While I was in university, my father became very ill and my father was unable to work. We needed to pay the bills, so in my 20s I became the sole income earner in my family.

When I was ten years old, my family left a cold, damp prefab in West Fife and moved to Corby, Northamptonshire, where my father quickly found work at what was then the Stewarts & Lloyds steelworks.

I think the reason we fought so hard during this campaign, whether it was my father and the work that he put into it, whether it was the rest of our family and the efforts that we put into it - and you know those efforts well - it's because we'd do anything for this country.

Freud was the son of a Jewish merchant who had to move his whole family to Vienna because he couldn't get work. He, as a boy, had to watch his father be mocked and abused on the street for being Jewish... You develop a thick skin and you develop a certain kind of wit to defend yourself.

I had always told my father that before working with him in the same frame as an actor, which I was petrified to do, I wanted to learn from him, so I had pleaded with him for two years before he agreed to write and direct 'Mausam.' It was our dream project and a wonderful opportunity for us to work as a family.

My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, and she got the book and read it. She reminded me that when I was about five years old, I used to sit in the kitchen for hours and talk about my 'other' family in Africa, my other mother and father. I had totally forgotten that.

My enthusiasm for L.A. stems from my father, who was a lecturer in American literature at the University of Birmingham. Through his work, our family did several house swaps with L.A. families. It was a dreadfully daring thing to do in the early 1980s; there was no Internet, so you had no idea of what you were getting into.

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