The harmonica is a great instrument.

I can play the harmonica with my nose.

I picked up a harmonica and taught myself.

Well, I did a harmonica instruction tape for Homespun tapes.

I sing and play guitar and harmonica. I've been doing it for a long time.

I've been invited to do a trio with a fantastic jazz guitarist and a harmonica player.

I'm always trying to come up with something new and unique. I do a beatbox with a harmonica.

I was messing around with the harmonica... but I was 13 before I got a real good note out of it.

No I don't play bluegrass harmonica or anything like that. I don't listen to country or bluegrass records.

I don't play guitar. I sing. I'm the lead singer, of Cousin Billy. I also play harmonica, after a fashion.

I play, like, 12 instruments. Guitar, piano, harmonica, African drums... I'm working on mastering the accordion.

I play the harmonica. The only way I can play is if I get my car going really fast, and stick it out the window.

I'm a musician. I play harmonica for relaxation. A good way to relax and entertain people. An excellent way to have fun.

I'm quite good on the harmonica and can get a tune out of most musical instruments, so long as the tune is 'Oh Susannah.'

Most people think that I heard Bob Dylan first and got a cap and harmonica. Really, it was Woody Guthrie. He was so influential.

My mum's family would all get together, with guitars, harmonica, mandolins and upright bass and play old blues and folk songs. That was normal to me.

For the record, Jeff Jarret cannot play guitar. Honky Tonk Man cannot play guitar. Elias? Guitar, piano, harmonica, drums, you name it. I can do anything.

And my daddy could play a harmonica and also the guitar, so I guess I got a little bit from both of 'em, but I think mostly from my mother's side of the family.

I play the piano, drums, little bit of bass, guitar. I can play harmonica, a little bit of the ukulele. Pretty much anything that's a strumming, string type thing.

In politics, you've got to have a fallback in our line of work because your career can be over in an instant. Not that I would make much money playing a harmonica.

So I went out and bought Hard Again by Muddy Waters. That was a big learning curve. I listened to that album again and again and again. James Cotton was the harmonica player on that album.

Our last jam session was this past Christmas. Dad played his harmonica, mom sang in English and Italian, and I played guitar. I'm so happy that we could share that musical experience for one last time.

I miss being able to play my instruments - I'm too much of a physical wreck these days. Playing the vibraphone gives me backache, leg ache, and everything-else ache, and the asthma means I no longer have enough puff to play harmonica.

So I played the acoustic guitar and harmonica and stomped my foot and I think I was right in assuming that Greenwich Village would be the best place to perform my own material and possibly get some attention, move on to making records and all.

The rest of the band were basically friends, So it was me following them around and begging them to let me be in their band for two or three years. And they finally let me in on the harmonica, actually, and then the keyboards, and finally the guitar.

My father was in a dance band, and I wanted to do what he did, play the saxophone, but I couldn't blow a note, so he suggested the guitar. Chromatic harmonica was actually my first instrument, and I got very good at it - not quite Stevie Wonder, but very good.

I worked at an old folks' home once in Harlem, and I was an activities volunteer. I used to do all these plays with the old people. I did 'The Wizard of Oz;' it was adapted. There was a guy there who played the harmonica, so we had an overture, and The Wizard was 96.

I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.

Music is like a conversation. One person says one thing that speaks with a harmonica, with a bass, with a drum. They're all conversating, and we're just trying to find a way to make conversation rather than blah, blah, blah. But it's not really so hard a thing to do if you know the way to approach it.

I worked with Jack Nitzsche for 'One Flew Over the Cuckoo's Nest,' and we'd booked a symphony orchestra. He dismissed them and came with a little man who poured water into glasses of different sizes to make a glass harmonica. And most of the music for the film was that - with some Indian flutes and some drums.

In the process of them developing this instrument, I've been playing the melodica in the style I would like the harmoniboard to be played, which is a mix between a harmonica and keyboard. I play with trumpet style techniques. I really like the mobility of being able to step off the piano and bring the music to the audience.

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