Quotes of All Topics . Occasions . Authors
I always like to leave art and music open to interpretation.
I've always considered rock 'n' roll, the music and the dancing, an art form.
My favorite books, art pieces, films, and music, always have something jarring about them.
One thing that I always liked about fashion was that it was tied in with music and art and film.
It's always been a mantra to me, when making music or creating art, that you have to be vulnerable.
Look: I download music illegally, if I really want it. But I always then buy the record - I support art.
I've always been obsessed by visual art as I have been by music personally, but that doesn't mean anything professionally.
Music is an artform, and I always though art was beyond censorship. I thought this was a common view. Apparently, I was wrong.
Drake is a man of the art, so he appreciates the new sounds and new music. He's always in tune with the music and the story behind it.
I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.
There's always the influence of music, film, art and the other things that drive me. I'm usually inspired by my environment and whatever is making me happy or mad.
Having artist parents, they knew the importance of exposing me and my sister to all types of music and art and making art part of our every day. it was just always there.
I've always written - about music, art, things going on around the world. The danger is that it becomes too personal. I don't think people want it at that level of intimacy.
When people listen to music, they don't worry about what it means like they do about art. Everyone's an expert on music, but with art, I always find I have to defend its existence.
I'm into sincerity in music and sincerity in art. If it doesn't feel true, I don't want to do it. Things that are too dramatic scare me. I think that's why I don't always fit into the world of performing arts.
My father was very interested in music, and when he and his brothers were young, they had a singing group that used to open for Sam Cooke. There was always music in our house, but there wasn't much art around.
By wrecking something, it's always reinventing. All modern movements in art and music wrecked what came before, in a way - and surprised the cooler generation that was one step ahead. That's how you get ahead.
I think, even when I was little, there was signs that I was an artist. I've always been an artist. My first exploration through art was really through music - I've trained classically with piano for about ten years.
We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to; it's because it's what we want to express.
Compared with my brother, I always felt like Richard III, some clever humpbacked thing who surpassed him in the end. He was the one who read books, but I became the writer. He painted and drew, but I was the one who got accepted by the High School of Music and Art.
I remember I heard it in an interview with Michael Jackson one day, saying the art is gone, everybody makes records just to make a record. See, I always want the artist that try to build a whole body of music on one album, so you can enjoy it. So you could say, 'I went with him here, I went with him here.'
I think a scientist's job is to explore the Universe, to explore the cosmos around us. People always want to know - why is that useful? Well, on just pure fundamental grounds, on some level it's like art, it's like umm, music, it's aesthetics, it's like philosophy. You want to know where you are in the Universe.
A real New Yorker is always someone who came here from somewhere else to avoid some kind of persecution, often sexual-preference based, or to be discovered in one of the infinite-though-no-longer-thriving alternative scenes, i.e. theater, music, dance, vaudeville, art, drag, or, in those of the greatest egos, to be 'the next Andy Warhol.'