From the beginning, it has been a no-no for a black man to touch a white woman.

We all require and want respect, man or woman, black or white. It's our basic human right.

I felt Helen Willis was in tune with the situation of a black woman married to a white man, and she had no problem being black.

Binaries, whether it's 'man' or 'woman,' or 'black' and 'white,' were created to separate us. So without binary, there is only 'us,' which makes us all equal.

'I Spy' represents the absence of the tension of the black man or black woman or anyone of that color walking in, so that the white racist person can become entertaining to a viewer.

Even before Barack Obama and Hillary Clinton threw their exploratory committees into the ring, every reporter seemed to be asking, 'Which candidate are Americans more ready for: a white woman or a black man?'

When a black man is stopped by a cop for no apparent reason, that is covert racism. When a black woman shops in a fancy store and is followed by security guards, that is covert racism. It is more subtle than 1960s racism, but it is still racism.

I think the 'New York Times' reviews overall tend to overlook popular fiction, whether you're a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction.

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