Every second that you're filming, you have a myriad of choices to make.

At the end of the day, a loving family should find everything forgivable.

It's really, really hard to watch people struggling and not want to fix it.

If a prayer is the way we talk to God, if a million people pray, that's got to be one big message.

As with instant replay, NFL Films' use of slow motion, camera angles and the narration of Facenda was not just a technical breakthrough but a conceptual breakthrough.

Before replays, football telecasts were filled with dead spots... It really destroyed the momentum of the telecasts. Replays gave you something to show during the pauses. It seemed to make the game go faster.

If you create a relationship that's based, to some extent, on support and money, it creates an entirely different relationship because people are going to be behaving in certain ways to please you, and not in their natural way.

The 1990 'Goodwill Games' can be another indication that the television world is not divided between commercial and cable. If the viewer thinks highly of our efforts... they will have a higher opinion of cable television and TBS.

The next innovation, Sensavision, will be like a Walkman attached to your forehead. You won't actually have your head wired because infrared wires will send signals to you. In 2007 Mick Jagger will be on stage, and when Mick feels heat, you'll feel heat.

I really wasn't very involved politically with anything up until that point. Then I started reading about the second Palestinian Intifada, and I spoke to friends in activist and journalism circles. Then, somehow by complete luck, I ended up at Democracy Now.

I hated the culture [working in the bank], I hated the work. I very quickly realized that this wasn't what I wanted to do. So, after two years, I took some writing courses - I always loved to write - and I figured the only way I was going to get paid to write was in journalism.

If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.

Mubarak was the glue that held this very leaderless and organic and very pluralistic mix of people together. Now that he's gone, there's a lot more debate and division about what happens next, which is healthy. We're essentially still under military dictatorship right now. The military rules the country. It can issue laws by decree.

Hosni Mubarak was the glue that held very leaderless and organic and very pluralistic mix of people together. Now that he's gone, there's a lot more debate and division about what happens next, which is healthy. We're essentially still under military dictatorship right now. The military rules the country. It can issue laws by decree.

I was three years old when Hosni Mubarak came into power. I've lived under Hosni Mubarak nearly all my entire life. Even before he stepped down, I knew this wasn't Hosni Mubarak's Egypt anymore, and regardless of what happened, it never would be again. A fear barrier had been broken. And once that barrier was broken, it would never be built again. People knew that they had this power, that they would not be pushed around again. There was just this fearlessness and determination.

I hated the culture, I hated the work. I very quickly realized that this wasn't what I wanted to do. So, after two years, I took some writing courses - I always loved to write - and I figured the only way I was going to get paid to write was in journalism. I really wasn't very involved politically with anything up until that point. Then I started reading about the second Palestinian Intifada, and I spoke to friends in activist and journalism circles. Then, somehow by complete luck, I ended up at Democracy Now.

Share This Page