Being a writer means I sit in a dark (and pretty dank) room off my garage for many hours a day, and in my wallowing moments I can feel as if I'm already on the outside of society, peering wistfully in.

I love that he's both comic and tragic, and highly poetic but also just dirty at times. ... I love that within the world of Shakespeare's plays, the whole world is sort of encompassed in a certain way.

It's one of the most liberating things I experience in writing - letting yourself get rid of a gesture or character or plot point that always nagged, even if you couldn't admit to yourself that it did.

Hope cannot be said to exist, nor can it be said not to exist. It is just like roads across the earth. For actually the earth had no roads to begin with, but when many men pass one way, a road is made.

Imaginative writing has always been a solitary and indeed a somewhat antisocial activity. Apprenticeship existed, no doubt, but it was an apprenticeship to books and not to living masters of the craft.

How extraordinary people are, that they get themselves into such situations where they go on doing what they dislike doing, and have no need or obligation to do, simply because it seems to be expected.

Hovering over me was the Chihuly chandelier. Chihulys are the pigeons of Seattle. They're everywhere and even if they don't get in your way, you can't help but build up a kind of antipathy toward them.

People may correctly remember the events of twenty years ago (a remarkable feat), but who remembers his fears, his disgusts, his tone of voice? It is like trying to bring back the weather of that time.

I would say I'm an ironist not a satirist. All you do is you take existing tendencies and crank them up, just turn up the volume dial. Which is a technique of science fiction, apart from anything else.

A warrior so bold, and a virgin so bright, Conversed as they sat on the green. They gazed on each other with tender delight, Alonzo the Brave was the name of the knight-- The maiden's the Fair Imogene.

... Corellian curses being a synergistic blend of vulgarity, obscenity, and outright blasphemy that were the only things really worth saying when one was in the middle of being blown to monatomic dust.

She had grown older. And he loved her more now than he had loved her when he understood her better, when she was the product of her parents. What she was now was what she herself had decided to become.

When we read, it is not ours to absorb all that is written. Our thoughts are jealous and they constantly blank out the thoughts of others, for there is not room enough in us for two scents at one time.

I read a lot of archaeology and early history in a general way, not thinking particularly of this book, and this provided me with the background. It showed me how, possibly, the people lived back then.

I love sentences. I love characters. But most of all, perhaps, I love to work on plot, and that may be where my natural gifts lie, if I have any. I like to think hard about plots in TV shows and films.

People want pretty much the same things: They wanted to be happy. Most young people seemed to think that those things lay somewhere in the future, while most older people believed they lay in the past.

What came first – the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? Do all those records turn you into a melancholy person?

I grew up on a suburban street with lace curtains and dull neighbours, so I made up stories to tell my friend, in which they became serial killers and burglars. She told her mother, who then told mine.

Each day a few more lies eat into the seed with which we are born, little institutional lies from the print of newspapers, the shock waves of television, and the sentimental cheats of the movie screen.

The greater the power of any subjective state, the more total is a Romantic's assumption that everyone understands exactly what he is about to do, therefore waste not a moment by stopping to tell them.

The dreamers always seem to think their dream is worth the price that other people will pay. They also delude themselves that they will control whatever evil they use to try to bring about their dream.

If you did not in your own mind distinguish between useful and erroneous information, then you were not learning at all, you were merely replacing ignorance with false belief, which was no improvement.

There's a lot of phones; but I'm out of that field. They make me feel like a prisoner of war; there's not going to be any texting for me. The pre-paid phone is the frontier of my technological advance.

When the highest value in a community is loyalty to the greater cause, meaning the continuity of the status quo, all means to this end are imbued with religious significance, and are thereby justified.

I think it's really boring, from the point of view of the novelist, to write about yourself. Tedious. But that's very hard to explain to people who really don't believe in the possibility of invention.

The wisest people are the clowns, like Harpo Marx, who would not speak. If I could have anything I want I would like God to listen to what Harpo was not saying, and understand why Harpo would not talk.

I did not tell Fat this, but technically he had become a Buddha. It did not seem to me like a good idea to let him know. After all, if you are a Buddha you should be able to figure it out for yourself.

Each book starts from ashes really. I don't feel that I have this to say or that to say or this story to tell or that story to tell, but I want to be occupied with the writing process while I'm living.

It's hard to conceive of someone who could work for at least a few hours each day for months and years on the same story without it being close enough to their life experience to fuel their commitment.

The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be.

Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.

Let's take care of mothers and infants first, and then let's see what's left over for everybody over 50. I'm over 50. If I get sick, I would rather have money spent on children before it's spent on me.

Within white Australia, there was a growing movement for what was known as reconciliation - a movement that peaked with millions marching in 2000 to demand the government say sorry for past injustices.

The men and women, the weapons, the deerhunt all make a huge and fragile danger in John Bolger's novel The Hunters. There is care and harm in this book and all written with felicitous and steady grace.

The young Centurion, who had been completely still throughout, said very softly, as though to himself, "Greater love hath no man--" and Justin thought it sounded as though he were quoting someone else.

Having been borne across the world, we are translated men. It is normally supposed that something always gets lost in translation; I cling, obstinately, to the notion that something can also be gained.

There's definitely a voice and I always speak my work aloud. I have a lot of old people in my head, most of them dead now, but I always hear how they would say things, my grandparents and my neighbors.

But what matter whether I was born or not, have lived or not, am dead or merely dying. I shall go on doing as I have always done, not knowing what it is I do, nor who I am, nor where I am, nor if I am.

To return after long years of painful absence to some place which has been the scene of our former joys, and whence the force of circumstance, and not choice, has driven us, is oppressive to the heart.

Daniel Woodrell has made a name as a master of prose with personality - a densely descriptive, gamey form of storytelling, one might say traditional storytelling - of late rather an unfashionable mode.

A sensational event was changing from the brown suit to the gray the contents of his pockets. He was earnest about these objects. They were of eternal importance, like baseball or the Republican Party.

Whenever I sign books, I get this line over and over again from men: "I don't read fiction, but my wife does. Would you sign the book to her?" What are those men doing there? And where are their wives?

One only makes books in order to keep in touch with one's fellows after one has ceased to breath, and thus to defend oneself against the inexorable fate of all that lives - transitoriness and oblivion.

For a writer, the Book Festival is interesting because you bump into all these other writers whose work you know, whose names you know, and you have a chance to put a person with the name and the work.

Graham runs a hand through his hair and takes a deep breath. Finally, with a determined scowl, he crosses the room. His hands grip my shoulders. “We are not,” his voice is a gentle tremor, “breaking up

sad things are beautiful only from a distance therefore you just want to get away from them from a distance of one hundred and thirty years ....i'm going to distance myself until the world is beautiful

My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."

Forgive me for speaking frankly, but after the past quarter-hour's conversation, I am unconvinced that any of you possess the sense or sensitivity to impart the news in any respectful fashion" - Amelia

The characters you refer to as predatory and unsavory are useful. They're the ones who make a novel into a thriller. They're active, and most of the common virtues, the signs of a good person, are not.

What do you do when you get a draft notice and you think a war is wrong? And I struggled with that for months prior to my being inducted into the army, and I'm still struggling with it, 40 years later.

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