred of money.... Let me give you a tip on men's characters: the man who damns money has obtained it dishonorably; the man who respects it has earned it. Run for your life from any man who tells you that money is evil. That sentence is the...bell of an approaching looter.
...that was the first thing I had to learn about her, and maybe the hardest I've ever learned about anything - that she is her own, and what she gives me is of her choosing, and the more precious because of it. Sometimes a butterfly will come to sit in your open palm, but if you close your hand, one way or the other, it - and its choice to be there - are gone.
With all due respect for the wondrous ways people have invented to amuse themselves and one another on paved surfaces, I find that this exodus from the land makes me unspeakably sad. I think of the children who will never know, intuitively, that a flower is a plant's way of making love, or what silence sounds like, or that trees breathe out what we breathe in.
The moth settled onto the curtain and sat still. It was an astonishing creature, with black and white wings patterned in geometric shapes, scarlet underwings, and a fat white body with black spots running down it like a snowman's coal buttons. No human eye had looked at this moth before; no one would see its friends. So much detail goes unnoticed in the world.
A great numb feeling washes over me as I let go of the past and look forward to the future. Pretend to be a vampire. I don't really need to pretend, because it's who I am, an emotional vampire. I've just come to expect it. Vampires are real. That I was born this way. That I feed off of other people's real emotions. Search for this night's prey. Who will it be?
An 'impersonal God'-well and good. A subjective God of beauty, truth and goodness, inside our own heads-better still. A formless life-force surging through us, a vast power which we can tap-best of all. But God himself, alive, pulling at the other end of the cord, perhaps approaching at an infinite speed, the hunter, King, husband-that is quite another matter.
And now, what does it all matter? It matters more than anything else in the world. The whole dance, or drama, or pattern of this three-Personal life is to be played out in each one of us: or (putting it the other way round) each one of us has got to enter that pattern, take his place in that dance. There is no other way to the happiness for which we were made.
It would seem that Our Lord finds our desires not too strong, but too weak. We are half-hearted creatures, fooling about with drink and sex and ambition when infinite joy is offered us, like an ignorant child who wants to go on making mud pies in a slum because he cannot imagine what is meant by the offer of a holiday at the sea. We are far too easily pleased.
As long as you notice, and have to count the steps, you are not yet dancing but only learning to dance. A good shoe is a shoe you don't notice. Good reading becomes possible when you need not conciously think about eyes, or light, or print, or spelling. The perfect church service would be the one we were almost unaware of; our attention would have been on God.
Suppose... suppose we have only dreamed and made up these things like sun, sky, stars, and moon, and Aslan himself. In that case, it seems to me that the made-up things are a good deal better than the real ones. And if this black pits of a kingdom is the best you can make, then it's a poor world. And we four can make a dream world to lick your real one hollow.
I was actually permitting myself to experience a sickening sense of disappointment: but rallying my wits, and recollecting my principles, I at once called my sensations to order; and it was wonderful how I got over the temporary blunder-how I cleared up the mistake of supposing Mr. Rochester's movements a matter in which I had any cause to take vital interest.
Naming is like putting a stamp on something and fixing it. A kind of formaldehyde sort of fixation, but it becomes dead, sitting there forever, frozen. So, I'm not a great one for these modernist, post modernist, post colonial labels. I think they serve certain purpose. You do need some kind of sign post here and there, but it can also become an end in itself.
Now it is you who everyone presumes is so fragile. Wounded. Scarred. Maybe they're right. Perhaps you are. A nursery rhyme comes into your head, and, like an egg, you allow yourself to topple onto your side, your legs still pulled hard against your torso. You lie like that a long while, watching the chrome shell of the tape measure sparkle until the sun moves.
Just because something is invisible doesn't mean it isn't there. At any given time, there are a host of invisibles floating among us. There are clairvoyants to see ghosts; but who sees the invisible emotions, the unrecorded events? Who is that sees love, more evanescent than any ghost, let alone can catch it? Who are you tell me that I don't know what love is?
I was always either so unreasonably and pointlessly happy that no one place could seem to contain me, or so melancholy, so sick and silly with sadness that there was no place I could stomach the thought of entering. I hated it here. And I have never been as happy as when I was here. And these two things together confront me with the beak and claws of the True.
Selden and Lily stood still, accepting the unreality of the scene as a part of their own dream-like sensations. It would not have surprised them to feel a summer breeze on their faces, or to see the lights among the boughs reduplicated in the arch of a starry sky. The strange solitude about them was no stranger than the sweetness of being alone in it together.
I confess, right at the start, to the doubts - and sometimes outright dreads - that go with me as I climb the stairs to my study in the morning, coffee mug in hand: I have to admit to the habitual apprehension mixed with a sort of reverence, as I light the incense . . . and wonder: what is going to happen today? Will anything happen? Will the angel come today?
How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections? The boy's flute-like voice has its own spring charm; but the man should yield a richer, deeper music.
Where this age differs from those immediately preceding it is that a liberal intelligentsia is lacking. Bully-worship, under various disguises, has become a universal religion, and such truisms as that a machine-gun is still a machine-gun even when a "good" man is squeezing the trigger have turned into heresies which it is actually becoming dangerous to utter.
Even the weather seemed to be celebrating; as June approached, the days became cloudless and sultry, and all anybody felt like doing was strolling onto the grounds and flopping down on the grass with several pints of iced pumpkin juice, perhaps playing a casual game of Gobstones or watching the giant squid propel itself dreamily across the surface of the lake.
Who shall say that those poor peasants were not acting in the spirit we most venerate, most adore; that theirs was not the true heart language which we cannot choose but love? And what has been their reward? They have sent down their name to be the by-word of all after ages; the worst reproach of the worst men a name convertible with atheism and devil-worship.
War today is such a more visible thing. We see it on television, on CNN. In 1914, war was a concept. There was a naivety and stupidity that war would be a great lark. It's not that different from Gone With The Wind, where all the young men can't wait to go off to fight and then two hours later in the movie, we see how the reality of that has come home to them.
I've been an advocate against the view of the writer as a partitioned genius hanging in conceptual space, or up on a mountain, a bringer of Promethean fire, some unique transmission that comes out of nowhere. I prefer the opposite view - that writers come from somewhere. They read things, and they think about them, and they incorporate other people's thoughts.
Pain and pleasure, like light and darkness, succeed each other; and he that knows how to accommodate himself to their periodical returns, and can wisely extract the good from the evil, knows only how to live: this is true contentment, at least all that is to be had of it in this world; and for this every man must be indebted not to his fortune, but to himself.
It is comforting when one has a sorrow to lie in the warmth of one's bed and there, abandoning all effort and all resistance, to bury even one's head under the cover, giving one's self up to it completely, moaning like branches in the autumn wind. But there is still a better bed, full of divine odors. It is our sweet, our profound, our impenetrable friendship.
I really don't know why people have so much trouble now writing about religious faith. It is true that clichés can override more interesting impulses. But the desire to find meaning, to be generous, to live well in an ethical and spiritual sense, is so widespread that it should not seem alien to people when it is expressed in the terms of traditional religion.
America is a younger country than England, obviously, and as self-awareness is forming in America - are we a collection of immigrants, are we a load of Italians and Germans and Jews and Brits and Irish, or are we a country with a soul and an identity? - there was a subliminal sense, they knew that the writers would be the ones who would answer those questions.
Suddenly he saw himself as others in the crowd must surely see him; a silent, solitary figure, standing apart from the rest. He looked out at the hoardes of singing, laughing people and felt more alone than he'd ever felt in his life. Was this how it was going to be then? Was this who he was? A man apart from his fellows, making the journey through life alone?
To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
As for those who protest that I am robbing people of the great comfort and consolation they gain from Christianity, I can only say that Christianity includes hell, eternal torture for the vast majority of humanity, for most of your relatives and friends. . . . If I could feel that I had robbed anybody of his faith in hell, I should not be ashamed or regretful.
The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine,' Rushdie says. 'Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.
HIV criminalization is a global trend, but surprisingly Canada has some of the worst HIV laws in the world - they have incarcerated 200 people to date who have not infected anyone, and half of them are black. This is emotional manipulation that began as an anti-immigrant measure and has devolved into an exploitation of sexual anxiety. It's a crisis of meaning.
My father has a way of persuading people without charm that has always confused me. He states his opinions as if they’re facts, and somehow his complete lack of doubt makes you believe him. That quality frightens me now, because I know what he told me: that I was broken, that I was worthless, that I was nothing. How many of those things did he make me believe?
Especially among Christians in positions of wealth and power, the idea of reading the Gospels and keeping Jesus' commandments as stated therein has been replaced by a curious process of logic. According to this process, people first declare themselves to be followers of Christ, and then they assume that whatever they say or do merits the adjective "Christian".
I myself have not met a self‐confessed liberal since the late fifties (and even then it was a tacky thing to admit, like coming from the middle class or the Middle West, those two gloomy seedbeds of talent), yet hardly a day passes that I don't read another attack on the “typical liberal” — as it might be announcing a pest of dinosaurs or a plague of unicorns.
She loves you," the Prince cried. "She loves you still and you love her, so think of that--think of this too: in all this world, you might have been happy, genuinely happy. Not one couple in a century has that chance, not really, no matter what the storybooks say, but you could have had it, and so, I would think, no one will ever suffer a loss as great as you.
In the course of history, all empires have been created with premeditation, by an effort often sustained over several generations. Every power has been Roman to a degree. The United States is the first nation to become the most powerful in the world without having sought to be so. Its exceptional energy and organization have never been oriented toward conquest.
Love...is not merely a feeling. It is a deep unity, maintained by the will and deliberately strengthened by habit; reinforced by (in Christian marriages) the grace which both partners ask, and receive, from God. They can have this love for each other even at those moments when they do not like each other; as you love yourself even when you do not like yourself.
To the glistening Eastern sea, I give you Queen Lucy, the Valiant. To the great Western Wood, King Edmund the Just. To the radiant Southern sun, Queen Susan, the Gentle; and to the clear Northern sky I give you King Peter, the Magnificent. Once a king or queen of Narnia, always a king or queen. May your wisdom grace us 'til the stars rain down from the heavens.
We sit down before the picture in order to have something done to us, not that we may do things with it. The first demand any work of art makes upon us is surrender. Look. Listen. Receive. Get yourself out of the way (there is no good asking first whether the work before you deserves such a surrender, for until you have surrendered you cannot possibly find out.