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Well, 'Terminator', it's just such an iconic movie in movie history. It's universal. I think it's part of the pop culture of the world.
We don't see the global citizen as someone with no identity, but rather someone who has confidence and is proud of his culture and history - and... open to the modern world.
Much of how Americans have always understood their history, culture, and identity depends on positioning Europe as the 'other,' as that 'old world' against which they define themselves.
I think there's no city quite like New York, and I've seen most of the developed cities of the world. I admire this place, its energy. It's the repository of so much history and culture and diversity.
When you are 'world building,' people will oftentimes judge how well you built your world. They want to know: Is the culture believable? Does it feel like it has a history? I try very hard to pay attention to details.
What we're seeing is a backlash against any attempt, whether from the world of scholarship or popular culture, to paint non-white people back into the British past. Those of us who write about this history have long been familiar with this.
Whenever you're writing a book or creating a movie or a game, your first task is to get the reader/audience/player to suspend disbelief, to buy into the logic and boundaries of your world, even though those boundaries might include things like dragons and magic. To do that, you need long threads - of history and culture.