The laying of fish on the embers, the taste of the fish, the feel of the texture of bread, the round and the half-loaf, the grain of a petal, the rain-bow and the rain.

Multa ferunt anni venientes commoda secum, Multa recedentes adimiunt. (The years, as they come, bring many agreeable things with them; as they go, they take many away.)

I praise her (Fortune) while she lasts; if she shakes her quick wings, I resign what she has given, and take refuge in my own virtue, and seek honest undowered Poverty.

Strange - is it not? That of the myriads who Before us passed the door of Darkness through, Not one returns to tell us of the road Which to discover we must travel too.

Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and besides, it was confused with visual poetry which was completely different.

Who knows whither the clouds have fled? In the unscarred heaven they leave no wake; And the eyes forget the tears they have shed, The heart forgets its sorrow and ache.

Women are important in the Pre-Raphaelite movement. But while their faces are seen everywhere- in oil paintings, watercolours, drawings, - their voices are never heard.

The enemy of art is the enemy of nature; art is nothing but the highest sagacity and exertion of human nature; and what nature will he honour who honours not the human?

I enjoy gigging in industrial towns. It seems to be where I go down the best. Somewhere where they have a history of manufacturing, they're my favourite places to play.

Commemoration of John Donne, Priest, Poet, 1631 He was the Word that spake it; He took the bread and brake it; And what that Word did make it I do believe, and take it.

Sculptors are obliged to follow the manners of the painters, and to make many ample folds, which are unsufferable hardness, and more like a rock than a natural garment.

Railing in other men may be a crime, But ought to pass for mere instinct in him: Instinct he follows and no further knows, For to write verse with him is to transprose.

The poorest of the sex have still an itch To know their fortunes, equal to the rich. The dairy-maid inquires, if she shall take The trusty tailor, and the cook forsake.

What happiness the rural maid attends, In cheerful labour while each day she spends! She gratefully receives what Heav'n has sent, And, rich in poverty, enjoys content.

Round the boles of the pine-wood the ground-laurel creeps, Unkissed of the sunshine, unbaptized of showers, With buds scarcely swelled, which should burst into flowers!

The poetry of earth is never dead When all the birds are faint with the hot sun, And hide I cooling trees, a voice will run From hedge to hedge about the new-mown mead.

What am I, Life? A thing of watery salt Held in cohesion by unresting cells, Which work they know not why, which never halt, Myself unwitting where their Master dwells?

It is not hard for any man who hath a Bible in his hand to borrow good words and holy sayings in abundance; but to make them his own is a work of grace only from above.

Meanwhile the Adversary of God and man, Satan with thoughts inflamed of highest design, Puts on swift wings, and towards the gates of hell Explores his solitary flight.

Ah gentle pair, ye little think how nigh Your change approaches, when all these delights Will vanish and deliver ye to woe, More woe, the more your taste is now of joy.

They are the troublers, they are the dividers of unity, who neglect and don't permit others to unite those dissevered pieces which are yet wanting to the body of Truth.

Eriugena and other Celtic teachers speak of Christ as our memory, as the one who leads us to our deepest identity, as the one who remembers the song of our beginningsÂ….

In the end, like the Almighty Himself, we make everything in our image, for want of a more reliable model; our artifacts tell more about ourselves than our confessions.

Terrence, the Roman slave who freed himself with his writings, once observed, "I am a human being. Nothing human is alien to me." That could be the motto of literature!

It is very wicked for you not to take care of your masters goods, but how much worse is it to pilfer and steal from them, whenever you think you shall not be found out.

I have found both freedom and safety in my madness; the freedom of loneliness and the safety from being understood, for those who understand us enslave something in us.

And one of the elders of the city , said , speak to us of good and evil. And he answered : You are good in countless ways , and you are not evil when you are not good .

Many are the fools who say that Jesus stood in His own path and opposed Himself; that He knew not His own mind, and in the absence of that knowledge confounded Himself.

The balance of private good and general welfare is at the bottom of civilized morals but the morals of the Heroic Age are founded on individuality, and on nothing else.

How often, in this cold and bitter world, is the warm heart thrown back upon itself! Cold, careless, are we of another's grief; we wrap ourselves in sullen selfishness.

A city built upon mud; A culture built upon profit; Free speech nipped in the bud, The minority always guilty. Why should I want to go back To you, Ireland, my Ireland?

A guest should be permitted to graze, as it were, in the pastures of his host's kindness, left even to his own devices, like a rational being, and handsomely neglected.

Those vestiges of natures left behind Which reason cannot quite expel from us Are still so slight that naught prevents a man From living a life even worthy of the gods.

The wheel of Time wrote the first half of the poetry of mass destruction on the black board of the ashes of a funeral ground by dint of a pair of pens of nuclear bombs.

Axiom: you are a sea. Your eye- lids curve over chaos My hands where they touch you, create small inhabited islands soon you will be all earth: a known land, a country.

Science is not something that exists apart from human beings. It's one of the things we do as human beings, and we always have done science and technology in some form.

I am a black woman the music of my song some sweet arpeggio of tears is written in a minor key and I can be heard humming in the night Can be heard humming in the night

It has always amazed and humbled me to how the risk to bloom can seem so insurmountable beforehand and so inevitably freeing once the threshold of suffering is crossed.

I don't really think it will make much difference to me when I'm dead whether I'm read or not . . . just as whether I'm dead or not won't mean much to me when I'm dead.

If there ever comes a time when the women of the world come together purely and simply for the benefit of mankind, it will be a force such as the world has never known.

Ah love, let us be true to one another, which seems to lie before us like a land of dreams; so various, so beautiful, so new, hath really neither joy nor love nor life.

Keep all special thoughts and memories for lifetimes to come. Share these keepsakes with others to inspire hope and build from the past, which can bridge to the future.

We can do anything, or almost, but how balanced, magnanimous, and modest one has to be to do anything! And also how patient. It is as true in the arts as anywhere else.

This is part of the complexity of grief: A piece of you recognizes it is an extreme state, an altered state, yet a large part of you is entirely subject to its demands.

Never to despise in myself what I have been taught to despise. Nor to despise the other. Not to despise the it. To make this relation with the it: to know that I am it.

Whatever we conceive well we express clearly, and words flow with ease. [Fr., Ce que l'on concoit bien s'enonce clairement, Et les mots pour le dire arrivent aisement.]

The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.

The god we now behold with opened eyes, A herd of spotted panthers round him lies In glaring forms; the grapy clusters spread On his fair brows, and dangle on his head.

We have become a society where the artist is regarded as a self-indulgent superfluity, and the person who juggles stocks and shares is an essential part of the economy.

I'm a bit uncomfortable, truth be told, with being seen as an expert, because there is always so much more to learn. I see myself as a perpetual student of the goddess.

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