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I don't run away from the idea of philosophy as seductive. I want the sentences to be prose but intense prose, to show that, like life, thinking is not linear.

Basically, you can live your life in one of two ways. You can let your brain run you the way it has in the past. You can let it flash any picture or sound or feeling, and you can respond automatically on cue, like a Pavlovian dog resp‎onding to a bell. Or you can choose to consciously run your brain yourself. You can implant the cues you want. You can take bad experiences and sap them of their strength and power. You can represent them to yourself in a way that no longer overpowers you, a way that "cuts them down" to a size where you know you can effectively handle things.
Being a fiction writer is really like being an actor, because if you're going to write convincingly it has to sound right and play right. The only way that works is to emotionally and technically act out and see the scene you're in. There's no better job in the world, because when I sit down at that computer I'm the world's best forensics expert, if that's what I'm writing about that day. Or I'm some crazed psycho running down a dark alley. Or I'm a gorgeous woman looking to find a man that night. Whatever! But I'm all of those things, every day. How can you beat that?
I paused for a light at Hamilton and TWlfth and noticed the Nissan was running rough at idle. Two blocks later it backfired and stalled. I coaxed it into the center of the city. Ffft, ffft, ffft, KAPOW! Ffft, ffft, ffft, KAPOW! A Trans Am pulled up next to me at a light. The Trans Am was filled with high school kids. One of them stuck his head out of the passenger-side window. "Hey lady," he said. "Sounds like you got a fartmobile." I flipped him an Italian goodwill gesture and pulled the ball cap low on my forehead. (Three to get Deadly)

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