My collaborative albums are always way more enjoyable to make.

There's more than one way to do things. There's always different points of views and styles of pitching.

That's the way I've been educated: I always think about what I missed and the things that you did, you did them, so you don't have to think about them any more.

I would have to agree, that I'm probably more intense than Brian or Kurt, competitive because, I was always like this, always being that way, always real competitive.

The old West Coast rappers are the way I rap; they weren't always on beat but it was about telling a story. I'm just a little more modern so it doesn't sound exactly the same.

I think I've made decisions for the right reasons, and I've always communicated them in a respectful way. As a manager, you can't do any more than that. I sit comfortably with that. But I've not enjoyed it.

I actually broke my nose when I was 7 years old, and I'm always super conscious that it turns slightly one way. I have a slight bump in it, too, but I've found that if I put a bit of concealer on one side of the bump, it seems to blend in more.

I did write more mainstream stuff with DK. But you could always tell the records that I wrote in contrast with everybody else's because the format was a bit different. The harmonies were used in a different type of way. Way more metaphors in the mix.

It doesn't always make sense to have a token on the blockchain that is both useful and represents ownership - it has to be something where there's a network effect. That's why I cite Facebook as an example of what could be disrupted more so than, say, Amazon - which is bit more centralized and is not exactly a network of users in the same way.

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