Quotes of All Topics . Occasions . Authors
Blanc et Eclare is always what I work on constantly.
When I think of the Blanc & Eclare girl, I think of me.
I wanted to do what Mel Blanc did, and that was cartoons.
Mel Blanc has been gone for 30 years, even though he's still around.
I've always said that you can't be the new Mel Blanc by doing Mel Blanc's voice.
My father has always written with Mont Blanc pens. It's very chic and elegant and classic.
I live in a world where I want everyone to be able to put beurre blanc on the table for dinner.
No exile at the South Pole or on the summit of Mont Blanc separates us more effectively from others than the practice of a hidden vice.
When I was born, my parents were huge into skiing. I grew up on Mont Blanc, skiing on that hill. I was really a ski baby. Loved it; I still love it.
For Blanc & Eclare, we go by the motto 'modern classic,' and that kind of comes from me because I don't like to overdo things and I try to be as natural as possible.
Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.
I am an amateur mountain climber. Once or twice a year I go off to Chamonix in the French Alps, under Mont Blanc, and with a guide do treks that include rock climbing at high altitude.
As far as vintage Champagne goes, I loved 1990; it's a great, great vintage. I bought a lot of 1990 Blanc de Blancs Champagne - my favorite kind - and I plan on drinking it all by 2005.
Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he's a great actor.
I was making a film called The White Tower at the foot of Mont Blanc - the one thing I learned from that experience was that it's more difficult to go down a mountain than to go up. A lot of people don't realize that.
Blanc called me when he was in the United States and I was still on holiday. He said he was very happy to recruit me, that he had wanted me for several seasons. Obviously, this gave me an added incentive to sign for PSG.
As a kid, I just loved cartoons. And as the credits went by, I'd study those names and then try to figure how I could get hired to do what Mel Blanc and Daws Butler did. Create all of these great voices for animated characters.
I grew up in St. Louis, Missouri. I lived in Grand Blanc, Michigan for a year and that's when I got involved in acting and took classes there. A manager who saw me at the agency I was at in Michigan wanted me to come out to L.A.
When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.
It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.
When I was growing up, I was so fascinated by Mel Blanc and all of the different voices that he did for 'Looney Tunes' and watching Robin Williams record voice-over for the genie in 'Aladdin.' It always seemed to be a major honor - something you have to earn. Like people trust you when they want to have you there without seeing you.
