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  • By sending Lenin to Russia our (German) Government had, moreover, assumed a great responsibility. From a miliaty point of view his journey was justified, for Russia had to be laid low. But our Government should have seen to it that we also were not involved in her fall. The events in Russia gave me no cause for complete satisfaction. They considerably eased the military situation, but elements of the greatest danger still remained.

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By sending Lenin to Russia our (German) Government had, moreover, assumed a great responsibility. From a miliaty point of view his journey was justified, for Russia had to be laid low. But our Government should have seen to it that we also were not involved in her fall. The events in Russia gave me no cause for complete satisfaction. They considerably eased the military situation, but elements of the greatest danger still remained.

Wrangel pretended to combat the Bolsheviks, Bolshevism is Jewry. In order to retain the favor of the Jews holding the real power in England, France and the United States, Wrangel showed to the Jews signs of his submission to them. Thereafter the Russian masses abandoned Wrangel as a traitor or as a comedian. It is impossible simultaneously to be an auxiliary of the Jew and an enemy of the Bolsheviki who are Jews. Be it incoherence or treason, Wrangel deserved the same fate as Denikin and he got it.
The full history of the interlocking participation of the Imperial German Government and international finance in the destruction of the Russian Empire is not yet written...It is not a mere coincidence that at the notorious meeting held at Stockholm in 1916, between the former Russian Minister of the Interior, Protopopoff, and the German Agents, the German Foreign Office was represented by Mr. Warburg, whose two brothers were members of the international banking firm, Kuhn, Loeb and Company, of which the late Mr. Jacob Schiff was a senior member.
To know the piano is to know the universe. To master the piano is to master the universe. The spectrum of piano sound acts as a prism through which all musical and non-musical sounds may be filtered. The grunts of sheep, the braying of mules, the popping of champagne corks, the sighs of unrequited love, not to mention the full lexicon of sounds available to all other instruments-including whistles, scrapes, bleatings, caresses, thuds, hoots, plus sweet and sour pluckings-fall within the sovereignty of this most bare and dissembling chameleon.

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