Quotes of All Topics . Occasions . Authors
Great blunders are often made, like large ropes, of a multitude of fibers. Take the cable thread by thread, take separately all the little determining motives, you break them one after another, and you say: that is all! Wind them and twist them together, they become an enormity.
The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is.
This is what you shall do: Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people.
Father, thy hand Hath reared these venerable columns, thou Didst weave this verdant roof. Thou didst look down Upon the naked earth, and, forthwith, rose All these fair ranks of trees. They, in thy sun, Budded, and shook their green leaves in thy breeze, And shot towards heaven.
Look, the world's comforter, with weary gait, His day's hot task hath ended in the west: The owl, night's herald, shrieks-'tis very late; The sheep are gone to fold, birds to their nest; And coal-black clouds, that shadow heaven's light, Do summon us to part, and bid good night.
My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit, And tediousness the limbs and outward flourishes, I will be brief.
O serpent heart hid with a flowering face! Did ever a dragon keep so fair a cave? Beautiful tyrant, feind angelical, dove feather raven, wolvish-ravening lamb! Despised substance of devinest show, just opposite to what thou justly seemest - A dammed saint, an honourable villain!
I never had any other desire so strong, and so like covetousness, as that ... I might be master at last of a small house and a large garden, with very moderate conveniences joined to them, and there dedicate the remainder of my life to the culture of them and the study of nature.
With so many scientific achievements we know so little of where we came from and where we are going. But we know even less of the most important discovery of all – Love. Only love can accept our differences as we journey through life. And only love can allow space for our growth.
For lo! the board with cups and spoons is crowned.The berries crackle, and the mill turns round ... At once they gratify their scent and taste.And frequent cups prolong the rich repast... Coffee (which makes the politician wise And see through all things with his half-shut eyes).
See skulking Truth to her old cavern fled, Mountains of Casuistry heap'd o'er her head! Philosophy, that lean'd on Heav'n before, Shrinks to her second cause, and is no more. Physic of Metaphysic begs defence, And Metaphysic calls for aid on Sense! See Mystery to Mathematics fly!
You say what you want to say when you don't care who's listening. If you're grasping to get your own voice, you're making a strained attempt to talk, so it's a matter of just listening to yourself as you sound when you're talking about something that's intensely important to you.
This cruel age has deflected me, like a river from this course. Strayed from its familiar shores, my changeling life has flowed into a sister channel. How many spectacles I've missed: the curtain rising without me, and falling too. How many friends I never had the chance to meet.
Nobody ought to be too old to improve: I should be sorry if I was; and I flatter myself I have already improved considerably by my travels. First, I can swallow gruel soup, egg soup, and all manner of soups, without making faces much. Secondly, I can pretty well live without tea.
The one man who should never attempt an explanation of a poem is its author. If the poem can be improved by it's author's explanations it never should have been published, and if the poem cannot be improved by its author's explanations the explanations are scarcely worth reading.
Melrose is the finest remaining specimen of Gothic architecture in Scotland. Some of the sculptured flowers in the cloister arches are remarkably beautiful and delicate, and the two windows - the south and east oriels - are of a lightness and grace of execution really surprising.
When I was a kid and we played baseball we used to use that "eye black" stuff sometimes - that kind of grease you put under your eyes to reduce glare or something. We only used it, of course, to look cool; it's not like we were any better prepubescent athletes for reducing glare.
Sometimes I have visions of myself driving through hell, selling sulphur and brimstone, or through heaven peddling refreshments to the roaming souls. If me and the children I've got left could find a place where there's no shooting, I wouldn't mind a few years of peace and quiet.
How many years have slipped through our hands? At least as many as the constellations we still can identify. The quarter moon, like a light skiff, floats out of the mist-remnants Of last night’s hard rain. It, too, will slip through our fingers with no ripple, without us in it.
With the wild nature as ally and teacher we see not through two eyes but through the many eyes of intuition. With intuition we are like the starry night, we gaze at the world through a thousand eyes. The wild woman is fluent in the language of dreams, images, passion, and poetry.
In an age of global standardization, regional voices also remind both writer and reader that no life is lived generically. If the purpose of literature is truly, as the ancients insisted, to instruct and delight, then what better to understand and enjoy than the here and the now?
Each year the big garden grew smaller and Jane - who grew flowers by choice, not corn or stringbeans - worked at the vegetables more than I did. Each winter I dreamed crops, dreamed marvels of canning . . . and each summer I largely failed. Shamefaced, I planted no garden at all.
I'll always be happy if they'd leave me alone in that delightful and unknown furthest corner, apart from struggles, putrefactions and nonsense; the ultimate corner of sugar and toast, where the mermaids catch the branches of the willows and the heart opens to a flute's sharpness.
Never let us be discouraged with ourselves. It is not when we are conscious of our faults that we are the most wicked; on the contrary, we are less so. We see by a brighter light; and let us remember for our consolation, that we never perceive our sins till we begin to cure them.
How sweet the harmonies of the afternoon! The Blackbird sings along the sunny breeze His ancient song of leaves, and summer boon; Rich breath of hayfields streams thro' whispering trees; And birds of morning trim their bustling wings, And listen fondly--while the Blackbird sings.
Since I retired to Cold Mountain I've lived by eating mountain fruits What is there to worry about? Life passes according to karma The months pass like a flowing stream Days and nights like sparks from flint Heaven and earth endlessly change While I sit happily among these cliffs
This is what I know about love, That it is tested every day, and what is not renewed is lost. One chooses either to care more or to care less. Once the choice is to care less, then there is no stopping the momentum of goodbye. Each loved thing slips away. There is no stopping it.
I heard the trailing garments of the Night Sweep through her marble halls! I saw her sable skirts all fringed with light From the celestial walls! I felt her presence, by its spell of might, Stoop o'er me from above; The calm, majestic presence of the Night, As of the one I love.
The poets aim is either to profit or to please, or to blend in one the delightful and the useful. Whatever the lesson you would convey, be brief, that your hearers may catch quickly what is said and faithfully retain it. Every superfluous word is spilled from the too-full memory.
At Halloween, when fairy sprites Perform their mystic gambols, When ilka witch her neebour greets, On their nocturnal rambles; When elves at midnight-hour are seen, Near hollow caverns sportin, Then lads an' lasses aft convene, In hopes to ken their fortune, By freets that night.
There is no such thing as happiness. Life bends joy and pain, beauty and ugliness, in such a way that no one may isolate them. No one should want to. Perfect joy, or perfect pain, with no contrasting element to define them, would mean a monotony of consciousness, would mean death
Oh, hear Him within you speaking this infinite love,moving like some divine and audible leaven,lifting the sky of the soul with expansions of light, shaping new heights and new depths,and, at your stir of assent,spreading the mountains with flame, filling the hollows with Heaven.
Treacherous assassins, enemies of the people, and worthy of everyone's ridicule are those who, under the pretext of guiding future generations, teach them an isolated system of doctrines and whisper in their ear (instead of the sweet message of love) the barbarous gospel of hate.
Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby. The rain makes still pools on the sidewalk. The rain makes running pools in the gutter. The rain plays a little sellp-song on our roof at night- And I love the rain.
See it was like this when we waltz into this place. A couple of papish cats is doing an Aztec two-step And I says Dad let's cut but then this dame comes up behind me see and says you and me could really exist Wow I says Only the next day she has bad teeth and really hates poetry.
I talk to my kids about my mothers energy and how she would have loved them. I talk about how kind and polite my father was. So that they have some kind of remembrance that even though my parents died from their addictions and so that they know they were genuine in how they were.
If anyone decided to call the sea Neptune, and corn Ceres, and to misapply the name of Bacchus rather than to give liquor its right name, so be it; and let him dub the round world "Mother of the Gods" so long as he is careful not really to infest his mind with base superstitions.
... all this talking, this rather liquid confessing, was something I didn't think I could ever bring myself to do. It seemed foolhardy to me, like an uncooked egg deciding to to come out of its shell: there would be a risk of spreading out too far, turning into a formless puddle.
I define science fiction as fiction in which things happen that are not possible today - that depend, for instance, on advanced space travel, time travel, the discovery of green monsters on other planets or galaxies, or that contain various technologies we have not yet developed.
When we are forced to stop the noise around us and in us, we begin to hear everything that is not us, and this is the beginning of humility and the renewal of our soul's energy; as only by listening to all that is larger than us can we discover and feel our place in the Universe.
I wanted to write not exclusively for (or against) poets or scholars, though many of them are people, too! But that was not my primary audience. It was that person you like who tells you they don't get poetry, and you think to yourself, aw man, what can I do for this good person?
The main thing is to be myself. What I mean by that is, to be honest when called upon to express your feelings. The other thing is - maybe this should come first - to be a good listener. To close your mouth and to listen, and to be able to echo back what your partner says to you.
'Memory.' 'Race.' 'Murder.' That's what they say about me. I am an elegiac poet. I have some historical questions, and I'm grappling with ways to make sense of history; why it still haunts us in our most intimate relationships with each other, but also in our political decisions.
The poet's pen is the true divining rod Which trembles towards the inner founts of feeling; Bringing to light and use, else hid from all, The many sweet clear sources which we have of good and beauty in our own deep bosoms; And marks the variations of all mind As does the needle.
I think a young poet, or an old poet, for that matter, should try to produce something that pleases himself personally, not only when he's written it but a couple of weeks later. Then he should see if it pleases anyone else, by sending it to the kind of magazine he likes reading.
Always grow flowers, as that will make your way full of flowers. Never grow thorns, as that will make your way thorny. Never want to target someone on an arrow. You may become the target of that arrow. Never make a well in the way of someone. As you may pass by that way sometime.
Verses are not, as people think, feelings (those one has early enough) -- they are experiences. For the sake of a verse one must see many cities, men, and things, one must know the animals feel how birds fly, and know the gesture with which the little flowers open in the morning.
All thy old woes shall now smile on thee, and thy pains sit bright on thee. All thy sorrows here shall shine and thy sufferings be divine; Tears shall take comfort and turn to gems and wrongs repent to diadems Even thy deaths shall live and new dress the soul that once they slew.
I got about half the time I wanted to write poetry. I got about half the time I needed to be a father. So there is something in adulthood that has to do with accepting the half of things, allowing a renunciation of the other half, accepting half a basket instead of a full basket.
Many intellectual heroes in the European tradition seem to find the great outdoors a chilling prospect - and its literary analogue, the mythworld, equally chilling. As if a world in which humans have no leverage, and might not be present at all, couldn't be interesting to humans.