Quotes of All Topics . Occasions . Authors
Not merely hope, but any burdensome yearning: ambition, hatred, love (especially love) - how rarely do our emotions meet the object they seem to deserve? How hopelessly we signal; how dark the sky; how big the waves. We are all lost at see, washed between hope and despair, hailing something that may never come to rescue us. Catastrophe has become art; but this is no reducing process. It is freeing, enlarging, explaining. Catastrophe has become art: that is, after all, what it is for.
To us, it is incomprehensible that millions of Christian men killed and tortured each other because Napoleon was ambitious or Alexander was firm, or because England's policy was astute or the Duke of Oldenburg was wronged. We cannot grasp what connection such circumstances have the with the actual fact of slaughter and violence: why because the Duke was wronged, thousands of men from the other side of Europe killed and ruined the people of Smolensk and Moscow and were killed by them.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
How far does one combine resistance to over-control with social justice, i.e. tolerable living for people in general? We are too selfish to be trusted, if left free, to give away enough to make people comfortable enough to give them a chance. Yet if all this is ordered for us, as to some extent it has to be, it so soon leads to tyranny. It is a very difficult problem. If only human beings had more pity, unselfishness, and justice and didn't need coercion to treat each other decently.
Well, it's New Year's now but I don't feel that way anymore. I wonder if you do either. Something's happening to me. It's like I'm shrinking smaller and smaller and I can't stp it. There's just os much wrong that I can't imagine the shame in admitting even the tiniest part of it. When you left it was like there was this huge gap to fill, but instead of spreading wide enough to do it I just fell right in, and I'm still falling. Like I'm half-asleep, and I can't wake up, can't wake up.
But his pantheon would have survived. (Kat) Would it? Fate is never that simple. It doesn’t go in a straight line, and the more you try to circumvent it, the worse you make it on yourself. Fate will not be denied. Sin would have lost his powers by another means, at another time and place. And whoever took them then might have killed him. Had he died, the world would have ended a long time ago or the gallu would have run free and taken over. There are infinite possibilities. (Acheron)
I believe that. But I want you to know something — when it comes to all this enemies nonsense, I’m out. I am a neutral country. I am Switzerland. I refuse to be affected by territorial disputes between mythical creatures. Jacob is family. You are . . . well, not exactly the love of my life, because I expect to love you for much longer than that. The love of my existence. I don’t care who’s a werewolf and who’s a vampire. If Angela turns out to be a witch, she can join the party, too.
God is at the tip of our scalpels, our screwdrivers, our computer terminals, our dust rags, our vacuum cleaners, our pencils and pens. He is with us in our wheelchairs, or on our hospital beds, when all we can do is sit or lie flat. When we envision Him and His purpose in what we do, then we begin to grow aware of His presence in the middle of it. We are able to engage in our inward conversation with Him as we work, naturally, without strain. He becomes our partner, our collaborator.
Whoever you are, bear in mind that appearance is not reality. Some people act like extroverts, but the effort costs them energy, authenticity, and even physical health. Others seem aloof or self-contained, but their inner landscapes are rich and full of drama. So the next time you see a person with a composed face and a soft voice, remember that inside her mind she might be solving an equation, composing a sonnet, designing a hat. She might, that is, be deploying the powers of quiet.
Superficial to understand the journal as just a receptable for one's private, secret thoughts - like a confidante who is deaf, dumb, and illiterate. In the journal I do not just express myself more openly than I could to any person; I create myself. ... The journal is a vehicle for my sense of selfhood. It represents me as emotionally and spiritually independent. Therefore (alas) it does not simply record my actual, daily life but rather - in many cases - offers an alternative to it.
A new year is upon us, with new duties, new conflicts, new trials, and new opportunities. Start on the journey with Jesus--to walk with Him, to work for Him, and to win souls to Him. The last year of the century, it may be the last of our lives! A happy year will it be to those who, through every path of trial, or up every hill of difficulty, or over every sunny height,, march on in closest fellowship with Jesus, and who will determine that, come what may, they have Christ every day.
You never see animals going through the absurd and often horrible fooleries of magic and religion. . . . Dogs do not ritually urinate in the hope of persuading heaven to do the same and send down rain. Asses do not bray a liturgy to cloudless skies. Nor do cats attempt, by abstinence from cat's meat, to wheedle the feline spirits into benevolence. Only man behaves with such gratuitous folly. It is the price he has to pay for being intelligent but not, as yet, quite intelligent enough.
A rich man's body is like a premium cotton pillow, white and soft and blank. ''Ours'' is different. My father's spine was a knotted rope, the kind that women use in villages to pull water from wells; the clavicle curved around his neck in high relief, like a dog's collar; cuts and nicks and scars, like little whip marks in his flesh, ran down his chest and waist, reaching down below his hip bones into his buttocks. The story of a poor man's life is written on his body, in a sharp pen.
How does it feel? I feels exactly like one of those dreams in which you suddenly realize that you have to take a test you haven't studied for and you aren't wearing any clothes. And you've left your wallet at home. When I am out there, in time, I am inverted, changed into a desperate version of myself. I become a thief, a vagrant, an animal who runs and hides. I startle old women and amaze children. I am a trick, an illusion of the highest order, so incredible that I am actually true.
Thomas Gordon, founder of P.E.T. (Parent Effectiveness Training), observed that when children are behaving in a way that interferes with your ability to meet your needs, shouting direct orders to them doesn't work very well. So, he advised sending I messages. That is, a better alternative to, Your room is a disaster area-clean it up this minute, would be something like, I get embarrassed when Mrs. Johnson is visiting and sees your room looking this messy, so I need you to clean it up.
You are part of my existence, part of myself. You have been in every line I have ever read, since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since-on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with.
This fine young man had all the inclination to be a profligate of the first water, and only lacked the one good trait in the common catalogue of debauched vices - open-handedness - to be a notable vagabond. But there his griping and penurious habits stepped in; and as one poison will sometimes neutralise another, when wholesome remedies would not avail, so he was restrained by a bad passion from quaffing his full measure of evil, when virtue might have sought to hold him back in vain.
They're trying to exterminate our race. I think, probably in a moral sense, the Jewish people have been a blight. I mean as a whole, not every Jew. And they probably deserve to go into the ashbin of history. But saying that and actually shooting or killing people in masses, are two different things. I'm not advocating extermination. I think the best thing is to resettle them in someplace where they can't exploit others. And I don't think they can live among themselves, I really don't.
We hurt each other, is the point. Hurt, annoy, embarrass, but move on. People, it just doesn't work that way. Your own feelings get so complicated that you forget the ways another human being can be vulnerable. You spend a lot of energy protecting yourself. All those layers and motivations and feelings. You get hurt, you stay hurt sometimes. The hurt affects your ability to go forward. And words. All the words between us. Words can be permanent. Certain ones are impossible to forgive.
Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."
The world is a thing of utter inordinate complexity and richness and strangeness that is absolutely awesome. I mean the idea that such complexity can arise not only out of such simplicity, but probably absolutely out of nothing, is the most fabulous extraordinary idea. And once you get some kind of inkling of how that might have happened ' it's just wonderful. And . . . the opportunity to spend 70 or 80 years of your life in such a universe is time well spent as far as I am concerned.
Everybody prays whether [you think] of it as praying or not. The odd silence you fall into when something very beautiful is happening or something very good or very bad. The ah-h-h-h! that sometimes floats up out of you as out of a Fourth of July crowd when the sky-rocket bursts over the water. The stammer of pain at somebody else s pain. The stammer of joy at somebody else's joy. Whatever words or sounds you use for sighing with over your own life. These are all prayers in their way.
Thou shalt understand that it is a science most profitable, and passing all other sciences, for to learn to die. For a man to know that he shall die, that is common to all men; as much as there is no man that may ever live or he hath hope or trust thereof; but thou shalt find full few that hath this cunning to learn to die. I shall give thee the mystery of this doctrine; the which shall profit thee greatly to the beginning of ghostly health, and to a stable fundamental of all virtues.
Back in the really early days, the men went out hunting, the women stayed home with the kids, and would hold the kid in one arm against the heart, so that's the left, and with the right arm they would throw. And it turns out you cannot make that calculation in real time. You have to have an algorithm set up. So these brain mechanisms evolved in order to do that, and when they evolved, the thing is that where there is a useful capability it often adapts to places it wasn't evolved for.
The cowardly belief that a person must stay in one place is too reminiscent of the unquestioning resignation of animals, beasts of burden stupefied by servitude and yet always willing to accept the slipping on of the harness. There are limits to every domain, and laws to govern every organized power. But the vagrant owns the whole vast earth that ends only at the non-existent horizon, and her empire is an intangible one, for her domination and enjoyment of it are things of the spirit.
Something else an academic education will do for you. If you go along with it any considerable distance, it will begin to give you an idea what size mind you have. What’ll fit and, maybe, what it won’t. After a while, you’ll have an idea what kind of thoughts your mind should be wearing. For one thing, it may save you an extraordinary amount of time trying on ideas that won’t suit you, aren’t becoming to you. You’ll begin to know your true measurements and dress your mind accordingly.
We artists can only go so far as the people can follow us. We are not alone, we are part of the system. We can take risks, but if you want to go to the peak of your consciousness, you may very well find yourself alone. Even if you know how to translate what you see, maybe only ten people will be able to understand what you tell. But, if you have faith in your vision, and retell it again and again, you will start noticing that, after a time, more people will begin to catch up with you.
Louise, I would gladly fire the past for you, go and not look back. I have been reckless before, never counting the cost, oblivious to the cost. Now, I've done the sums ahead. I know what it will mean to redeem myself from the accumulations of a lifetime. I know and I don't care. You set before me a space uncluttered by association. It might be a void or it might be a release. Certainly I want to take the risk. I want to take the risk because the life I have stored up is going mouldy.
To deprive a gregarious creature of companionship is to maim it, to outrage its nature. The prisoner and the cenobite are aware that the herd exists beyond their exile; they are an aspect of it. But when the herd no longer exists, there is, for the herd creature, no longer entity, a part of no whole; a freak without a place. If he cannot hold on to his reason, then he is lost indeed; most utterly, most fearfully lost, so that he becomes no more than the twitch in the limb of a corpse.
We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father's shed were sighing. The sheets were rising and falling around me with Anna's breathing. I thought about waking her. but it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you... It's always necessary. I love you.
Life is precious, so I ought to spend my days, you know, making sandwiches for homeless people and tending to the elderly in hospice care. Life is precious, so I should give everything away, except that I live in the world. And in the world, I actually have needs and wants, and I value my needs and wants. And I live in the world, and I can't just go make sandwiches every day because I also have to take kids to school. I also have to, you know, write books because that's my livelihood.
If a culture treats a particular illness with compassion and enlightened understanding, then sickness can be seen as a challenge, as a healing crisis and opportunity. Being sick is then not a condemnation or a moral judgement, but a movement in a larger process of healing and restoration. When sickness is viewed positively and in supportive terms, then illness has a much better chance to heal, with the concomitant result that the entire person may grown and be enriched in the process.
...you could not measure love on a scale of degrees, and now she understood that it was the same with pain. Pain might escalate upward and, just when you thought you'd reach your limit, begin to spread sideways, and spill out, and touch other people, and mix with their pain. And grow larger, but somehow less oppressive. She had thought herself trapped in a place outside the ordinary feeling lives of people; she had not noticed how many other people were trapped in that place with her.
I saw a huge steam roller, It blotted out the sun. The people all lay down, lay down; They did not try to run. My love and I, we looked amazed Upon the gory mystery. "Lie down, lie down!" the people cried. "The great machine is history!" My love and I, we ran away, The engine did not find us. We ran up to a mountain top, Left history far behind us. Perhaps we should have stayed and died, But somehow we don't think so. We went to see where history'd been, And my, the dead did stink so.
Usually when I drank too much, I could guess why I did so, the objective being to murder a state of consciousness that I didn't have the courage to sustain--a fear of heights, which sometimes during the carnival of the 1960s accompanied my attempts to transform the bourgeois journalist into an avant-garde novelist. The stepped-up ambition was a commonplace among the would-be William Faulkners of my generation; nearly always it resulted in commercial failure and literary embarrassment.
My relationship with brick-and-mortar shopping is, in general, unpleasant. I can't remember a time in my life when I could go to a physical store and find a variety of things in my size that excited me and fit my personal style. As a plus-size shopper at a typical mall, you're limited to at most five stores out of maybe 50 clothing retailers. That leaves us with very few options and, for people on a tight budget, pretty much no chance of comparison shopping. You take what you can get.
The smell of good bread baking, like the sound of lightly flowing water, is indescribable in its evocation of innocence and delight... [Breadmaking is] one of those almost hypnotic businesses, like a dance from some ancient ceremony. It leaves you filled with one of the world's sweetest smells... there is no chiropractic treatment, no Yoga exercise, no hour of meditation in a music-throbbing chapel. that will leave you emptier of bad thoughts than this homely ceremony of making bread.
Wave particle duality is a core feature of our world. Or rather, we should say, it is a core feature of our mathematical descriptions of our world. But what is critical to note here is that, however ambiguous our images, the universe itself remains whole and is manifestly not fracturing into schizophrenic shards. It is this tantalizing wholeness and the thing itself that drives physicists onward like an eternally beckoning light that seems so teasingly near. It is always out of reach.
There is no passion that so much transports men from their right judgments as anger. No one would demur upon punishing a judge with death who should condemn a criminal upon the account of his own choler; why then should fathers and pedants be any more allowed to whip and chastise children in their anger? It is then no longer correction bat revenge. Chastisement is instead of physic to children; and should we suffer a physician who should be animated against and enraged at his patient?
There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.
A problem that I have with everything fictional is that writers are always having to come up with sudden artillery explosions in the middle of whatever is going on. The characters are having interesting, subtle interactions, or jealousies, or whatever it is, and suddenly some gigantic angry eruption has to happen, a giant gasp where everyone has to scramble around. That's the point where I'm turned off. I want the dynamic range to be a little smaller. I don't like the big false bangs.
The cities of America are inexpressibly tedious. The Bostonians take their learning too sadly; culture with them is an accomplishment rather than an atmosphere; their Hub, as they call it, is the paradise of prigs. Chicago is a sort of monster-shop, full of bustles and bores. Political life at Washington is like political life in a suburban vestry. Baltimore is amusing for a week, but Philadelphia is dreadfully provincial; and though one can dine in New York one could not dwell there.
Out of a very intimate acquaintance with D. L. Moody, I wish to testify that he was a far greater pray-er than he was preacher. Time and time again, he was confronted by obstacles that seemed insurmountable, but he always knew the way to overcome all difficulties. He knew the way to bring to pass anything that needed to be brought to pass. He knew and believed in the deepest depths of his soul that nothing was too hard for the Lord, and that prayer could do anything that God could do.
The wind outside nested in each tree, prowled the sidewalks in invisible treads like unseen cats. Tom Skelton shivered. Anyone could see that the wind was a special wind this night, and the darkness took on a special feel because it was All Hallows' Eve. Everything seemed cut from soft black velvet or gold or orange velvet. Smoke panted up out of a thousand chimneys like the plumes of funeral parades. From kitchen windows drifted two pumpkin smells: gourds being cut, pies being baked.
Time is so strange and life is twice as strange. You must promise me not to live to be too old, William. It if is at all convenient, die before you're fifty. It my take a bit of doing. But I advise this is simply because there is no telling when another Helen Loomis might be born. It would be dreadful, wouldn't it, if you lived on to be very very old and some afternoon in 1999 walked down Main street and saw me standing there, aged twenty-one, and the whole thing out of balance again?
Suddenly it wasn't only a personal thing to me. I could picture hundreds and hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going down under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did.
Everyone tries to create a world he can live in, and what he can't use he often can't see. But the real world is already created, and if your fabrication doesn't correspond, then even if you feel noble and insist on there being something better than what people call reality, that better something needn't try to exceed what, in its actuality, since we know it so little, may be very surprising. If a happy state of things, surprising; if miserable or tragic, no worse than what we invent.
I see that I've become a really bad correspondent. It's not that I don't think of you. You come into my thoughts often. But when you do it appears to me that I owe you a particularly grand letter. And so you end in the "warehouse of good intentions": "Can't do it now." "Then put it on hold." This is one's strategy for coping with old age, and with death--because one can't die with so many obligations in storage. Our clever species, so fertile and resourceful in denying its weaknesses.
The father's life is surrounded by mysterious prestige: the hours he spends in the home, the room where he works, the objects around him, his occupations, his habits, have a sacred character. It is he who feeds the family, is the one in charge and the head. Usually he works outside the home, and it is through him that the household communicates with the rest of the world: he is the embodiment of this adventurous, immense, difficult, and marvelous world; he is transcendence, he is God.