Quotes of All Topics . Occasions . Authors
Since I've been in Manchester, people recognise me all the time in the city. And they have been very kind to me.
For me, I was really lucky to go to a city like Chicago where the team was struggling at the time, and I was able to go in and play right away.
If you really want to follow me and know what I'm doing, it's Instagram. You know which city I'm in and what I'm doing. It's almost in real time.
And we did it because it's time for City Hall to stop looking out for City Hall and start looking out for the people like you and me who are footing the bill.
But when I came back into the city for the first time last November, I thought every truck, every building was going to blow up. It has truly changed me something fierce.
I spend half my time in Montana, the other half in New York City. In unique ways, both places help me unwind, and both are the most satisfying places to live I can imagine.
It was important to me to become day-to-day fluent and functional in another language, and about 10 years ago, I went to Rome for the first time and felt an instant gut connection and wanted to get to know the city.
But I've got a lot of ideas, I bought me a ranch in Florida and I still have my farm in Ashland City, Tennessee so I'm gonna spend a little time at each one of those places and you'll probably hear some more songs out of me.
I'm street smart. You can't con me. But that's just from living in New York. Now if a guy came from Mississippi somewhere, Ohio somewhere, to New York City for the first time, he don't have the street smarts. You can take him.
I like going to New York because I don't get recognised there - although, the first time I was there, I'd only been in the city an hour when the tallest guy came up to me on Fifth Avenue and said my name, gave me a high-five, and then just walked off.
During one of his uncannily well-timed impromptu visits to my restaurant, Union Square Cafe, Pat Cetta taught me how to manage people. Pat was the owner of a storied New York City steakhouse called Sparks, and by that time, he was an old pro at running a fine restaurant.
The script for what would eventually become my first graphic novel, 'Cairo,' sort of came to me in kind of a bolt of lightning within 24 hours of having moved to that city. Just a jumble of characters and narratives and interesting things that I was seeing and experiencing for the first time.
Even a liberal city will have a prehistoric homophobe. After a show in Washington State, this guy came up to me and said, 'Your shows was a lot funnier before you started in on your agenda.' I told him, 'Please, please keep people like you from coming to my show. I'm glad you had a bad time.'
I had proposed to HBO a series about the city cops in Rome at the time of Nero. What had interested me was the idea of order without law. The Praetorian Guard, who were the emperor's guards, understood how they were to proceed. But for the city cops, who were called the Urban Cohorts, there was no law at all.
The first comic book I ever bought, I was in third grade. It was 'Avengers,' I think, #240. I grew up in Kansas City. And I walked into a 7-11. I had seen, like, 'The Hulk' TV series. I knew about comic book heroes. I knew about it, but I hadn't actually had a physical comic in my hands until that time. And it was a big deal for me.