I get tons of messages every day telling me, 'Your music has provided me with answers.'

The Smiths was an incredibly personal thing to me. It was like launching your own diary to music.

When they talk about music getting in your blood, I understand exactly what they're talking about, because that is me.

For me, music is this incredibly cerebral trip. You turn on the radio or put on a record, and it's your song, it's what you see.

Road trips to me are just such an escape. You listen to your music, and you roll the windows down. You're usually going to somewhere fun.

That's absolutely one of my main goals, to have a number one on Billboard. That's a big thing for me. That means people are buying and listening to your music.

For me, rockabilly is very, very exciting music. It's electric and kind of wild, you know? It's 'make your hairs stand up on the back of your neck' kind of music.

Videos have to go hand in hand with your music, so that's why, ultimately, they should be created by the artist. And if they're not, it doesn't really add up to me.

Playing my music to fans and people enjoying it is what matters; that makes me happy as an artiste. If you start worrying about awards, you will lose your creativity.

People in England were coming up to me, saying, My mother and father turned me on to your music. This happened to me 20 years ago. When I was 40 they were saying that.

I'll talk all this craziness in my music, but when I have your attention, and you're listening to me, I'll talk about what I want to talk about and what I think we need to address.

During college, I collaborated with another YouTuber and musician, Shankar Tucker. He told me, 'You can do music on YouTube and it's a viable way to put out your songs' and it worked out.

I loved the music, but the excesses of rock n' roll never really appealed to me at all. I couldn't see the point of getting up in front of a lot of people when you weren't in control of your wits.

When you're talking about your own music every day, listening to bands, going to festivals, you can kind of lose sight of your initial connection with music. Instrumental music - especially jazz - helps me refocus.

To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?

You wash your hands when you shake a bunch of hands. You have to wash your energy when you're around people. It's hard for me to say self-care is washing, although I think it is. So I made music for self-care. That's what it's for.

I don't like to define my music. To me, music is pure emotion. It's language that can communicate certain emotions and the rhythms cuts across genders, cultures and nationalities. All you need to do is close your eyes and feel those emotions.

I wanted to be a vet, a nurse, a chef - I mean, anything but the music industry. But once I hit high school, the bug really bit me. You can't deny where you come from and what's in your genes, and music definitely was. I haven't looked back since.

I met Kim Kardashian the other week, and she knew who I was! I walked in the room, and she was like, 'I should text Kanye saying you're here; he showed me your music.' It's really hard to digest. Also, I don't think you should digest stuff like that.

What surprised me most about fame is how unpleasant it can be. I used to think it was going to be so fun. I got excited about the parties. You don't anticipate friends being jealous of you and critics giving your music bad reviews. Media and rumors - that stuff hurts.

For me, fiction isn't very cathartic. It can be a broad, long catharsis, but it's a whole different thing - whereas music is physical. Essentially, it goes in through your ear. Fiction is cerebral, necessarily. It can do emotional stuff. But they don't really compare - not for me.

Could a person really make a social contribution through music consciously? I mean, beyond making a person happy to hear the song and more making a social contribution consciously through your music? For me, Stevie Wonder is the paragon of that. And I didn't want to be Stevie Wonder, but I did want to do what he does.

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