However, if you listen to me I think you can hear years of abuse in my voice - both bad abuse and good abuse.

Do you think I want to be the one lone voice against the Hollywood liberal establishment? It's not going to do me any good.

I've said very openly that the first aspect of my artistry to arrive was writing. It took me a good number of years to find my voice.

I joined the church choir because there were these two hot chicks. Then people started giving me compliments. 'You really have a good voice.' Really? I just joined the choir for these girls.

When I recorded 'Cooler Than Me', I had been singing for like, three months at the most. I was just a producer experimenting with my voice on tracks, and now I'm, like, a really good singer in a legit way.

I had years of therapy to recover from this. A lot of it had to with being a people pleaser, being the ultimate good girl. I wanted everyone to like me. I didn't really have a voice. I was afraid of growing up.

I actually had a bunch of songs that I worked on with Jamey Jasta from Hatebreed, but they were too heavy for me because my voice sounds good when I sing clean. It sounds good dirty too, but when I hear my voice sing really clean, that's a special sound.

I always wanted to be a Broadway girl. But once I got Tony-nominated, it really messed with me, because it was like, yes, I'm getting this affirmation that you're right where you're supposed to be, but there was still this voice saying, 'You're not good enough.'

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