Quotes of All Topics . Occasions . Authors
Being in Loyola College exposed me to other options and gave me confidence, apart from the freedom to bunk classes. I became a merchandiser and then a garment manufacturer, and interacting with foreign buyers and manufacturing foreign brands in India gave me a high.
What's comfortable to me is familiarity. Comfort has nothing to do with the size of the garment. I do find something quite comfortable and charming in a too-narrow shoulder, a sleeve that's too short or too long, a pant that's too high or too low, hems that are trod on.
The Japanese look most diminutive in European dress. Each garment is a misfit and exaggerates the miserable physique and the national defects of concave chests and bow legs. The lack of 'complexion' and of hair upon the face makes it nearly impossible to judge of the ages of men.
I've worn a lot of humdingers in my time, but as a model it's my duty - my responsibility - to bring life to any garment. That can be challenging when it comes to high fashion, where the creations can be very eccentric, but I've gained a reputation for being the go-to girl who can pull it off.
Dr. King said, 'We are all tied together in a garment of mutual destiny.' Which says to me no matter how well I may be doing in Hollywood, if a young brother or sister in Louisiana, the South Bronx, the South Side of Chicago, South Central Los Angeles - is not doing well, then I'm not doing very well.
I think maybe the vehicle for me was 'Sam Cooke's Greatest Hits.' It has a song called, 'Touch the Hem of His Garment.' Do you know that song? I kind of got obsessed with that song and started exploring and getting more of his old recordings with the Soul Stirrers and really getting into that super, super deeply.
In my research, I learned that the way these twenties pieces are constructed, in one garment, can be very simple, and in others they can be very complicated. That's what made an elusive fit that we can't always get these days. Knowing this, I would like to share some of these secrets and use them in a collection.
When I think about fashion and elegance, I imagine a woman from the 1950s, on an airplane, with seamed stockings and a garment belt underneath, a skirt, high heels, and her hair that she's done the night before, perfectly done eyeliner, lipstick, gloves, perhaps, and all this just to sit on an airplane for a transcontinental flight.
My husband recently made me try on a bikini. A bikini is not so much a garment as a cloth-based reminder that your parts have been migrating all these years. My waist, I realized that day in the dressing room, has completely disappeared beneath my rib cage, which now rests directly on my hips. I'm exhibiting continental drift in reverse.
A word about blue jeans, which, when I was growing up, were called dungarees, one of the more unfortunate marketing ideas of our time: Starting as a work garment for miners, the ubiquitous blue jeans became a staple of the counterculture starting when Brando wore them in 'On the Waterfront' and remained so through the anti-war protests of the '70s.
