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  • Dweller in yon dungeon dark, Hangman of creation, mark! Who in widow weeds appears, Laden with unhonoured years, Noosing with care a bursting purse, Baited with many a deadly curse?

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Dweller in yon dungeon dark, Hangman of creation, mark! Who in widow weeds appears, Laden with unhonoured years, Noosing with care a bursting purse, Baited with many a deadly curse?

Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in. There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley. Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that?
One June evening, when the orchards were pink-blossomed again, when the frogs were singing silverly sweet in the marshes about the head of the Lake of Shining Waters, and the air was full of the savor of clover fields and balsamic fir woods, Anne was sitting by her gable window. She had been studying her lessons, but it had grown too dark to see the book, so she had fallen into wide-eyed reverie, looking out past the boughs of the Snow Queen, once more bestarred with its tufts of blossom.

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