I really like the thing I did with Martina McBride. I had that song sitting around for a long time.

Sometimes I might borrow something from a song I started a long time ago and see if I can grab something.

The first song that I had that went platinum was 'Keep Your Head Up,' which was a long time ago. Then, you get 'one-hit wonder' with that.

We used to do 'Venus' live for a long time but never got 'round to recording it because people would always say it's too old-fashioned a song.

'MMMBop' took about a year to actually get completed. The chorus idea had really been around for a long time, and then we built the song around it.

After struggling for so long in the industry and writing so many failed songs and hearing 'no' for so long - I'm so grateful every time I hear a song that I was a part of on the radio.

I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.

It's so liberating to play a song in front of 50,000 people that you've never played before. Not something you played a long time ago and have forgotten: Never. Played. Before. There's something magical about it.

If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.

I've had this song in a drawer for a long time, maybe seven or eight years. Every time I'd do an album, I'd take it out and listen to it, and always liked what it had to say. Plus when Garth came in and sang on it, that made it really special.

Widespread Panic discovered a couple of my songs and started doin' 'em on the gigs. They'd take a song and expand it and everybody plays a long time and people really like that. But I made my living as a songwriter so I try to get to singin' and get it over with.

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