My failures have made me look at myself in a way I've never wanted to before.

People can look to me as a teacher, but I consider myself a student of hip-hop.

Sometimes getting beaten isn't such a bad thing. It gives me a chance to look at myself in a new way.

I think 'Hamilton' has made me look at myself deeper as an artist and what I'm looking for as an artist.

When people look at 'Aadai's posters and say that I've attempted something bold, it actually reflects me being secure about myself.

When I look for self-help books for myself, I used to be scared that I was going to pick up a book that would depress me even more.

I look back at my old school journals, and they're full of self-hatred, full of me condemning myself for not being prettier, richer, more popular.

People ask me about my limp. I say, 'You know, I don't know how bad it is, because I don't watch - I don't watch myself.' I don't look at it. I don't.

I have no problem with nudity. I can look at myself. I like walking around nude. It doesn't bother me. I see all the people walking around nude; it doesn't bother me.

I have groomed myself over the years. When I started, I had skin problems, and had no idea what look suited me. I have put in a lot of efforts and worked hard on every aspect.

I complained to my mother about wanting to look less like myself and more like my friends. My mother then gave me a lesson in embracing my differences and loving them despite what others said.

I definitely don't look at myself as a 3-point shooter, but when we're playing three big guys, I find myself on the perimeter a lot, and they leave me alone. I've got to knock it down or do something with it.

I married somebody who likes the way I look. If I changed my hair every year, and I reinvented myself in time-honoured pop fashion, I think understandably the person I'm married to would grow slightly sick of me.

Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.

I never consider myself a minority. I see people who look like me in Barbados, in Trinidad, in Haiti, in London, and in Brooklyn. So I don't know what the heck anyone means when they call me a 'minority.' There's something about that word to me. It just minimalizes people.

I don't relate to people that look like me. I find it deeply unsatisfying to play a version of myself. It was something I had to figure out really early on, when I was at RADA, because I was being cast, over and over again, as the young, virginal thing. When I left RADA, I was on an absolute mission to never wear make-up.

What's interesting for me is that I generally consider myself to be more of a physical actor, and I'm somebody that doesn't really want to use the dialogue but prefers to act through my body, and then sometimes when I have a script, I look and kind of throw away the dialogue and I just look at how I can expressive it through my body.

I think the lies I make the most are in regards to my hopes and intentions for myself. As for lies I tell other people - I will certainly tell lies. When somebody is very ill and looks awful, and you tell them they look nice. Or if you just ate the last cookie, if someone asked me if I ate the last cookie, I would definitely lie about that.

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