When I had those injuries in college, I had all of these conversations with coaches about protecting myself. It was a constant internal struggle for me.

After ten years of struggle I reached somewhere, and then I see some people pulling me down. I tell myself that if this is what singers have to go through, I would never let my kid enter this field.

It was such a struggle for me to make it off welfare. I was getting $630 a month for myself and my children with no support from their fathers. The rent was $600 a month, and if you got a job, they took it out of your welfare.

I wanted to express myself. I wanted to be creative and I didn't want to worry about someone bossing me around in the process. You have to struggle no matter where you are to get to where you're going, so I'm like, working it honey!

The thing is I really struggle with commitments, so committing myself to six months to a year in a soap opera... I don't think it would suit my lifestyle. A few days working on a project is enough for me, and then I get bored and am ready to move on and do something else.

My favorite song on the album is 'Paper Doll' because I think it's a message that a lot of people need to hear, and it's about something that a lot of people struggle with. But I don't victimize myself in the song and I don't allow the person who's trying to intimidate me get to me.

The struggle through the grief was a huge growing process for me. There were gifts that came from it. I learned a lot about myself. I got into a mode very much like my father's own mode of seeking - seeking solutions, seeking teachers, seeking information - to try to alleviate my own suffering.

My biggest thing has always been privacy. With an interview such as this where the questions are about me, I struggle to express myself. I have an immediate answer in my head of what I'd say, but sometimes I feel that it would be too honest. So these wheels of censorship start going around my head.

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