I was just going more for what I've always been influenced by, European music.

The films, the music, the telly that I like is always a little bit more on the margins.

I always liked music that was melodic, but that had something a bit more wonky and odd going on too.

Dilla was a John Coltrane-type dude. He was always on a higher level. He inspired my music to become looser and more soulful.

I always loved music and was drawn to it and affected by it. But it wasn't until I got to San Diego that I started exploring music more.

I've always appreciated more guitar-driven and, in general, just rock music; that's what I listen to. I don't really listen to electronic music.

I've always said, I thought the Sex Pistols was more Music Hall than anything else - because I think that really, more truths are said in humour than any other form.

I think it was inevitable that I get into synthesizer music. I always wanted to deal with sound more than anything else. I couldn't get the sounds I wanted out of the piano.

I would say, generally speaking, though it is not always the case, comedy is probably the least gratifying for most composers because it is more specific about what the music needs to do.

In Jamaica, them always have throwback riddims, recycled old beats, and the hardcore reggae scene is always present. You have faster stuff like the more commercialized stuff, but you always have that segment of music that is always from the core, from the original root of it.

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