People comment on my voice. They always ask me if I'm ill.

I've always been searching to arrive at a certain voice that will probably elude me forever.

I always enjoy rhythms and melodies, but I always use my voice as more of an instrument and less of a soapbox for me to say or to preach.

The directness of my mother is clearly in my voice. Her opinion is always a very strong opinion at the dining room table. I think she empowered me to have the same drive.

If you ask me about vocal technique, I don't know anything. I could never be a teacher. I just know what my teacher told me: 'Always sing with a full voice. When they tell you, less sound, more piano - no.'

I was constantly, always and forever, trying to perform the musical 'Annie' for anyone who would listen, and I have a terrible singing voice. It was the first thing that made me think I wanted to be an actress.

The thing I admired most about Scott was his fearlessness. Of course his voice, lyrics, and stage presence have always had an effect on me as they have most STP fans. But it was his fearlessness that I admired the most.

It was always difficult for me to listen to my singing voice for the first 20 years or so. I mean, I really enjoyed singing, and I enjoyed doing live shows, but being in a recording studio and having to hear my voice played back to me would really drive me up the wall.

Comeback records always worry me, especially when they're made by one of my heroes, and I'd heard stories about Gil Scott-Heron recently, about drug arrests and prison terms and other troubles. I wasn't prepared for the ravaged shakiness of his voice on this record or the raw spoken word pieces or the dark electronic backgrounds.

Share This Page