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  • For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.

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For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.

Harry is heavily into camping, and every year in the late fall, he makes us all go to Assateague, which is an island on the Atlantic Ocean famous for its wild horses. I realize that the concept of wild horses probably stirs romantic notions in many of you, but this is because you have never met any wild horses in person. In person, they are like enormous hooved rats. They amble up to your camp site, and their attitude is: We're wild horses. We're going to eat your food, knock down your tent and poop on your shoes. We're protected by federal law, just like Richard Nixon.

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