It's pretty weird to me that our music is as popular as it is.

In a weird kind of way, music has afforded me an idealism and perfectionism that I could never attain as me.

It's weird because it almost takes something like Chickenfoot to make me realize why I was playing music in the first place. And that's to have fun.

My parents were just really weird and protective about the music I listened to. Whenever I wanted to buy an album, they would have to buy it first and listen to it and let me know if I could have it.

I think people hire me for the slightly weird angle that I bring. Part of the trick is keeping it sort of simple; you have to give the impression of not that much music playing when there's really a lot.

I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.

I don't think when I'm doing music. Things just happen. I've even taken my clothes off while performing. But then I'm so shy that I can't even take my clothes off in the dressing room, even though it's just the other guys in the band in here with me. It's really weird.

When fans come to me, and they say, 'You're my favorite singer in rock music,' and I go, 'What about Steven Tyler?' 'No, I like you better.' 'What about Robert Plant?' 'I like you better.' That's kind of weird to me, because I'm like, 'No, dude - Steven Tyler and Robert Plant are gods.'

To me, skin is alien and kind of weird; it weirds me out. It's strange, but it's also really intimate and personal; it's living, organic. That's how I want the music to sound; I want it to feel alien and strange, but also like it's got a heartbeat, like it's got a soul, like it's not made by a robot.

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