Quotes of All Topics . Occasions . Authors
Like, when we did Parliament and Funkadelic and Bootsy, it was actually one thing. But there were so many people that you could split them up into different groups. And then, when we went out on tour and they [the record companies] would see us all up there together - we had five, six guitars playing at one time, not including the bass! -, they said: "Wait a minute, that's just one whole group, selling different names!" But it wasn't - we had enough people in the group that each member would have a section to be another group. So now we're finally starting to get them to understand that.
Everything that is thought and expressed in words is one-sided, only half the truth; it all lacks totality, completeness, unity. When the Illustrious Buddha taught about the world, he had to divide it into Samsara and Nirvana, illusion and truth, into suffering and salvation. One cannot do otherwise, there is no other method for those who teach. But the world itself, being in and around us, is never one-sided. Never is a man or a deed wholly Samsara or wholly Nirvana; never is a man wholly a saint or a sinner. This only seems so because we suffer the illusion that time is something real.
When I have seen by Time's fell hand defaced The rich proud cost of outworn buried age; When sometime lofty towers I see down-razed And brass eternal slave to mortal rage; When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay; Ruin hath taught me thus to ruminate, That Time will come and take my love away. This thought is as a death which cannot choose But weep to have that which it fears to lose.
The day is cold, and dark, and dreary; It rains, and the wind is never weary; The vine still clings to the mouldering wall, But at every gust the dead leaves fall, And the day is dark and dreary. My life is cold, and dark, and dreary; It rains, and the wind is never weary; My thoughts still cling to the mouldering past, But the hopes of youth fall thick in the blast, And the days are dark and dreary. Be still, sad heart! and cease repining; Behind the clouds is the sun still shining; Thy fate is the common fate of all, Into each life some rain must fall, Some days must be dark and dreary.
Please let him come, and give me the resilience & guts to make him respect me, be interested, and not to throw myself at him with loudness or hysterical yelling; calmly, gently, easy baby easy. He is probably strutting the backs among crocuses now with seven Scandinavian mistresses. And I sit, spiderlike, waiting, here, home; Penelope weaving webs of Webster, turning spindles of Tourneur. Oh, he is here; my black marauder; oh hungry hungry. I am so hungry for a big smashing creative burgeoning burdened love: I am here; I wait; and he plays on the banks of the river Cam like a casual faun.
February. Get ink, shed tears. Write of it, sob your heart out, sing, While torrential slush that roars Burns in the blackness of the spring. Go hire a buggy. For six grivnas, Race through the noice of bells and wheels To where the ink and all you grieving Are muffled when the rainshower falls. To where, like pears burnt black as charcoal, A myriad rooks, plucked from the trees, Fall down into the puddles, hurl Dry sadness deep into the eyes. Below, the wet black earth shows through, With sudden cries the wind is pitted, The more haphazard, the more true The poetry that sobs its heart out.
Written in support of abolishing the Corn Laws, it became Elliott's most famous poem. The Peoples Anthem When wilt thou save the people Oh, God of mercy! When? Not kings and lords, but nations! Not thrones and crowns, but men! Flowers of thy heart, of God they are. Let them not pass like weeds, away Their heritage a sunless day! God save the people! When wilt thou save the people? Oh, God of mercy! When? The people Lord the people! Not thrones and crowns, but men! God save the people! Thine they are, Thy children, as thy angels fair, Save them from bondage and despair. God save the people!
Yet the timeless in you is aware of life's timelessness, And knows that yesterday is but today's memory and tomorrow is today's dream. And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space. Who among you does not feel that his power to love is boundless? And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds? And is not time even as love is, undivided and paceless?
I would like to sing someone to sleep, to sit beside someone and be there. I would like to rock you and sing softly and go with you to and from sleep. I would like to be the one in the house who knew: The night was cold. And I would like to listen in and listen out into you, into the world, into the woods. The clocks shout to one another striking, and one sees to the bottom of time. And down below one last, strange man walks by and rouses a strange dog. And after that comes silence. I have laid my eyes upon you wide; and they hold you gently and let you go when something stirs in the dark.
Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children's faces looking up, Holding wonder like a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit's still delight, Holy thoughts that star the night. Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be.
Sweet, sane, still Nakedness in Nature! — ah if poor, sick, prurient humanity in cities might really know you once more! Is not nakedness then indecent? No, not inherently. It is your thought, your sophistication, your fear, your respectability that is indecent. There come moods when these clothes of ours are not only too irksome to wear, but are themselves indecent. Perhaps indeed he or she to whom the free exhilarating ecstasy of nakedness in Nature has never been eligible (and how many thousands there are!) has not really known what purity is — nor what faith or art or health really is.
If a night-moth were to concentrate its will on flying to a star or some equally unattainable object, it wouldn't succeed. Only, it wouldn't even try in the first place. A moth confines its search to what has sense and value for it, what it needs, what is indispensable to its life... if I imagined that I wanted under all circumstances to get to the North Pole, then to achieve it I would have to desire it strongly enough that my whole being was ruled by it. But if I were to decide to will that the pastor should stop wearing his glasses, it would be useless. That would be making a game of it.
I do not know what dust is, I do not know where it comes from, I only know that it settles on things. I cannot see it in the air, or watch it fall. Sometimes Im home all day but I never see it sliding about looking for a place to rest when my back is turned. Does it wait til I go out? Or, does it happen in the night when I sleep? Dust is not fussy about the places it chooses, though it seems to prefer still objects. Sometimes, out of kindness, I let it lie for weeks. On some places it will lie forever. However, dust holds no grudges and once removed it will always return, in a friendly way.
S. E. Smith's I Live in a Hut has a deceptively simple title, considering that the brain in that hut contains galaxies-worth of invention: At night when your soldiers are praying ceaselessly for less rain and more underwear my soldiers make underwear out of rain. These poems seesaw between despair and delight but delight is winning the battle. Smith is a somersaulting tightrope walker of a poet and her poems will make you look at anything and everything with new eyes: For days I tried to rub the new freckle // off my hand until I realized what it was / and began to grant it its sovereignty.
Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year's leaves are smoke in every lane; But last year's bitter loving must remain Heaped on my heart, and my old thoughts abide! There are a hundred places where I fear To go,--so with his memory they brim! And entering with relief some quiet place Where never fell his foot or shone his face I say, 'There is no memory of him here!' And so stand stricken, so remembering him!
South Africa used to seem so far away. Then it came home to me. It began to signify the meaning of white hatred here. That was what the sheets and the suits and the ties covered up, not very well. That was what the cowardly guys calling me names from their speeding truck wanted to happen to me, to all of me: to my people. That was what would happen to me if I walked around the corner into the wrong neighborhood. That was Birmingham. That was Brooklyn. That was Reagan. That was the end of reason. South Africa was how I came to understand that I am not against war; I am against losing the war.
Seriously, I think it is a grave fault in life that so much time is wasted in social matters, because it not only takes up time when you might be doing individual private things, but it prevents you storing up the psychic energy that can then be released to create art or whatever it is. It's terrible the way we scotch silence & solitude at every turn, quite suicidal. I can't see how to avoid it, without being very rich or very unpopular, & it does worry me, for time is slipping by , and nothing is done. It isn't as if anything was gained by this social frivolity, It isn't: it's just a waste.
O man, do you believe that Christ is God? If you believe, fear, and keep His commandments? there is no other God but He (cf. Dt. 4:35). To Him no one is equal, nor can become equal (cf. Is. 40:18). He is Ruler of all things, the Judge of all, the King of all, the Maker of light and the Lord of life. He is the Light that is ineffable, inaccessible (cf. I Tim. 6:16), and He is the Only One. By His appearing He causes all His enemies to vanish before His face (cf. Ps. 68:2 f.), as well as those who do not perform His commandments, just as the sun when it rises drives away the darkness of night.
What was more needed by this old man who divided the leisure hours of his life, where he had so little leisure, between gardening in the daytime, and contemplation at night? Was not this narrow enclosure, with the sky for a background, enough to enable him to adore God in his most beautiful as well as in his most sublime works? Indeed, is not that all, and what more can be desired? A little garden to walk, and immensity to reflect upon. At his feet something to cultivate and gather; above his head something to study and meditate upon: a few flowers on the earth, and all the stars in the sky.
The summer day is closed - the sun is set: Well they have done their office, those bright hours, The latest of whose train goes softly out In the red west. The green blade of the ground Has risen, and herds have cropped it; the young twig Has spread its plaited tissues to the sun; Flowers of the garden and the waste have blown And withered; seeds have fallen upon the soil, From bursting cells, and in their graves await Their resurrection. Insects from the pools Have filled the air awhile with humming wings, That now are still for ever; painted moths Have wandered the blue sky, and died again
To a Mistress Dying Lover. YOUR beauty, ripe and calm and fresh As eastern summers are, Must now, forsaking time and flesh, Add light to some small star. Philosopher. Whilst she yet lives, were stars decay'd, Their light by hers relief might find; But Death will lead her to a shade Where Love is cold and Beauty blind. Lover. Lovers, whose priests all poets are, Think every mistress, when she dies, Is changed at least into a star: And who dares doubt the poet wise? Philosopher. But ask not bodies doom'd to die To what abode they go; Since Knowledge is but Sorrow's spy, It is not safe to know.
It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.... They both speak by and to the same organs; the bodies in which both of them are clothed may be said to be of the same substance, their affections are kindred, and almost identical, not necessarily differing even in degree; Poetry sheds no tears "such as Angels weep," but natural and human tears; she can boast of no celestial ichor that distinguishes her vital juices from those of prose; the same human blood circulates through the veins of them both.
Yes, what we are doing is probably mad, and probably it is good and necessary all the same. It is not a good thing when man overstrains his reason and tries to reduce to rational order matters that are susceptible of rational treatment. Then there arise ideals such as those of the Americans or of the Bolsheviks. Both are extraordinarily rational, and both lead to a frightful oppression and impoverishment of life, because they simplify it so crudely. The likeness of man, once a high ideal, is in process of becoming a machine-made article. It is for madmen like us, perhaps, to ennoble it again.
Bright star, would I were stedfast as thou art--- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors--- No---yet still stedfast, still unchangeable, Pillowed upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever---or else swoon in death.
Let's say someone has experienced a violent trauma or betrayal: a child has been raped by a parent or has witnessed the destruction of someone he loves or has been so traumatized by the possibility of beatings and punishments that he's afraid to act. If the trauma is great enough, that person's life may become frozen, emotionally frozen even though he still gets up in the morning, is busy all day, and goes to bed at night. But there's this empty space that begins to fill with rage, rage toward everyone - the perpetrator, the people in the world who haven't suffered, even toward himself. (174)
It is said that the Negro is ignorant. But why is he ignorant? It comes with ill grace from a man who has put out my eyes to makea parade of my blindness,--to reproach me for my poverty when he has wronged me of my money.... If he is poor, what has become of the money he has been earning for the last two hundred and fifty years? Years ago it was said cotton fights and cotton conquers for American slavery. The Negro helped build up that great cotton power in the South, and in the North his sigh was in the whir of its machinery, and his blood and tears upon the warp and woof of its manufactures.
For stories teach us, that liberty sought out of season, in a corrupt and degenerate age, brought Rome itself to a farther slavery: for liberty hath a sharp and double edge, fit only to be handled by just and virtuous men; to bad and dissolute, it becomes a mischief unwieldy in their own hands: neither is it completely given, but by them who have the happy skill to know what is grievance and unjust to a people, and how to remove it wisely; what good laws are wanting, and how to frame them substantially, that good men may enjoy the freedom which they merit, and the bad the curb which they need.
But if anyone were to conduct his life by reason He would find great riches in living a peaceful life And being contented; one is never short of a little But men want always to be powerful and famous So that their fortune rests on a solid foundation And they can spend a placid life in opulence. There isn't a hope of it; to attain great honours You have to struggle along a dangerous way And even when you reach the top there is envy Which can strike you down like lightning into Tartarus. For envy, like lightning, generally strikes at the top Or any point which sticks out from the ordinary level.
What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.
Those hours given over to basking in the glow of an imagined future, of being carried away in streams of promise by a love or a passion so strong that one felt altered forever and convinced that even the smallest particle of the surrounding world was charged with purpose of impossible grandeur; ah, yes, and one would look up into the trees and be thrilled by the wind- loosened river of pale, gold foliage cascading down and by the high, melodious singing of countless birds; those moments, so many and so long ago, still come back, but briefly, like fireflies in the perfumed heat of summer night.
But something magical happened to me when I went to Reardan. Overnight I became a good player. I suppose it had something to do with confidence. I mean, I'd always been the lowest Indian on the reservation totem pole - I wasn't expected to be good so I wasn't. But in Reardan, my coach and the other players wanted me to be good. They needed me to be good. They expected me to be good. And so I became good. I wanted to live up to the expectations. I guess that's what it comes down to. The power of expectations. And as they expected more of me, I expected more of myself, and it just grew and grew.
Is it thy will, thy image should keep open My heavy eyelids to the weary night? Dost thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou send'st from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenor of thy jealousy? O, no! thy love, though much, is not so great: It is my love that keeps mine eye awake: Mine own true love that doth my rest defeat, To play the watchman ever for thy sake: For thee watch I, whilst thou dost wake elsewhere, From me far off, with others all too near.
Let's face it: I'm scared, scared and frozen. First, I guess, I'm afraid for myself ... the old primitive urge for survival. It's getting so I live every moment with terrible intensity. Last night, driving back from Boston, I lay back in the car and let the colored lights come at me, the music from the radio, the reflection of the guy driving. It all flowed over me with a screaming ache of pain ... remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all I've taken for granted. When you feel that this may be the good-bye, the last time, it hits you harder.
And there I was with the stars hanging above my house like live wiresand the night sky the color of stockings. I stuck out my tongue to taste the skybut could not taste. I inhaled deeplybut could not smell. I used to look to the sky for comfortand now there was nothing, not even a seam, and I looked down and saw that it did not even reach the ground. And my only company was the satellites counting their sleep and the Sorrowful Mother swinging her empty dipper in the darkness, the Sorrowful Mother picking her way through the stars over my roof. And I knew I was nowhere and if I ever took my hands from my ears I would fall.
Now my charms are all o'erthrown, And what strength I have's mine own, Which is most faint: now, 'tis true, Or sent to Naples. Let me not, Since I have my dukedom got And pardon 'd the deceiver, dwell In this bare island by your spell; I must be here confined by you, But release me from my bands With the help of your good hands: Gentle breath of yours my sails Must fill, or else my project fails, Which was to please: now I want Spirits to enforce, art to enchant, And my ending is despair, Unless I be relieved by prayer, Which pierces so, that it assaults Mercy itself, and frees all faults. As you from crimes would pardon'd be, Let your indulgence set me free.