There's little kids on trains coming up to me, singing my theme song, and they can barely walk.

When a song came on the radio that I wanted to learn, my mother would quickly write down the lyrics for me. Soon after, I would be singing it.

Be it while recording a song or singing to a live audience, I still get nervous. I feel that is very important. This is what makes me perform well.

As 'Dilbar' has become a huge hit internationally, including Middle East, we have taken the song and re-composed it, written Arabic and Moroccan lyrics, and we recorded, with me singing with Fnaire.

I was singing a lot of waltzes. And I was with Jerry Kennedy, my producer, and he was playing me some songs, and he said, hey, I want to play you this song that I'm going to get Jackie Ward to record.

When I'm up on stage, I don't think about anything except the song I'm singing. Anyway, the majority of my audience is female, and I can't think that many of them want to see me a French maid outfit somehow!

Most people in the U.K. discovered me playing a standard on Parkinson. In America, it was on VH1 singing an original called 'All At Sea,' which is a contemporary pop song. So the people that know me there tend to think of me in the singer/songwriter category.

The bass line is the anchor for me. I started with the bass, and either doubled that and then added the harmonies, or sometimes added my own harmonies that I've always wanted to sing on the song. And then it just went on from there - singing violin parts and trumpet parts and just trying to emulate the sounds of the instruments.

Share This Page