I've done about six comedies. Oddly enough, the script came to me from one of the guys in Platoon.

I've been in this industry for nine years and I've done a fair share of films, but it's not been rewarding enough for me so far.

I was unloading sides of beef down on the docks when I decided enough was enough. By then, I'd done a lot of reading on my own, so I persuaded New York University to enroll me.

You sort of feel when you are given an award, you feel like, well then you have got to do something to deserve having been given the award. It worked differently with me cause I didn't feel that I had done enough.

I had been in a film, playing a young British aristocrat. My wife told me that she was invited to a dinner and she invited me to dinner and the hostess had seen me and said, 'You cannot bring him.' but I think that I've done enough to shatter the image.

I remember all the stages in my career where I almost didn't have enough confidence to try for something, almost didn't have the guts to follow something I was excited about doing, because I didn't know anyone else who'd done it, or other people made me question it.

Around 2005, the Canadian army tapped me to do a dramatization for a series of foresight workshops they'd done. They had stacks of papers and needed it boiled down to something simple enough for a 4-star general to understand. We decided to do it as a story. That's how I created 'Crisis in Zefra.'

I was successful and I enjoyed modeling, but it got to a point where I felt like I had 'been there, done that.' I wanted something that would inspire me and challenge me. I needed something that required more creativity. I started writing and I started auditioning. Simply posing in front of the camera was no longer enough.

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