You close the door on me and tell me I can't, I'm gonna find a way to get in.

I just want to find a way to stay consistent as a ballplayer, and I know my team wants me to do that.

Most of those melodies are me trying to find out what notes fit, and then hitting ones that don't fit in a very interesting way.

I just go my own way. If my agent calls and presents me with something, and I find it refreshing or illuminating, yeah, I'll do it.

When you hear extraneous noise, they are bored in some way, so it makes me upset. Even coughing, I find, is passive-aggressive, usually.

I don't like fame, I prefer to have no profile. But this is not possible for me. This is what I do, so I just have to find a way of being comfortable with it.

I don't outline at all; I don't find it useful, and I don't like the way it boxes me in. I like the element of surprise and spontaneity, of letting the story find its own way.

I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.

Usually, I use writing as a way to figure out things about me, and I get scared pretty easily about everything. I deal with a lot of depression, so I usually use it as way to find some relief from that.

I really wanted to make 'Everest' visceral, real. One thing that amazed me when I was scouting in base camp is the volume of Everest: It's humbling. I wanted to find a way to bring that to the screen. One way was 3D.

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